Auditions for To Be Continued, Stiletto Productions, March 6

Auditions for To be Continued..., a new play by Cliff Butler, based on the novel Eternity by Ned Snead, directed by Jenny Lavery. Produced by Stiletto Productions and the Snead Institute.
Auditions will be held on Tuesday, March 6 from 7- 9 p.m. at the Salvage Vanguard Theatre, 2803 Manor Rd. (click for map) Callbacks will be Wednesday, March 7 from 7-10 p.m. at Salvage Vanguard Theatre.

5 men, 20s - 70, one woman 11-15. Equity & Non-Equity Actors encouraged to audition. All roles are paid. Please email amylm10@gmail.com by March 5 to schedule an appointment. If you are unable to make the above mentioned time, please let us know. Allow 24 hours for confirmation of you audition slot. Thank you.

REQUIREMENTS: Please prepare a monologue, no more than 2 minutes. Bring a head shot and resume.

Performance dates: May 17-June 3, Thurs-Sat at 8 pm, Sun at 2 pm Rehearsals: March 19th-May 16, evenings and weekends

SYNOPSIS: The play chronicles an older man remembering his life/lives while he questions his legacy. What does he leave behind? What will he be remembered for? Does one's life or legacy even matter?

Click to view character list and descriptions at AustinLiveTheatre.com

Putting It Together, a Stephen Sondheim musical presentation, Austin Community College, June 24 - July 3

This is Sondheim song season. Not just because 81-year-old master incarnates the tunesmanship of Broadway of the last 50 years, but because his tunes and music so deftly capture the dreams of those sophisticates who have populated his audiences. Yes, his breakthrough was as the lyricist for West Side Story, but as this compendium song performance illustrates, Stephen Sondheim portrayed with wit and acumen the sentimental lives of Americans.

Dr. Jimmy Shepherd of Austin Community College has assembled a bright and attractive ensemble of six talented and confident students to perform with him and an eight-piece orchestra in Putting It Together, two hours of music that pauses only for a ten-minute intermission.

Sondheim cognoscenti will certainly place each of the 31 numbers in the appropriate theatre musical. The rest of us can treat this performance as a trove of unpredictable amusements and delights. The man knows the American heart and the full scale of gradations of love.

[image: Christina Ortiz]

Read more at AustinLiveTheatre.com . . . .