Thursday, March 14, 2013

MAD BEAT HIP & GONE by Steven Dietz, Zach Theatre, April 3 - 28, 2013

ZACH Theatre Austin TX

(Zach Theatre, S. Lamar at Riverside (parking on Riverside and on Toomey Rd, one block south), 

presents the world premiere of

Mad Beat Hip & Gone Steven Dietz Zach Theatre

 A coming-of-age comedy about the beat generation

at ZACH’s Topfer Theatre, S. Lamar at Riverside
April 3-28, 2013, Wednesdays - Saturdays at 8 p.m., and Sundays at 2:30 p.m.

Champagne Opening and Press Night is Thursday, April 11 at 7:30 p.m., followed by a reception with the stars of the show. Happy Hour Theatre is April 3 ($28 tickets for patrons under 30, plus a reception beginning at 6:45 p.m. and a post-show party). LGBT Wilde Party with pre-show mixer is Thursday, April 4. Performances continue through April 28, 2013. Four weeks only!

To order tickets call 512-476-0541 ext. 1 or visit Tickets range from $25-$65. Student Rush Tickets: $18 one hour before showtime (with valid ID). ZACH’s full bar featuring signature cocktails and hors d’oeuvres opens 90 minutes prior to showtime and remains open for one hour post-show.

Mad Beat Hip & Gone Steven Dietz Zach TheatreFree Balcony Play Festival also begins April 3

ZACH Theatre – Austin’s Theatre and Texas’ longest running theatre, in the first season its new Topfer Theatre, co-commissioned by the University of Texas at Austin College of Fine Arts, presents The World Premiere of MAD BEAT HIP & GONE written and directed by STEVEN DIETZ (Becky's New Car, Shooting Star)

Steven Dietz, one of the most-produced playwrights in America, who also calls Austin home, created this world premiere specifically for ZACH's first season in the new Topfer Theatre. MAD BEAT HIP &GONE is a coming-of-age comedy that chronicles our rich and elusive dreams, immersing audiences in the cultural phenomena of the beat generation.
In the late ‘40s and early ‘50s, Jack Kerouac and Neal Cassady famously went "on the road." But what about Danny Fergus and Rich Rayburn — the young guys in the car right behind Jack and Neal, the guys whose history never ended up in books? What were these kids searching for in those "mad days" of "gone kids" trying so hard to be hip? Chock-full of smooth live jazz and exuberant theatricality, MAD BEAT HIP &GONE answers these questions and more as it takes audiences on a journey back in time.

ZACH’s Producing Artistic Director Dave Steakley says: “I’m thrilled to produce the world premiere of Steven Dietz’s new coming-of-age comedy MAD BEAT HIP & GONE, which was commissioned by the University of Texas College of Fine Arts. Steven teaches playwriting at UT, and it’s no secret we are big fans of his work, having produced his plays Shooting Star, Fiction, and Becky’s New Car. I’m in love with his new play, which sings with the beat poetry style made famous by Jack Kerouac and possesses Steven’s sly sense of humor and gift for a turn of phrase. The play also involves a live saxophone player on stage who interacts with the actors, punctuating the comedy with jazz riffs in a clever call and response.”

Of his long-time relationship with ZACH, Steven Dietz says: “I need ZACH Theatre – it is because of their bold and populist artistic aesthetic that I was inspired to create this story.”

ZACH’s production of MAD BEAT HIP & GONE features an all-star cast including: JACOB TRUSSEL as Danny, JON COOK as Rich, ERIN BARLOW as Honey, BABS GEORGE as Mrs. Fergus and RICK ROEMER as The Alberts.

Scenic Design by MICHAEL RAIFORD · Lighting Design by MICHELLE HABECK · Costume Design by SUSAN MICKEY · Sound Design by CRAIG BROCK · Video Design by COLIN LOWRY · Properties Design by JUSTIN COX · Stage Management by CATE TUCKER·

MAD BEAT HIP & GONE Previews April 3-10.

ZACH’s production of MAD BEAT HIP & GONE is presented by 3M and supported in part by an award from the National Endowment for the Arts.


In conjunction with MAD BEAT HIP & GONE, ZACH will launch the Balcony Play Festival – consisting of a series of 10-30 minute plays performed free for the public prior to mainstage productions. Drawing inspiration from the Juliet-style balcony overlooking the main entrance of ZACH’s new Topfer Theatre and from famous balcony scenes from plays and musicals, these new plays will invite a diverse audience of patrons and pedestrians alike to gather on ZACH’s People’s Plaza to enjoy this original, site-specific work. ZACH Associate Artistic Director Sarah Rasmussen (Head of MFA Directing Program, UT Austin and Associate Director, Black Swan Lab, Oregon Shakespeare Festival), will build on ZACH’s partnership with UT, involving MFA students in both the design and direction of the plays.

About ZACH Theatre ZACH Theatre is Austin’s leading professional producing theatre, employing more than 600 actors, musicians, and designers annually. Founded in 1932, ZACH is the longest running theatre company in Texas, serving 95,000 adults and youth annually. ZACH creates its own nationally recognized plays and musicals that ignite the imagination, lift the spirit, and engage the community under the proven leadership of Producing Artistic Director Dave Steakley and Managing Director Elisbeth Challener. Now in its 80th year, ZACH continues to expand and engage with Austin, adding the new 420-seat, 32,000-square-foot Topfer Theatre to its performing arts campus, nearly doubling ZACH’s capacity while retaining its hallmark intimate theatre-going experience. Visit for more information.

For real-time updates on ZACH Theatre news, events and happenings, visit, like ZACH on Facebook, and follow ZACH on Twitter @zachtheatre

ZACH Theatre is sponsored in part, by Applied Materials, Austin Catering, Four Hands Home, Holiday Inn-Lady Bird Lake, Kirk Tuck Photography, Marquee Event Group, OnRamp, Austin American-Statesman, KXAN TV 36, and Time Warner Cable; and by grants from Junior League of Austin, The Shubert Foundation, The National Endowment for the Arts, Texas Commission on the Arts, and the City of Austin through the Cultural Arts Division, which believes an investment in the arts is an investment in Austin’s future. Visit Austin at

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