This mischievous comedy deserves a better title. By calling it Well, Lisa Kron implies that it's about exactly the opposite: about illness. That subliminal message is reinforced in Different Stages' press releases.
Even an impish twist of punctuation would have done it. Call it Well? so as to capture the mother-daughter dialogue at the heart of the play, in which monologist Lisa Kron pushes beyond the strictures of stand-up comedy and tale-telling, confiding to the audience that she's going to bring her very own mother onstage to illustrate her stories. Jennifer Underwood is in fact right there on stage as you enter the theatre, snoozing in her La-Z-Boy armchair in a nest of newspapers, files, kitsch and collections, and she doesn't wake up until Sarah Seaton as narrator/monologist has confided this approach to you.