The Most Fabulous Story Ever Told, City Theatre, June 10 - July 4

Paul Rudnick's play is cleverer and better crafted than you might suspect, given all the no-neck scandal over his playful recasting of biblical stories in goofy, unabashedly gay terms. The company plays the first act hysterically over the top, with flamingly naughty versions of the creation story and of the tale of Moses and the pharaoh, and almost -- almost -- a lesbian immaculate conception.

Adam and Eve become Adam and Steve, for example. In the paradise created progressively by that disengaged female stage manager ("Cue third day!"), they find one another dressed only in green jockstraps with fig leaves, and they explore the unexplained deights of the body like a couple of unsupervised kindergartners. The stage manager calls a timely blackout when the boys check out one another's little things, but we do get an eyebrow-raising simulacrum of anal intercourse.

Adam (Austin Rausch) follows his tempted curiosity out of the garden, plunging them all into the harsh world. Two women, firmly attached to one another, turn up -- Jane and Mabel (cf., Cain and Able, though the only close resemblance is in the names).Through their comic trials, flouncing Adam and sweet-natured Mabel (Chrissy Shackleford) intuit something more, something spiritual, but they're never quite able to express it. Neither matter-of-fact Steve (Marco Bazan) nor grumpy Jane (Katie Blacksmith)is buying that idea. Adam catches his breath, stunned with the happiness of the present moment and yearning to celebrate and to express thanks to someone - something. God? "Not in my house," returns Steve, his mouth tight and dismissive.

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