Showing posts with label Rollins Theatre. Show all posts
Showing posts with label Rollins Theatre. Show all posts

Thursday, July 11, 2013

THE BREMEN TOWN MUSICIANS by Allen Robertson, SummerStock Austin at the Rollins Theatre, July 27 - August 11, 2013



SummerStock Austin







presents 
Bremen Town Musicians SummerStock Austin TX
by Allen Robertson

musical direction by Allen Robertson, author
July 27 - August 11, 2013
Rollins Theatre, Long Center, 701 Riverside at South First - click for map
Ticket Prices: Swing - $5-10 will be available via The Long Center boxoffice

The Bremen Town Musicians is part of our Theatre-for-All program, where we offer family friendly entertainment for the young and young-at-heart. The production of this ageless tale was adapted by Austin's own Allen Robertson of PBS's The Biscuit Brothers. It also features Mr. Robertson's original music that narrates the journey of our friendly band of animals


(Click to go to the AustinLiveTheatre front page)

PIPPIN, SummerStock Austin at the Rollins Theatre, Long Center, July 25 - August 10, 2013



SummerStock Austin




 presents


Swing Summerstock Austin TX 2013

Pippin runs July 25 - August 10, 2013

Rollins Theatre, Long Center, 701 Riverside at South First - click for map
Ticket Prices: Swing - $15-25 will be available via The Long Center boxoffice

From the composer of Wicked, Godspell and Children of Eden, PIPPIN is the musical tale of a young man as journeys through life in his quest to find the secret of true happiness & fulfillment. The musical features such songs as Magic To Do, Extraordinary and Corner of the Sky.



(Click to go to the AustinLiveTheatre front page)

SWING! musical, SummerStock Austin at the Rollins Theatre, August 1 - 11, 2013



SummerStock Austin







presents

Swing Summerstock Austin TX 2013
 

Swing! runs August 1-11 Rollins Theatre, Long Center
Ticket Prices: Swing - $15-25 will be available via The Long Center boxoffice
Swing! will take you back to the 1930's and 40's with the timeless music of Duke Ellington, Benny Goodman, Johnny Mercer and numerous others. It is a non-stop evening of singing and dancing that will take you back to the days of the Andrews Sisters and Cab Calloway.
Swing! is a musical revue featuring hits like “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Harlem Nocturne,” “Boogie Woogie Bugle Boy” and “Don’t Sit Under the Apple Tree.” It is truly an exhilarating evening of song and dance. 

“Swing!” could hardly be more exuberant or fun. It’s a sure winner.  -New York Post

(Click to go to the AustinLiveTheatre front page)

Monday, April 29, 2013

AUSTIN LATINO NEW PLAY FESTIVAL, Staged Readings by Teatro Vivo at Rollins Theatre, Long Center, May 16 - 18, 2013



Teatro Vivo Austin TX
Teatro Vivo A ustin New Latino Play Festival 2013





presents


The Third Annual Austin Latino New Play Festival

May 16-18, 8 p.m.
at the Rollins Theatre at the Long Center for the Performing Arts
Playwrights Ariana Mendez, Caroline Dobson Chavez and Rupert Reyesembrace the full spectrum of humanity through the Latino cultural lens.
Teatro Vivo presents the third annual Austin Latino New Play Festival (ALNPF) in collaboration with the Long Center for the Performing Arts and ScriptWorks. Everyone is invited to enjoy these three evenings of staged readings of new Latino plays. Performances take place at the Long Center for the Performing Arts, Rollins Theatre, May 16-18, 8 p.m. Reserved seats are $10 and $8 for students and seniors for each evening. An ALNPF Festival Pass is available for all three evenings for $30 and $20 for students and seniors. A limited number of free general admission tickets will be made to the public for each performance.
ALNPF is a theater event, which unites regional playwrights and audience members in conversation about three new workshop productions that bring insight into the Latino experience. The staged readings are workshop-style presentations with readings using props and movement on stage. After each workshop, the playwright, director and actors partake in talkback sessions with the audience. Though the productions have Latino roots, they explore cross-cultural age-old themes and modern dilemmas that will surprise, challenge, engage and push the dramatic envelope for audience members accustomed to one-way conversations at the theater.



El Jardín Viviente (The Living Garden)
by Ariana Mendez
Thursday, May 16 (8 p.m.)
Ariana Mendez Synopsis: Susana, a woman in her mid thirties, is suffering from breast cancer and has accepted her fate despite her family’s attempts to keep her alive. Her brother, Marcos, and sister, Gloria, each turn to their spiritual beliefs in hope that Susana will recover and overcome cancer. Ultimately, Marcos and Gloria realize that despite their efforts to keep their sister alive, they have to no power when it comes to God’s will and nature.
Playwright: Ariana Mendez is a California native born to Mexican immigrant parents. Her passion for writing stemmed from watching dramatic soap operas as a child. She dreamed of bringing her own writing to life in novelas or film. Ariana is currently studying Radio-Television-Film and Theater at the University of Texas at Austin, where she developed an interest for playwriting because she wanted to contribute to the Latino representation in theater. She looks forward to graduating in May, and hopes to pursue a career in playwriting and documentary filmmaking.

Quincea-WHAT?
by Caroline Dobson Chavez
Friday, May 17 (8 p.m.)
Caroline Dobson Chavez 
Synopsis: Two almost-fifteen-year-old girls study Spanish together, and, along the way to a quinceañera, discover the real meaning of friendship, family, love, loss and forgiveness in the quest to define themselves.
Playwright: Caroline D. Chavez, originally a native of North Carolina, has lived in San Antonio since 2001. Caroline obtained a Bachelors of Science in Biology and a Doctorate in Pharmacy from the University of North Carolina at Chapel Hill. She was featured in several television commercials for companies such as McDonald’s, Quincy's Steakhouse and Roses. Caroline’s poetry has been published and received Honorable Mention in the San Antonio Poetry Fair Anthology, Voices Along the River 2002, 2003, 2008 and 2011 editions. Quincea-WHAT? is Caroline's first script endeavor.


Petra's Pastorela
by Rupert Reyes
Saturday, March 18 (8 p.m.)
Rupert ReyesSynopsis: Maria, a young woman, stumbles into a rehearsal of La Pastorela, directed by Petra Dominguez. Already in labor, Maria brings not only a future resident of Las Flores, TX but reveals the past that will unravel Tina Tamayo's world. Petra's Pastorela is a bilingual comedy that explores the joy of birth, the sadness of the loss of life, and love of family that opens the heart to forgiveness, understanding and strength. It is a new twist on the Pastorela plays first performed in the New World by the Spaniards and a play that is still performed though the Latino communities all over the world. Petra’s Pastorela is the fourth play in a series often referred to as the Petra Plays.
Playwright: Rupert Reyes is the co-founder and artistic director of Teatro Vivo. He has appeared in local-made films which include Tadpoles, Arco du Santi and the feature films, Miss Congeniality, Office Space, The Alamo and Rough Riders. He has done TV commercial work for Whataburger, Texas Lottery and HEB. In 2008 his play Vecinos was nominated for a B. Iden Payne Award. Rupert’s Petra plays have been produced nationally. The Petra plays include Petra's Pecado, Petra's Sueño, and Petra's Cuento. Petra's Sueño will be produced in El Paso, Texas in April. Petra's Pastorela is the fourth in the series. Rupert earned a BFA in Theater from The University of Texas at Austin, as well as a marriage license when he wed JoAnn Carreon. Both are still in effect today.

teatrovivo austin texas
This performance is brought to you in part by the Redd Carpet Fund, providing artists and arts organizations access to the world class facilities at the Long Center for the Performing Arts.
This project is funded and supported in part by the City of Austin through the Economic Growth & Redevelopment Services Office/Cultural Arts Division believing an investment in the Arts is an investment in Austin's future.


About Teatro Vivo
Teatro Vivo has produced more than 25 bilingual plays since JoAnn Reyes and Rupert Reyes founded the company in 2000. Contact JoAnn Reyes at Teatro Vivo for more information, images and playwright interviews: 512-413-6791 or joannreyes@yahoo.com
(Click to go to the AustinLiveTheatre front page)


Monday, September 17, 2012

2012-2013 Season for Pollyanna Theatre Company at the Rollins Theatre, Long Center


Polyanna Theatre Company, Austin, TX






2013 - 2013 Season at the Rollins Theatre, Long Center

For Weekday tickets: Call 512.743.7966
For Weekend tickets: Call 512.474.LONG (5664) or visit: www.thelongcenter.org

Playground Superhero

by Andrew PerryPlayground Superhero Pollyanna
October 10 - 17

Seth and his teacher mom are heading to both face their first day at a new school. Moving to a new place can be sort of scary, but Seth’s Dad, who is away serving in the Army, has always taught him to be a real hero and to use his wits to turn scary times into fun times. Seth quickly makes new friends but also faces the school’s bully. armed with his bag of imaginative supplies, Seth soon saves the day and becomes the playground’s superhero!

This new play by Andrew Perry (Ducks vs. Squirrels and Pattern Nation: Waves) explores how children must face great challenges daily but can succeed with the help of loving adults and a great imagination. Best for children in grades 2 – 5. (click for more information)
- - -

The Family of Ree

by Scott E. Sutton, adapted for the Stage by Andrew PerryFamily of Ree Scott Sutton Pollyanna Theatre Austin TX
January 24 - 27, 2013

Hundreds of readers have fallen in love with Scott E. Sutton’s colorful characters and illustrations after discovering his series of picture books featuring the imaginative world called Ree. This new play brings Sutton’s world of Erfs, BeeBees, and wise, talking trees to life. In Perry’s dramatization, the Long Legged Ploots are accused of a crime they did not commit and an untruth told reveals interconnected consequences for everyone living in Ree. Faithful to the well-loved characters and action in Sutton’s stories, Pollyanna’s production will be enjoyed by audiences of all ages, especially children in grades K – 3. 

Stay in touch with Pollyanna for details about events and drawing workshops lead by Scott E. Sutton, available to our patrons during our performance weekend. You won’t want to miss them!
- - -

Plus Meets Minus

by Katherine Gee PerronePlus Meets Minus Katherine Gee Perrone Pollyanna Austin TX
May 11 - 18, 2013

Addy Plus loves to put things together, collecting all sort of things into larger and larger groups. Addy finds great joy in adding. Minus Takeaway likes nothing more than taking things apart. When these two characters meet, there is considerable confusion and conflict! PLUS MEETS MINUS is a fun, colorful exploration of two very different personalities and the results are many discoveries about both human nature and math. Designed for very young learners, PLUS MEETS MINUS will be best enjoyed by children ages 4 – 7.
- - -

The Funny Bun Family Picnic

by Emily CicciniFunny Bun Family Picnic Emiliy Ciccini Pollyanna Austin, TX
July 20 - 27, 2013

It’s a fine summer Saturday and the Funny Buns are preparing to go off on their annual family picnic. But, being a clown family, nothing goes as planned. Papa Willie tries hard to keep the kids laughing, while Mama Lindy keeps forgetting everything. Brother Happy likes to rope, rough house and goof off. But sister Buffy wants none of it. She’s embarrassed by her clown family, and wants to be normal more than anything. Willie has a sad but true secret, one that threatens to pull the family apart. Can Buffy find a way to truly be herself? Will the family stick together? Come join the fun and see how clown family work means teamwork! Best for ages 4 – 12.

Monday, October 31, 2011

Upcoming: Cuento Navideño ¡Bah humbug in the Barrio! by Rupert Reyes, Teatro Vivo, Rollins Theatre, Long Center, December 8 - 18


Found on-line:


You won’t want to miss this holiday gift from

Teatro Vivo Austin TX

Cuento Navideño Teatro Vivo Austin TX

Cuento Navideño

¡Bah Humbug in the Barrio!

written and directed by Rupert Reyes

December 8 - 18
Thurs - Sat 8 p.m. - Sunday 2 p.m.
Rollins Theater, The Long Center for the Performing Arts, South First and Riverside (click for map)

Teatro Vivo gives the gift of laughter this holiday season with the bilingual comedy Cuento Navideño, Bah Humbug in the Barrio. Written and directed by Rupert Reyes and inspired by Charles Dickens' A Christmas Carol, Cuento Navideño ( A Christmas Story) takes place on Christmas Eve in a modern, urban Latino community. Evangelina Cruz is the Latina Ebenezer Scrooge! She is a selfish businesswoman who has lost touch with her culture, her family and connection to her community. An unexpected visit from the ghost of her former business partner, the once equally-greedy Teodora, sets Evangelina on a journey to look closely at her choices. This festive bilingual comedy infuses Latino culture, Spanish language, and Latino holiday traditions in a show to be enjoyed by the whole Austin familia.

Each performance will have surprise stars representing local community leaders, elected officials, celebrities and guest artists who will have a small (but fun) part in the play.




[Apple users: can't see the video of Rupert Reyes? Click to go to YouTube]

Saturday, January 29, 2011

Upcoming: Man and Superman by G.B. Shaw, Austin Shakespeare at the Rollins Theatre, February 17 - March 6

Found on-line:


Austin Shakespeare logo



Man and Superman Shaw Austin Shakespeare



presents

George Bernard Shaw's

Man and Superman

February 17 - March 6, Thursdays - Saturdays at 8 p.m. & Sundays at 3 p.m.
The Rollins Theatre at The Long Center, Riverside Drive at South First Street

(click for map)

Tickets are on sale now at http://thelongcenter.frontgatesolutions.com or call 512-474-5664.

Austin Shakespeare presents a delightful comedy of topsy-turvy romantic pursuit, George Bernard Shaw's Man and Superman, a timely look at the perennial clash between the past and the future, the reactionary and the progressive, and questions of what the proper roles of men and women really are.

Man and Superman stars Kimbery Adams, Jill Blackwood*, Janelle Buchanan*, Michael Dalmon, Shelby Davenport*, Jenny Gravenstein, Philip Kreyche, Ev Lunning Jr.*, Barry Pineo, and Mark Stewart (* Member of Actor's Equity Association).

As a special addition, there will be a staged reading of Shaw's Don Juan in Hell with Babs George* and Harvey Guion at the Rollins at 7:30PM, Sunday February 27.

Saturday, September 11, 2010

Images by Kirk R. Tuck: The Tempest, Austin Shakespeare, September 8 - 26

Photographer Kirk R. Tuck posts on his blog The Visual Science Lab a selection of preview night performance images of The Tempest, playing at the Rollins Theatre, Long Center, September 8 - 26, along with his comments about equipment and about the challenges of low-light photography.

Steve Shearer as Prospero (image: Kirk R. Tuck)








Steve Shearer as Prospero

Click to view additional images by Kirk R. Tuck from Austin Shakespeare's The Tempest

See Kirk's full article at The Visual Science Lab. . . .

Wednesday, September 8, 2010

Profile: Austin Shakespeare Prepares The Tempest


Austin Live Theatre ProfileLighting Director Jason Amato and crew in Rollins Theatre





This week Austin Shakespeare opens
The Tempest at the Rollins Theatre, Long Center.


Theatre is a collaborative art, coordinated in the best stagings by a precise schedule, time consuming preparation, and an accelerating rhythm as performance day comes near. The actors will fix our attention but the piece depends also upon decisions and actions of those we never see. For The Tempest the company and artistic director Ann Ciccolella are supported -- some might even say carried -- by the work of the stage manager, the dramaturg, designers, dressers, props handlers and stage hands.


Lindsley Howard as Miranda, Steve Shearer as Prospero

A theatre buff finds it fascinating to watch those contributions coming together in final rehearsals. Last Friday after an escorted trip through the labyrinthine basement of the Long Center, ALT got to sit in the Rollins Theatre for the first melding of those arts. Lighting designer Jason Amato worked his light plot and plan through a full rehearsal.


The cast hardly missed a syllable, even as colors changed, pools of light materialized and then disappeared, and sometimes the action went forward in a penumbra. Shakespeare's intelligence and wit were embodied by the cast, many of them dressed as yet in temporary costume; Prospero's magic isle was defined by a simple wide circle with provisional backdrops. Much of the music was ready, either recorded or played live, but projected video effects for the fairy isle would not be included until the weekend.

Read more at AustinLiveTheatre.com . . . .

Thursday, May 6, 2010

Upcoming: The Red Balloon, reprised, Tongue and Groove Theatre, Rollins Theatre at the Long Center, May 20 - 30

Click for ALT review, May 24



Received directly:

Tongue and Groove Theatre re-inflates

The Red Balloon

Directed by David Yeakle.
Original music composed and conducted by Justin Sherburn.
Original animation by Leah Lovise.
Lighting Design by Jason Amato.

Wednesdays – Sundays, May 20 – 30, 2010
The Rollins Theatre at the Long Center







Tongue and Groove Theatre's The Red Balloon from Leah Sharpe on Vimeo.

KUT's Michael Lee interviews director David Yeakle and composer Justin Sherburne, May 16 (2 min.)

Tongue and Groove Theatre will remount its award-winning production The Red Balloon for a limited engagement in the Rollins Theatre at the Long Center for the Performing Arts. The winner of five 2008 B. Iden Payne Awards and two Austin Critics’ Table Awards, this family-friendly whimsical play will open Thursday, May 20 at 8 p.m. with subsequent performances Friday – Sunday, May 21-23, and Wednesday – Sunday, May 26 – 30, 8 p.m., and 3 p.m. matinee performances on Saturday, May 22, Saturday, May 29 and Sunday, May 30.

Read more at AustinLiveTheatre.com . . . .

Thursday, November 19, 2009

Ongoing: Sister's Christmas Catechism, Rollins Theatre at Long Center, December 1 - 20


UPDATE: Jeanne Claire van Ryzin's interview of Kathleen Stefano, who plays "Sister." Austin Statesman of December 9


The Rollins Theatre at the Long Center hosts one of the five current stagings of this show booked by Entertainment Events, Incorporated (EEI) of New York City. Announcements don't yet identify the artist who will play "Sister." Other shows will be running in North Carolina, Wisconsin, Massachusetts and Florida.


The description as posted on-line by EEI:

Sister's Christmas Catechism

By Maripat Donovan with Jane Morris and Marc Silvia

It's "Forensic Files goes to Bethlehem" in this holiday mystery extravaganza, by the author of
Late Nite Catchism and Late Nite Catechism 2, as Sister takes on the mystery that has intrigued historians throughout the ages - whatever happened to the Magi's gold? ("We know that Mary used the frankincense and myrrh as a sort of potpourri - they were in a barn after all.")

Retelling the story of the nativity, as only Sister can, this hilarious holiday production is bound to become a yearly classic. Employing her own scientific tools, assisted by a local choir as well as a gaggle of audience members, Sister creates a living nativity unlike any you've ever seen. With gifts galore and bundles of laughs,
Sister's Christmas Catechism is sure to become the newest addition to your holiday traditions.

Video excerpts:



Wednesday, July 22, 2009

Upcoming: The Wonderbread Years, Rollins Theatre at Long Center, August 11 - 16






Found on-line:










The Wonderbread Years

Written by and starring 'Seinfeld' writer and Austinite, Pat Hazell.

Rollins Studio Theatre
August 11-15, 8pm
August 16, 3pm

A salute to the Baby Boomer Generation, The Wonder Bread Years is a fast-paced, hilarious production that gracefully walks the line between stand-up and theater. Audiences across the country are enjoying a show that not only restores a much-needed sense of wonder; it also leaves audiences laughing and savoring the past like never before.

Watch a preview

Tickets via FrontGate Tickets

"Milk snorting funny!" - Jerry Seinfeld

"Pure unpasteurized nostalgia." - The LA Times

"Laugh-out-loud material that is pitch-perfect." - Impact Weekly

August 1 at noon: Come visit with Pat and friends, Saturday, August 1 from noon to 2 p.m. and re-live your childhood memories at the Westlake HEB Market. Nibble on peanut butter and jelly sandwiches and enter to win fantastic prizes, including tickets to the show!

Monday, June 9, 2008

Petra’s Sueño, Teatro Vivo

June 4-8, 2008

First of all, though Rupert Reyes and his Teatro Vivo assure you that this is a “bilingual comedy,” their generous-hearted Petra’s Sueño is in fact written more than 90% in English. The meaning of virtually every syllable of the Spanish dialogue is made clear by restatement in English, in context or in mime. You could speak not a word of Spanish and yet still capture everything; and if you do understand Spanish, this confection is more delicious still.

Matter-of-fact, optimistic, and industrious without complaint, the apparently childless middle-aged Petra (Irene González, center) operates a tortilla factory and shop in a small town somewhere in south Texas. The framed show posters displayed in the modest lobby of the Long Center’s Rollins Theatre show that over the past 8 years Petra has featured in the often-produced elements of a Teatro Vivo trilogy – Petra’s Pecado (Petra’s Sin), Petra’s Cuento (Petra’s Tale), and this dream play, Petra’s Sueño. Reyes, who plays Petra’s equally amiable and hard-working husband Rafa (Rafael, in light blue shirt) writes in the program, “. . . it’s time now to say farewell to the Petra plays. Well, maybe not farewell forever, but we do not have plans to produce these plays again in the near future. Now, Teatro Vivo is poised to take our wonderful audiences to another level.”

Assuming that other Teatro Vivo productions have followed the approach of artistic director/playwright Reyes, this declaration suggests that the group may have decided on a paradigm shift – and the announced 2008-2009 season (detailed below) reinforces such an interpretation.

Though perhaps half of the audience that filled the 400-seat Rollins theatre on Sunday afternoon was of Latino origin, this Petra play is a valentine to Anglos and to second-generation Mexican Americans, inviting them to appreciate and enjoy the friendship, family ties, honesty and humor of the thoroughly cross-cultural inhabitants of a small town. These characters are no complainers and no ideologues. They discuss briefly the inadequate compensation initially offered by a manufacturing firm planning to relocate to the town; and Rafa is detained by the border authorities (“la Migra”) because he forgets to take his citizenship papers when he goes to buy a tortilla machine in Mexico. But the townspeople are fully capable of dealing with these problems. They
agree on a counterproposal to the factory and Rafa is quickly set free by his distant cousin, who happens to be running the border crossing office. The problems and follies of Petra’s Sueño arise from misunderstandings, an occasional excess of pride, and from the literally diabolical machinations of the black-caped Devil (Michael Mendoza, right) who engages Petra’s guardian angel (Natalia Marlena Goodnow, left) in a contest for that good woman’s soul. (This is a dream, remember.)

The plot is light and builds a narrative with comic, illogical developments, in which the bad guys are caricatures of wickedness, as in the best vaudeville (in good groundling fashion, I was tempted at times to boo or hiss but I contained myself). Mendoza made a flamboyant Devil, seated in his throne of darkness above the sets, and he certainly enjoyed himself – though sometimes in his imprecations he deformed his deep and mellifluous voice with a fricative rasp not really needed for the characterization. Playing Mendoza’s obsequious devilish assistant Grano, Rudy Sandoval was a delight, a slender sinewy strutting clown with attitude. And Petra’s nemesis, the nefarious rival tortilla shop operator Tina Tamayo (Yvonne Flores), was a wonderful cartoon villain full of mendacity, so ambitious to defeat Rafa (Reyes) in the mayor’s race that she contracted devil’s assistant Grano as her political consultant without bothering to check the price: her eternal soul. Even non-Spanish-speakers got it when the wicked Tina offered arch campaign remarks in an impossibly Gringo accent.

Also appearing as a cartoonish character is Petra’s guardian angel (Natalie Marlena Goodnow, robed in white and sporting wings touched with tinsel). Wounded in her contest with the Devil, the Angel is obliged to stay with Petra for four weeks, until her wings can grow back. She is innocent and earnest as Petra shields her and creates a legend for her, but in her temporary mortal condition she progressively adopts human vices and passions. Goodnow incarnates these changes and becomes the bad daughter we all want never to have, at least until the resolution in the second act. This slim, focused young actress has great presence throughout, moving from cartoon to fully realized character.

But the actors giving us Petra, her husband and her employees – the merely human characters -- are the prizes of the piece. Even though the plot is by turns silly, wistful and illogical, with their warmth, vulnerability and sympathy, the actors make both their daily lives and their fantastical transports very real. As Petra throughout the 8 years of the trilogy, González is certainly well known and liked by Teatro Vivo’s audiences. Anyone there would have been happy to shop at Petra’s Tortillas and to vote for Rafa for mayor. A special applause goes to JoJanie Segura as the tortilla shop’s principal employee Tacha. She first appears in curlers and a billowing nightgown to answer a late-night telephone call from Petra. Alternately tough and tender, ebullient Tacha is the center of the play. Her voyage beyond death in Petra’s dream is dramatic and touching, as is her quiet deathbed reconciliation with fellow employee Chano (Tomás Contreras).

Mary Alice Carnes’ direction keeps the action lively, and she makes the most of the comic shifts of character and scene in Reyes’ script. This cast must have been a pleasure to work with. The set was functional and convincing; putting the Devil up above the action might not be theologically correct, but it certainly helped fill up the barren space of the Rollins Theatre, a cavern big enough to serve as a garage for three tractor trailers. Music was lively and appropriate, although I could have used a bit more volume on the “radio station” interludes. One quibble on the lighting, which was otherwise appropriate – the decision to use a “window frame” projection on stage right was unfortunate, since it cast unnecessary and distracting shadows on faces.

[Click here for Pati Hadad's July 2005 review in the Austin chronicle of
the earlier Petra's Pecado.]


[Click here for a profile of Michael and Celeste Mendoza, by Jeanne Claire van Ryzin]

[Click here for Elizabeth Cobbe's preview of the August 14-24 Voces de Vivo one-act plays, published by the Austin Statesman on August 15]






Teatro Vivo's 2008-2009 season

"August 14-24
Three original one-act plays created by company members Natalie Goodnow, Celeste Mendoza, Michael Mendoza and Rupert Reyes

"November 5-16
Fantasmaville by Raul Garza
"This dramatic comedy explores lives out of balance in the wake of community gentrification. Winner of the 2007 National Latino Playwrights Award, Fantasmaville sparkles with entertaining dialogue and engaging characters (including a human-sized Raccoon spirit guide).

"March 5-16, 2009
Keeping Track by Erica saenz
Inspired by the current usage of microchip technology for personal identification, Keeping Track explores the boundaries of personal freedom. In this bilingual comedy, family and friends become tangled up in each other's lives with shocking andhilarious results.

"July 16-27, 2009
Tripas by Lisa Cortez Walden
The word 'tripas' (Spanish for 'intestines') most often refers to the Mexican delicacy once banned by the FDA. In this play, Cortez Walden redefines it as the part of our lives that we have tried to suppress, but must ultimately face. This fast-moving story of old and new relationships will engage, enlighten and entertain."