Monday, July 18, 2011

Upcoming Seminar: Crisis and Opportunity 2.0, sponsored by Austin Creative Alliance at the Emma S. Barrientos Mexican-American Cultural Ctr, July 28

Received directly from the









[Apple users: can't see the video? Click to go to YouTube!]


Crisis & Opportunity 2.0

with Matt Lehman

July 28, 6 - 8:30 p.m.


Emma S. Barrientos Mexican-American Cultural Center, 600 River Street (click for map)

Thank you to all who attended the Crisis & Opportunity open meeting on June 7th. We were very pleased that so many of you took the time to gather with us for discussion.

On July 28th, from 6-8:30pm, we will be back at the MACC for a follow-up-forum.
After conversations with attendees, and review of comments and suggestions, we felt we had a clear direction for the next gathering.

Read more at AustinLiveTheatre.com . . . .


Arts Reporting: The Bard of Winedale by Kurt Wilson, Roundtop Register


Background on Shakespeare in Winedale with an interview of program director Dr. James Loehlin and program coordinator Liz Fisher, republished by permission from

Round Top Register logo




As You Like It at Winedale: Kelsi Tyler as Rosalind, Susan Bennett as Celia

The Bard of Winedale

by Kurt Wilson

Four decades ago, two events added immeasurably to the cultural riches of Fayette County. James Dick held a classical music concert in Round Top (please see our previous issue) that was the genesis of Festival Hill, and Dr. James Ayres founded Shakespeare at Winedale. Both of these projects were encouraged and supported by Miss Ima Hogg. The similarity does not end there. Like Festival Hill, Shakespeare at Winedale has flourished and expanded its mission well beyond its beginnings. In addition to furnishing University of Texas students a chance to learn about Shakespeare through performing some of his plays before an audience, the program now runs Camp Shakespeare, a two week program wherein ten to sixteen year olds get to perform scenes from the plays for their fellows and, finally, for an audience. The emphasis for the children, as with the college-aged students, is on the learning process, not the polishing of a performance. The program, which is part of the College of Liberal Arts, also provides classroom visits and workshops for schoolchildren from kindergarten through twelfth grade. Under the direction of its founder, Shakespeare at Winedale also provides classroom teachers with professional development to enhance their language arts instruction. There is an emphasis on reaching students from lower-income communities.

Recently the Round Top Register met with Dr. James Loehlin, Director, and Liz Fisher, Program Coordinator, for Shakespeare at Winedale to ask them some of the questions that might occur to readers of this magazine.

RTR: Dr. Loehlin, when did you take over from Dr. Ayres as the director of the summer program at Winedale?

JL: My first summer was 2001, so this past summer was my tenth anniversary. Dr. Ayres ran it for the first thirty years, and I have run it for the last ten, but he is still very involved in Camp Shakespeare. He is teaching at UT this semester. Even though he is retired from UT, he comes back from time to time to teach a course.

RTR: Liz, did you start as a student in the program?

LF: I was a student in Dr. Loehlin’s first class in 2001and then came back to do another summer in 2003. I worked with our outreach program for a bit after I graduated and then became the program’s coordinator in the fall of 2008.

RTR: You perform in a barn. Was the barn already on site when you began?

JL: The barn was already there. It was part of the original property purchased by Miss Ima Hogg, renovated, and donated to the university in the 1960s. I believe the original interior structure of the barn goes back to the late Nineteenth Century. It has had significant additions and renovations since then, including many things that happened since Shakespeare at Winedale started forty years ago when Professor James Ayres began taking his students out there to perform. When he started, it was certainly a spare structure with just the hayloft, a dirt floor, and no stage. He made a number of changes to the barn over the years to make it somewhat more of a theatrical space and more along the lines of an Elizabethan theatre, but I think the original structure of the barn gives the suggestion of an Elizabethan playhouse. That was one of the reasons Doc and Miss Ima had the idea of doing Shakespeare in that space.

Read more at AustinLiveTheatre.com . . . .

Audtions for City Theatre's 2011-2012 Season, August 7 - 8

Received directly from Andy Berkovsky, Artistic Director of City Theatre, Austin:

CITY THEATRE 2011 – 2012 SEASON AUDITIONS:

CASTING LEAD ROLES FOR UPCOMING SHOWS!

City Theatre, Austin












The City Theatre 3823 Airport Blvd. Suite D Austin, TX 78722

Sunday, August 7, 12:30 p.m. – 3 p.m and Monday, August 8, 6:00 – 9:00 p.m.

Ten minute appointment slots.

Needed: Bring headshot and resume if not yet submitted. May perform short monologue suitable for role(s) you are seeking. Casting all lead roles for the upcoming theatre season which include Rumors, Wit, Medea, Romeo and Juliet, Inherit the Wind, Chicago and many more. For the complete schedule, go to www.citytheatreaustin.org

Call 512-524-2870 or info@citytheatreaustin.org for an audition time.

If you are not able to make this audition time, please let us know.

Sunday, July 17, 2011

Upcoming: Showdown at Bittercreek Saloon, Way Off Broadway Community Players, Leander, July 22 - August 13

Received directly:


Way Off Broadway Community Players caps off our 14th season with our annual summer melodrama, presented in our brand new theater in the 2243 Business Park,

Showdown at Bittercreek Saloon

by Jerry MckimmeyShowdown at Bittercreek Saloon Way Off Broadway Community Players Leander

directed by Rick White

Fridays and Saturdays, July 22 through August 13 at 8 pm.. There will be one Sunday performance on July 31 at 3 p.m.

Adults-$20, Seniors/Students-$15, Children-$10
Click Here to make Reservations


This is a fun, fast-paced western saga full of villainous deeds, heroic saves, not to mention the
bumblings of the well-meaning…and the not so well-meaning…antics of the characters.
An Inspirational and Provocative Work, Designed to Bring Tears to the Eyes and Laughter
to the Soul. The saga opens around a campfire in the wide-open Texas prairie as a cowboy,
Dooley, recounts his days riding with Bronco Slim, the Cowboy who Tamed the West. Live the
excitement of the Old West, including the Saloon Girls, Damsels Fair, Villians Villianous,
Side-Kicks Kicking and even the Medicine Man with his Magic Elixir. Join us as we travel to
the by-gone Days of Yesteryear when the 6 Gun Ruled and Cows Loomed Large. This will be a Rip-Roaring, Pop-Corn Throwing, Villain Booing Fun Time for the Entire Family!
You won’t want to miss this show!!!!!!

Upcoming: Boudikka, the Warrior Queen by Philip Kreyche, Salvage Vanguard Theatre, August 3 - 6

Received directly:


BOUDIKKA, the Warrior Queen

written and directed by Philip KreycheBoudikka by Philip Kreyche

August 3 - 6, 8 p.m.

Salvage Vanguard Theater,2803 Manor Rd

Run time will be roughly 90 minutes.

General admission is $15, student tickets are $10. Tickets will be available at the box office, or you may reserve tickets by calling 512-422-5705.

Beer, wine, and mead will be available for those over 21 (donations appreciated).

This play contains graphic sexual content, violence, and language, and so is for MATURE AUDIENCES only.


For the first time on the Austin stage comes the story of the ancient Celtic queen Boudikka, whose lands were stolen, daughters raped, and people oppressed, driving her to raise an army and lead a rebellion against the Roman Empire.


The year is 61 A.D. Britain is a collection of tribal kingdoms all living in the shadow of the Roman occupation of the isle. Under their governor Paulinus Suetonius, the Roman forces crush any who resist Rome's hegemony. When the king of the Ekeni tribe passes away, his wife Boudikka and her daughters are left to rule the kingdom in his stead -- but the Romans have another plan. They occupy the Ekeni lands, and when the queen and her daughters resist, they are beaten and raped by legionnaires and left to die. Consumed with a desire for vengeance, Boudikka gathers what's left of her people and leads them on a campaign of blood, murder, and revenge to push the Roman invaders back into the sea, and free their lands forever.

Click to read more at AustinLiveTheatre.com. . . .


Thursday, July 14, 2011

69 Love Songs, Gnap! Theatre Projects at Salvage Vanguard Theatre, July 8 - 23


69 Love Songs Avimaan Syam Salvage Vanguard Austin Texas

by Brian Paul Scipione


I Don’t Want to Get Over Love Songs

If you scour the liner notes of 69 Love Songs by the Magnetic Fields you will find this admission by writer Stephen Merritt: “I like over-the-top sentimentality if there’s a justification for it.” While this thought is no way to sum up the majesty of his much-beloved indie/emo/pop/retro/folk rock masterpiece album, it is a good way to introduce it.

The second necessary detail is that Merritt did not write 69 Love Songs as a collection of songs about love, but rather as a collection of songs about love songs: almost but not quite a dubious distinction. Also from the liner notes: “I had been thinking it would be good to get into the world of musicals, and probably easier to get into it through a revue of songs along the lines of An Evening with Tom Leher or Jaques Brel is Alive and Well and Living in Paris, two revues that don’t need any narrative to be wildly entertaining. Well, I write pretty good love songs. Nobody else is writing love songs.”

So, 69 Love Songs is one part severely sentimental and one part non-narrative musical revue but what would be the final ingredient in this odd, unique and delightful night of entertainment? From the Gnap Theatre website, “Gnap! Theater Projects presents and produces theatrical events that are both deliberately experimental and unashamedly populist.” That’s right -- an improv-based theater group with a love for all things widely loved. The piece 69 Love Scenes is a play in 69 parts inspired and guided by the themes, titles, characters, and moods of 69 Love Songs.

Read more at AustinLiveTheatre.com . . . .

Ongoing: 69 Love Songs, Gnap! Theatre Projects at Salvage Vanguard Theatre, July 8 - 23

Found on-line:


Gnap! Theatre Projects presents69 Love Songs theatre Salvage Vanguard

'69 Love Scenes

Directed by Avimaan Syam
Conceived by Kerri Lendo
Written by Avimaan Syam and Monique Daviau with additional text by Kerri Lendo, Curtis Luciani, Shannon McCormick, Erika May McNichol, and Caitlin Reilly Schave

July 8th- 23rd, Thursdays- Saturdays in the main stage at 8 p.m.

Salvage Vanguard Theatre, 2803 Manor Road (click for map)

Tickets $10, Visit: http://www.eventbrite.com/event/1836435829/efblike

Gnap! Theater Projects presents a play in 69 parts inspired by the songs on the The Magnetic Fields's triple album 69 Love Songs. Drawing from elements of the album such as the space between sincerity and insincerity, wry humor, and an effortless ability to slip into any genre, we’ve packed 69 scenes into a whirlwind of a play about love, love songs, and the use and abuse of both.

Featuring Adrienne Mishler, Gricelda Silva, Maggie Whilhite, Liz Brammer, Joanna Wright, Courtney Hopkin, Hugo Vargas-Zesati, Joel Osborne, Jay Byrd, Jericho Thorp, Leah Moss


Musical direction: Adam Hilton - Set design: Connor Hopkins -Lighting design: Brigitte Hutchison
Technical director: Ace Manning- Choreography: Caitlin Reilly -Video design: Courtney Hopkin and Brandon Paul Salinas
Costumes: Heather Koslov - Props: Jodi Odness - Stage Manager: Elizabeth Bigger