The Village Voice gave this Annie Baker comedy its Obie (off-broadway) award this year for best new American play and gave another Obie to the cast for their ensemble work. So you can expect an amusing evening when you stop by the Hyde Park Theatre to see them do their second play this year by the 29-year-old Annie B. They delivered her Body Awareness just this past April.
Director Ken Webster and the gang like to play hardball, but this one's a change-up. The familiar and welcome crew of HPT regulars, plus returning company member Rebecca Robinson, are pitching slow softballs and having as much fun with it as kids at a 4th of July picnic.
The set-up is simple. James, the manager of the community center, encourages his wife Marty in her notion of offering a six-week class in creative drama. Three individuals respond. We a watch a succession of short scenes depicting the evolution of Marty’s well-intentioned efforts to help these strangers liberate their creativity.
Circle Mirror Transformation is not, strictly speaking, a comedy. It’s a quiet little drama about needing to make connections and the potential costs of reaching out. Marty is not teaching acting or drama at all; she is dabbling in some very powerful juju. Back in the 1960s and 1970s many folks were attracted to the highs of encounter groups, an approach to group dynamics defined by Gestalt psychologist Kurt Lewin and pioneered in the United States by the National Training Laboratories. During a lost time in graduate school I participated in three full weekends of assisted but undirected “T-Group sensitivity training,” an experience from which I have probably not yet fully recovered.
No comments:
Post a Comment