Showing posts with label Scott Shipman. Show all posts
Showing posts with label Scott Shipman. Show all posts

Wednesday, October 30, 2013

PETER PAN, THE MUSICAL, Georgetown Palace Theatre, November 15 - December 30, 2013




Georgetown Palace Theatre TX
Peter Pan, The Musical, flies onto the Springer Memorial Stage of the Historic Palace Theatre in Georgetown from November 15 to December 30 for your holiday enjoyment! The charm of Sir J.M. Barrie’s 1904 play brings you that lovable creature, Peter Pan, along with Tinker Bell, the children (Wendy, Michael, and John), plus Indians and Pirates! Combine these delightful characters with show-stopping songs such as I Won’t Grow Up, I’m Flying, and Never Never Land, and you have a timeless classic that has become one of the world’s most celebrated musicals. (The music is mostly by Mark Charlap, with additional music by Jule Styne; and most of the lyrics were written by Carolyn Leigh, with additional lyrics by Betty Comden and Adolph Green.) Seven weekends plus several December weeknight performances bring 25 opportunities to experience the joy of this musical adventure at Georgetown’s Historic Palace Theatre!

Ron Watson, on the Palace Staff as full-time Technical Director, brings his talent and experience to the table as Director of Peter Pan, The Musical, having directed (among many other successful musicals) The Wizard of Oz in 2011 and South Pacific in 2013. Jesee Smart, who also choreographed the great dance moves in the Palace’s South Pacific, brings her flair and expertise to the job of Choreographer for Peter Pan, The Musical. Vocal Director Michelle Hache excelled in the role of ‘Bloody Mary’ in South Pacific and is now a valued vocal instructor in the Palace’s Education Program. Rose Yurcina, most notably seen as ‘Dorothy’ in The Wizard of Oz at the Palace, is flying again as Peter Pan! Scott Shipman, ‘Mr. Trevor Graydon’ in the Palace’s Thoroughly Modern Millie, brings acting credits from Austin (Zach Theater and Austin Lyric Opera) as well as the Shakespeare Institute in England.

The Palace’s 2013-2014 All-Star Season has two very generous sponsors: HEB and the Texas Commission on the Arts. In addition, Landreth Construction, an experienced concrete contractor in Round Rock and the Austin area, is a significant sponsor of Peter Pan, The Musical.

All flying in the Palace production of Peter Pan, The Musical, is done with equipment and professional training from Hall Associates Flying Effects, whose standard is: “The primary principles of Safety, Innovation, and Collaboration are at the core of our mission. We provide whisper-quiet flying systems, which offer remarkable flexibility, the highest quality, and unparalleled safety at a reasonable cost.”

Peter Pan, The Musical plays at the Palace on weekends from November 15 to December 30, with some weeknight performances, as well. Actual production dates are November 15-17, 22-24, 29-December 1, December 6-8, 13-15, 19-23, and 26-30. Friday and Saturday shows, as well as weeknight performances, are at 7:30 p.m.; Sunday shows are at 2:00 p.m. Ticket prices are $26 General Admission, $24 Seniors (55+), $14 Students (10-22) and Active Military, and $10 Children (9 and younger). Rated for General Audiences

The Palace seats about 295, with reserved seating paid for in the ticket price. The Palace office in the lobby of the theatre is open Monday through Friday from 10:00 a.m. until 4:00 p.m. (except for some holiday dates). Purchase tickets and select seating on-line at www.georgetownpalace.com or by calling (512) 869-7469 or (512) 869-5081. (Please call ahead regarding special needs seating.) Visa, Master Card, and Discover Card are accepted. The Historic Palace Theatre is located at 810 South Austin Avenue in downtown Georgetown and is part of the most beautiful Town Square in Texas!



Tuesday, April 30, 2013

THOROUGHLY MODERN MILLIE, musical, Georgetown Palace, May 17 - June 16, 2013



Georgetown Palace Theatre, Georgetown, TX






presents


Thoroughly Modern Millie Georgetown Palace TX

Thoroughly Modern Millie

a musical by Jeanine Tesori, Dick Scanlan and Richard Morris

directed by David Sray

May 17 to June 16
Friday and Saturday shows are at 7:30 p.m.; Sunday shows are at 2:00 p.m.

Ticket prices are $24 General Admission, $22 Seniors (55+), $14 Students (10-22) and Active Military, and $10 Children (9 and younger). 
Available on-line via the Palace website.

Rated for General Audiences 

Georgetown’s Historic Palace Theatre opens Thoroughly Modern Millie on May 17 for a five-weekend fun-filled music and dance fest! With music by Jeanine Tesori, lyrics by Dick Scanlan, and book by Richard Morris and Dick Scanlan, the stage production of Thoroughly Modern Millie is based upon the 1967 film of the same name starring Julie Andrews.

It is New York City in 1922, a New York full of intrigue and jazz – a time when the rules of love and social behavior were changing forever. Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, in search of a new life for herself. Millie comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922, when women were just entering the workforce. Filled with frisky flappers, dashing leading men, and a dragon-lady of a villainess, Thoroughly Modern Millie is a perfectly constructed evening of madcap merriment.

Sara Burke (Millie) and Stephen Jack (Jimmy Smith) star in this musical romp! Sara made her first musical theatre splash sharing the coveted role of Annie in the Palace’s 2003 production with two other lucky young ladies! Her most recent triumph at the Palace was as Kathy Seldon in the Palace’s hit production of Singin’ in the Rain. Sara has performed all around the Austin area, as well: as Kira/Clio in Xanadu, Wendla in Spring Awakening, Amber in Hairspray, Serena in Legally Blonde, Cathy in Last 5 Years, and Charity in Sweet Charity. Most recently, Sara studied vocal performance with Adam Roberts. She will teach and direct for the Palace’s Theatrical Education Program this summer.

Stephen Jack (Jimmy Smith) has Austin credits that include Bloody Bloody Andrew Jackson (Blue Theatre), Standing on Ceremony (ZACH Theatre), I Love You Because (Hyde Park Theatre), Drone (City Theatre), and RENT (ZACH Theatre); his Palace Theatre credits include Joseph and the Amazing Technicolor Dreamcoat, Man of La Mancha, and Big River. Additional credits include numerous galas and season previews for Austin Theatre Project, Penfold Theatre, and ZACH Theatre.

A strong supporting cast includes Melita McAtee as ‘Mrs Meers’ (The Villainess!); Scott Shipman as ‘Mr. Trevor Graydon’; Nikki Bora as ‘Matilda’; Tiffany Blackmon as ‘Miss Dorothy Brown’; Lariena Brown as ‘Muzzy Von Hossmere’; and Samantha Watson as ‘Miss Flannery’!

David Sray, who has both acting and directing recognition at the Palace, directs Millie. David’s Palace acting credits include Carl-Magnus in A Little Night Music, Edward Rutledge in 1776, and Curly in Oklahoma!; plus a B. Iden Payne Outstanding Cast Award-winning Austin performance in I Love You, You’re Perfect, Now Change. Palace directing credits include I Hate Hamlet, Big River: The Adventures of Huckleberry Finn, and Cheaper by the Dozen. David has the inimitable support of Clifford Butler for music direction and Jesee Smart for choreography.

Thoroughly Modern Millie plays at the Palace on weekends from May 17 to June 16. Actual production dates are May 17-19, 24-26, 31-June 2, June 7-9, and 14-16. Friday and Saturday shows are at 7:30 p.m.; Sunday shows are at 2:00 p.m. Ticket prices are $24 General Admission, $22 Seniors (55+), $14 Students (10-22) and Active Military, and $10 Children (9 and younger). Rated for General Audiences 

The Palace seats about 295, with reserved seating paid for in the ticket price. The Palace office in the lobby of the theatre is open Monday through Friday from 10:00 a.m. until 4:00 p.m. (except for some holiday dates). Purchase tickets and select seating on-line at www.georgetownpalace.com or by calling (512) 869-7469 or (512) 869-5081. (Please call ahead regarding special needs seating.) 


Visa, Master Card, and Discover Card are accepted.

The Historic Palace Theatre is located at 810 South Austin Avenue in downtown Georgetown and is part of the most beautiful Town Square in Texas!


(Click to go to the AustinLiveTheatre front page)


Tuesday, July 19, 2011

Footloose, Zilker Productions at Sheffield Hillside Theatre, Zilker Park, July 8 - August 13


Footloose Zilker Productions Austin Texas

by Michael Meigs


I attended Zilker Theatre Production's Footloose ten days ago on opening weekend, and I'm only just now writing it up. They've got a nice long run -- six weeks, four night a week -- and an Austin tradition of celebrating the summer that stretches back 53 years. Judging from the full parking lot and the large, cheerful crowd lounging on the slope above the Hillside Theatre, Zilker Productions doesn't need much help in selling the production, either. Except for the modest $3 parking fee that probably serves to renovate the Zilker lawn after the summer, the price is zero, nada, free admission for summer theatre entertainment of good quality under the moon and stars.


After all, in classic economic theory, as the price of a good approaches zero, demand approaches infinity. If you were really determined to do so, you could attend this show for nothing at all -- bicycling or walking in and not budging at the intermission when the energetic young cast bounds out to seek donations (suggested: $10 per blanket).


Plus, they will get their reviews. For last year's production of The Music Man, both Elizabeth Cobbe of the Austin Chronicle and Clare Carnavan of the Statesman wrote up the production about halfway through the run.


Male lead Andrew Cannata with his confident tenor, sure dancing and leading boy presence has an admiring following in Austin and will become even better known with this show. He and the core cast of teens rock and clown it up with the showy choreography of Danny Herman and Rocker Verastique. The live band led by Susan Finnigan rocks it out through the muscular sound system, initially from backstage and then later at stage center.


Read more at AustinLiveTheatre.com . . . .