Showing posts with label Seven Jewish Children. Show all posts
Showing posts with label Seven Jewish Children. Show all posts

Tuesday, March 31, 2009

World Theatre Day Observance: Seven Jewish Children by Caryl Churchill, Cambiare Productions and Austin Circle of Theatres, March 27






The speech for World Theatre Day written by Brazilian author Augusto Boal was read by Robert Faires of the Austin Chronicle. Boal's comments are brief, but they sum up a lifetime of theatre, political activism and teaching, following his arrest by the Brazilian military government in 1972 and twelve years in exile. Boal's principal concept is expressed immediately in the opening:

All human societies are “spectacular” in their daily life and produce “spectacles” at special moments. They are “spectacular” as a form of social organization and produce “spectacles” like the one you have come to see.

Even if one is unaware of it, human relationships are structured in a theatrical way. The use of space, body language, choice of words and voice modulation, the confrontation of ideas and passions, everything that we demonstrate on the stage, we live in our lives. We are theatre! . . . .

One of the main functions of our art is to make people sensitive to the “spectacles” of daily life in which the actors are their own spectators, performances in which the stage and the stalls coincide. We are all artists. By doing theatre, we learn to see what is obvious but what we usually can’t see because we are only used to looking at it. What is familiar to us becomes unseen: doing theatre throws light on the stage of daily life.

About 30 persons came to the Dougherty Arts Center for the Theatre Day commemoration, the staged reading of Caryl Churchill's Seven Jewish Children, and the discussion of the play. The group was diverse. By the end of the event we'd encountered students, actors, a playwright, the organizers, a Jewish couple in their late 60s, a Palestinian man, a Frenchwoman and two women from Palestine.

Seven Jewish Children is a stark piece of only about 170 lines, divided into seven sections of unequal length. Playing time is hardly ten minutes, and one can scan the text in far less than that. The version available on-line from the Royal Court Theatre contains no stage directions, other than the comment that the piece may be read or performed without fee anywhere, by any number of people.

Read More at AustinLiveTheatre.com. . . .


Friday, March 20, 2009

Upcoming for World Theatre Day: Seven Jewish Children, staged reading by Cambiare Productions, March 27

UPDATE: Review of Seven Jewish Children, published by Austin Live Theatre on March 29

Received March 20:















Caryl Churchill's Seven Jewish Children to Premiere in Austin

To celebrate World Theatre Day, Austin Circle of Theaters teams with Cambiare Productions to present a staged reading of Churchill’s controversial new work, Seven Jewish Children. Free.


As part of the global celebration of World Theatre Day, Austin Circle of Theaters in collaboration with Cambiare Productions will present a staged reading and discussion of Caryl Churchill's controversial new work, Seven Jewish Children, at the Dougherty Arts Center (1110 Barton Springs Road, Austin) on March 27, 2009 at 8PM.


In the aftermath of the Israel/Gaza war in January of this year, noted playwright Caryl Churchill crafted this emotional response. Structured to reflect seven key moments in Israel’s history, Churchill's short piece asks how parents would explain these complex events to their child. The February premiere at the Royal Court Theatre created a firestorm in the London press as editorials and columns debated whether or the play was inherently anti-Semitic.


This Austin premiere, read by a cast of Austin luminaries, with a discussion to follow facilitated by Robert Faires and C. Denby Swanson, is the perfect way to celebrate the power of live theater to move us and to stimulate conversation even on the most delicate of topics.


The program will begin at 8:00 PM; admission is free.

The performance will be streamed live at CambiareProductions.com


The author requests donations to the UK charity, Medical Aid for Palestinians, which can be given online at www.map-uk.org/ or at the performance.


World Theatre Day was created in 1961 by the International Theatre Institute (ITI). It is celebrated annually on the 27th March by ITI Centres and the international theatre community. Various national and international theatre events are organized to mark this occasion. One of the most important of these is the circulation of the World Theatre Day International Message through which at the invitation of ITI, a figure of world stature shares his or her reflections on the theme of Theatre and a Culture of Peace. The first World Theatre Day International Message was written by Jean Cocteau (France) in 1962. The 2009 International message was written by Augusto Boal.


Boal’s message, together with Churchill’s provocative work and Travis Bedard’s passion to engage Austin in World Theatre Day inspired ACoT to get behind Cambiare Productions’ effort. Helping emerging artists and theatre groups do their thing has long been part of what ACoT is about.


About Austin Circle of Theaters (ACoT): ACoT is a not-for-profit performing arts service organization working to create greater public awareness, participation, and support for our local performing arts community. Founded in 1974, ACoT membership includes more than 130 large and small arts organizations in Central Texas as well as their practitioners and enthusiasts. Its website, NowPlayingAustin.com, is a portal for all arts and cultural activities in Austin.

Austin Circle of Theaters is funded in part by City of Austin through the Cultural Arts Division and by a grant from Texas Commission on the Arts.


About Cambiare Productions: Cambiare Productions is committed to stories in all forms with a focus on collaborative creation, and the use of technology in live performance. For more information on Cambiare Productions please visit www.CambiareProductions.com.


TEXT of Churchill's play, published by the Royal Court Theatre, London (.pdf)

Wikipedia on the piece and the controversy