Showing posts with label Scott Daigle. Show all posts
Showing posts with label Scott Daigle. Show all posts

Sunday, February 13, 2011

Heddatron, Salvage Vanguard Theatre, February 11 - March 5


Heddatrong, Salvage Vanguard Theatre, Austin


Central Texas is about to be knee-deep in Heddas. Dustin Wills and friends down at the Salvage Vanguard Theatre start that unplanned festival with this "back to the future" version. The promising, term-limited Palindrome Theatre opens a "world premiere" (!) adaptation by Nigel O'Hearn at the Blue Theate, beginning next week. And then in May Tony Ciaravino will do another, presumably more classic, with the Classic Theatre in San Antonio.


SVT's jangly, mystifying absurdist staging of Heddatron runs riot with Ibsen's play. To tell the truth, you don't need to be familiar with the original in order to appreciate this funhouse madness. Precocious young Ava Johns plays a smug-beyond-her-years sixth grader giving a book report on the play.


A sixth grader assigned to read Ibsen's subtle portrait of the destructive, self-destuctive young Norwegian bride? That should give you a hint and a warning.to fasten your seatbelts for a theatre ride that outdoes Honey, I Shrunk The Kids for weirdness, The Good, The Bad and the Ugly for menace, and The Iron Giant for cybernetics. The script riffs explicitly on the first two. And on Ibsen -- both on Hedda Gabler and the mutton-chopped, sometimes oblivious incarnation of the Norwegian writer himself.

Click to read more at AustinLiveTheatre.com . . . .

Monday, January 17, 2011

Upcoming: Heddatron, Salvage Vanguard Theatre, February 10 - March 5

Found on-line:


Salvage Vanguard Theatre presentsHeddatron Salvage Vanguard Theatre Austin


Heddatron

by Elizabeth Meriwether
directed by Dustin Wills
Salvage Vanguard Theater, 2803 E Manor Rd
February 10 - March 5, Thursday- Saturday at 8 p.m., Sundays at 6 p.m.
(Thursdays Pay-What-You-Can at the door)
Tickets at http://www.brownpapertickets.com/event/145755

www.salvagevanguard.org

Like any well-made play, this one starts with a booming voice from the sky - though this booming voice arrives in the form of a hardcover copy of Hedda Gabler torpedoing into the lap of a terribly bored Michigan housewife. Suddenly, Jane Gordon finds herself captured by robots and whisked off to the Ecuadorian rainforest to perform the titular role in a robo-version of Henrik Ibsen’s famous drama. Jane’s ten-year-old daughter, Nugget, with the aid of her milquetoast father, an eager documentary filmmaker and her small arms dealing uncle must rescue her mother from the mechanical grip of her robot captors - whether she wants to be saved or not. Heddatron takes us on a hi(tech)storical journey through our trigger happy-TV-4G-machine-obsessed world to ask that great question, “What does it mean to be human?” Salvage Vanguard Theatre, with the help of the University of Texas’ tech-savvy IEEE Robotics & Automation Society, is ecstatic to offer a look at what happens when “real” robots and ever realer humans battle it out on the stage in the Austin premiere of Elizabeth Meriwether’s genre-defying head-trip Heddatron.

Feauturing: Amy Downing, Robert Pierson, Cyndi Williams, Jennymarie Jemison, Jude Hickey, Scott Daigle, Jarrett King, Matt Hislope, Kyle Lagunas, and Ava Johns
Design by: Lisa Laratta, Natalie George, Jessica Gilzow, Buzz Moran, and Lee Webster

Wednesday, September 8, 2010

Profile: Austin Shakespeare Prepares The Tempest


Austin Live Theatre ProfileLighting Director Jason Amato and crew in Rollins Theatre





This week Austin Shakespeare opens
The Tempest at the Rollins Theatre, Long Center.


Theatre is a collaborative art, coordinated in the best stagings by a precise schedule, time consuming preparation, and an accelerating rhythm as performance day comes near. The actors will fix our attention but the piece depends also upon decisions and actions of those we never see. For The Tempest the company and artistic director Ann Ciccolella are supported -- some might even say carried -- by the work of the stage manager, the dramaturg, designers, dressers, props handlers and stage hands.


Lindsley Howard as Miranda, Steve Shearer as Prospero

A theatre buff finds it fascinating to watch those contributions coming together in final rehearsals. Last Friday after an escorted trip through the labyrinthine basement of the Long Center, ALT got to sit in the Rollins Theatre for the first melding of those arts. Lighting designer Jason Amato worked his light plot and plan through a full rehearsal.


The cast hardly missed a syllable, even as colors changed, pools of light materialized and then disappeared, and sometimes the action went forward in a penumbra. Shakespeare's intelligence and wit were embodied by the cast, many of them dressed as yet in temporary costume; Prospero's magic isle was defined by a simple wide circle with provisional backdrops. Much of the music was ready, either recorded or played live, but projected video effects for the fairy isle would not be included until the weekend.

Read more at AustinLiveTheatre.com . . . .

Tuesday, March 30, 2010

Upcoming: Robin Hood, Scottish Rite Children's Theatre, Apri 10 - May 16


Found on-line:





brings back the popular classic

Robin Hood

April 10 - May 16, Saturdays at 10 a.m., Sundays at 2 p.m.

tickets available for weekday performances on April 14, 15, 29 and May 12 and 13

purchase on-line, by telephone Monday-Friday from 12 Noon to 4:30 PM at 512-472-KIDO (5436), or in person at the theatre, 18th and LaVaca ($8 children, $10 adults)


The Far, Far Away Kingdom is in danger! In this original production, the evil Sheriff of Nottingham has been stealing from the poor townspeople. Now it’s up to Robin Hood and his right hand man, Little John (with some help from the audience) to stop the Sheriff and save the lovely Maid Marian before she has to marry the no-good Nottingham!

The production is designed to be interactive with the audience and best suited for children ages 3-10. Weekday shows are great for school groups, care centers and home schoolers.

Sunday, February 14, 2010

Mary Stuart, Austin Shakespeare at the Rollins Theatre, Long Center, February 11 - 28







Mary Stuart in Austin Shakespeare's staging at the Rollins Theatre provides a powerful, cathartic experience for the spectator. Schiller's drama gives us two sixteenth-century queens, each with a claim to the English throne, wrapped in tangled interests of state and church, trapped together like scorpions in a bottle and surrounded by plotters, counselors, and mendacity.

This Mary Stuart plays like Shakespeare, with actors in stylized Elizabethan garb moving in a long court laid between ranks of spectators. Director Ann Ciccolella assembled a cast worthy of the aim, none more so than Helen Merino as the imprisoned Mary Stuart and Pamela Christian as Elizabeth I. The confrontation between them in the mid-point of the action is epic, a careful duet of encounter, reason, flaring passion and, ultimately, disaster for the prisoner, disguised as triumph .

The images and intrigues suggest that Shakespeare could have written this text.

Except, of course, he could never have touched this subject. These events were hot, recent realities in Shakespeare's time. He wrote and performed his first plays five years or less after Mary Stuart's execution in 1587, which occurred the same year as the publication of Holinshed's Chronicles, a major source for his plays. Shakespeare flourished under Elizabeth's reign, but the second half of his career was under the reign of James I, the son of of Mary Stuart.

There's a lot of background and history in this piece, virtually all of which takes place off stage. Schiller is remarkably adept in giving you a sense of it, including the scandals and sins of Mary's youth, Catholic plots against Elizabeth the Protestant queen, the formal hearing and trial of Mary Stuart by 42 peers of the realm, the machinations and courting of Elizabeth by the French royal family, the conflicting advice to Elizabeth once Mary had been convicted, and Elizabeth's ambiguous instructions once she had signed the death warrant.

You could study all that. Or you could go with the action, which alternates between Mary in her prison and Elizabeth at the court, equally a prison.

Read more and view images at AustinLiveTheatre.com . . . .

Monday, January 25, 2010

Upcoming: Mary Stuart by Schiller, Austin Shakespeare at the Rollins Theatre, Long Center, February 11 - 28


Click for ALT review, February 15



UPDATE: Review by Clare Carnavan at Statesman A360 "Seeing Things" blog, February 11

UPDATE: Unsigned review at AustinOnStage, February 11

Received directly:








is the first company in the Southwest to stage the new adaptation of

Mary Stuart

a dramatic portrait of royal rivalry between
Mary, Queen of Scots and Queen Elizabeth of England

February 11 - 28 at the Rollins Theatre, Long Center
Tickets available now online or by telephone at (512) 474 - LONG

Now in its 25th anniversary season, Austin Shakespeare is proud to be the first theater in the Southwest to be awarded the rights to produce the new suspenseful adaptation of Schiller's Mary Stuart by British poet/playwright Peter Oswald, nominated in 2009 for 7 Tony Awards for the Broadway production.

Austin Shakespeare will transform the Long Center's Rollins Theater into a runway with audience on two sides, designed for a modern-day take on the Elizabethan era as they perform history’s illustrious high-stakes Tudor love triangle opening on Valentine’s Day weekend.

“This new version brings the clash between these charismatic women to life on the stage with language that is true to Schiller's emotional romantic play,” said Ann Ciccolella, artistic director of Austin Shakespeare. “The masterwork drives to reach a confrontation scene that never took place in history.”

The play is based on the story of Mary Stuart, the passionate and beautiful Queen of Scotland, as she struggles to gain freedom from her rival cousin, Elizabeth, the powerful Queen of England. Each woman uses the same man as lover and protector. Peter Oswald's new, energetic adaptation draws striking parallels to contemporary society.

As in the real-life story, Mary Queen of Scots has quite a resume. She murders her husband, marries his murderer, gets thrown out by the Scots as their Queen and conspires to bring about several murders. Schiller brilliantly condensed her story, beginning the action in the days before her execution.

[photo by Kimberley Mead]

Read more at AustinLiveTheatre.com . . . .


Monday, August 10, 2009

As You Like It, Scottish Rite Theatre, August 7 - 30





As You Like It
is one of the gentlest and most whimsical of Shakespeare's works, a playful edifice built on oppositions.

The court versus the forest, autocratic older brothers excluding younger brothers; lovers vying in vain for their ladies and, inevitably, a fair maid cross-dressing as a fair youth.


An aged servant finances with his last savings the flight into the forest of his impetuous young master; that master braves a fight for the sake of his ancient retainer but instead of armed resistance meets open handed generosity.


A witty, carefree fool flings himself into lusty romance; a melancholy gentleman observes, philosophizes and abstains from the world.

"As you like it . . . ." Perhaps the enigmatic ad libertam title doesn't immediately conjur up the plot for you?

Read more at AustinLiveTheatre.com . . . .



Thursday, July 30, 2009

Upcoming: As You Like It, Scottish Rite Theatre, August 7 - 30



UPDATE: Click for ALT review




Received directly:


The Scottish Rite Theatre
presents

As You Like It

directed by Beth Burns
with music by Michael McKelvey

August 7 - 30
Fridays and Saturdays at 8 p.m., Sundays at 2 p.m.
207 West 18th Street, Austin, at the corner of 18th and Lavaca, catercorner from the Bob Bullock Texas History Museum.

As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court to find safety and eventually love in the Forest of Arden with her cousin Celia, court jester Touchstone, and many other love-sick characters. Charades and disguise lead to all manner of frolics in the forest, with the lively plot ultimately resulting in a “happily ever after“ finale.

Tickets: Friday and Saturday $12 in advance (online or at Box Office) and $15 at the door
tickets online

Sundays: $10 in advance (online or at Box Office) and $12 at the door

As You Like It is brought to you by the same team behind last year's sparkling Twelfth Night. Director Beth Burns, fresh from the run of her own play The Long Now, returns to direct Shakespeare's pastoral masterpiece, with the help of music director and composer Michael McKelvey, and some of Austin's most accomplished classical actors.

Read more at AustinLiveTheatre.com . . . .