Showing posts with label Jenny Marie Jemison. Show all posts
Showing posts with label Jenny Marie Jemison. Show all posts

Tuesday, November 10, 2009

Upcoming: Falling by Dan Solomon, a staged reading, November 21


Received directly:

Falling

a staged reading of a new play by Dan Solomon
with Jennymarie Jemison and Spencer Driggers

When Jessica went to bed on the night of September 10th, 2001, she wasn't sure that she and her husband Adam would be together by the end of the year. By 10:30 the next morning, that question seemed to be rendered irrelevant - he worked on the 95th floor of the North Tower.

Three years later, getting an answer has only become more important, but that leaves her with an even more pressing question: How much is she ready to learn about what was happening with Adam before the towers fell?


12 noon, Saturday, November 21st
Dougherty Arts Center
1110 Barton Springs Rd (map)
free admission


Sunday, June 21, 2009

Touch, Vestige Group at Hot Mama's Espresso, June 18 - July 3






The Vestige Group starts
Touch at 9 p.m., under a tall tree in a street-side courtyard by an empty coffee shop on east Sixth Street.

At night the neighborhood has a deceptive air of abandonment. Both the warehouse across the street and Hot Mama's Espresso sit within a tight triangle of railroad tracks near modest apartment buildings. Traffic is sporadic on Sixth Street, just behind the row of plywood partitions.

Touch is quiet but focused. Though there's a cast of four, this piece is principally a monologue by Andrew Varenhorst. He portrays Kyle, an already introspective man driven further inside himself by the loss of his Zoë, the wife whom he adored.

This staging is an eerie experience, as if the audience were posted somewhere deep within Kyle's head. He goes obsessively over their meeting, their life together, the blank catastrophe of her disappearance and his discovery of her six weeks later in the New Mexico desert.


"Zoë" or "Zoe" is Greek for "life." Kyle's relation makes clear that from the moment that she chose him in high school, the extravagant, attractive Zoë became his life, transforming his outcast existence, motivating him and animating him. We never see Zoë or directly hear her in this piece. That absence entirely shapes the narrative. Kyle's monologue is interrupted periodically by re-enactments, as if we were reliving with him other, non-Zoë episodes from his life.

Read more at AustinLiveTheatre.com . . . .