Upcoming: Rosencrantz and Guildenstern Are Dead by Tom Stoppard, San Antonio Shakespeare at Jump-Start Theatre, February 12 - 27

UPDATE: rave review by Ashley Lindstrom at San Antonio Current, February 16

UPDATE: review by Michael E. Barret for San Antonio Express-News, February 18

Found on-line:

announces its the inaugural main stage production!

Rosencrantz and Guildenstern are Dead
by Tom Stoppard
February 12 - 27 at the Jump Start Theater.

Tickets are now available for San Antonio Shakespeare's inaugural production of Rosencrantz and Guildenstern are Dead. The show runs from Feb 12-27 at the Sterling Houston Theater inside the Blue Star Art Complex. Thursday, Friday and Saturday shows start at 8 p.m. and the matinee on Sunday, February 21 is at 2:30 p.m. The box office opens 30 minutes before show time.

Tickets are $15 in advance online by credit or debt card or $18 at the door (cash only).

The company is proud to announce the cast list for Rosencrantz and Guildenstern are Dead:

Rosencrantz: Michael Burger
Guildenstern: Brandon Sasnett
Hamlet: Robert Jerdee
Gertrude: Christy Huffman
Claudius: Jason Smiley
Ophelia: Susana Lopez
Polonius: Rick Lukens
Player King: Greg Hinojosa
Players: Morgan Scharff, Courtney Coston, Mellissa Marlowe, Pamela Kenny
Alfred: Walter Miranda

Director: Matthew Byron Cassi
Dramaturge: Isaac Martin

for more information, email info@sanantonioshakespeare.com
for school group rates or educational tour, please email edu@sanantonioshakespeare.com
See San Antonio Shakespeare on Facebook!

She Stoops to Conquer, Classic Theatre, San Antonio, October 15 - November 1

She Stoops to Conquer, approaching its last weekend in San Antonio, is elegant, witty, and stylish. Director Allan S. Ross recreates the conventions of the 18th century English theatre, including the use of a nearly bare stage, a painted partition at the rear, and the actors' respectful but self confident manner acknowledgement of the ladies and gentlemen of the public.

Goldsmith's work is a clever comedy of manners in which the men are all self-important bumblers of one sort or another and the women are there to set them right. There's rakishness; tom-foolery; and a decisive old harridan ruling her country manor, her husband, and her foolishly impulsive son. And, of course, courtship.

Read more at AustinLiveTheatre.com . . . .