The solo monologue is one of the purest demonstrations of the art. These six women come individually to you in the intimacy and immediacy of the City Theatre's small house. In each scene the actress takes that text with your complicity and, before your eyes, becomes the character.
"Jane Martin" is probably a pseudonym for Jon Jory, who has directed all of her ten plays. The mysterious Jane has never been seen. She twice won the American Theatre Critics' award for a new play and was nominated for a Pulitzer prize. Jory simply declines to discuss the matter -- perhaps a ploy, perhaps an artist's staking out the liberty to explore his feminine side.
Because each of these characters is vividly, irrevocably female. Michelle Cheney as the actress finishing her makeup as "fifteen minutes!" to curtain time is called; Renee Brown as the housewife who escapes daily reality; Wendy Zavaleta as a daughter grieving the death of her otherwise indomitable mother; Jennifer Coy as a brash auditioner perfectly willing to use blackmail; B.J. Machalicek as a dreamer at McDonald's; and Marsha Sray as a girl explaining the meaning of baton twirling.
That's just the first act.
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