Spider's Web, Different Stages at the Vortex Repertory, July 2 - 24

You don't see much of Agatha Christie in the United States any more, except perhaps in public libraries and the occasional revival of one of her many plays. Airport newstands will offer you thick paperbacks by Clive Custler or Sue Grafton or any of a number of other contemporary producers of blockbusters.

Different Stages does us a service by providing an accomplished and amusing production of her mid-twentieth-century curio, Spider's Web. Most of Dame Agatha's familiar elements are there: an isolated old manse in the countryside, a collection of proper, well brought up English folk, a murder and some earnest police officers trying to clear it up. There's a mystery to solve -- who assaulted the despicable Oliver Costello with a blunt object in the secret passage? Christie is very sporting with her puzzle, scattering clues along the way like Hansel and Gretel dropping breadcrumbs in the woods.

Spider's Web is a comedy rather than a thriller. Clarissa, the vivacious young wife of a much older British diplomat, happily plays country hostess as husband Henry, all atwitter, rushes off to deal with Foreign Office business. She teases and charms the three men visiting from London -- her former guardian, who has been knighted; a half-deaf old country duffer; and a young man from London who courts her shamelessly. Mix in a couple of eccentric servants, the wicked dope dealer who gets bashed, and the plods from the local constabulary.

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