Showing posts with label Andy Berkovsky. Show all posts
Showing posts with label Andy Berkovsky. Show all posts

Sunday, November 24, 2013

Steel Magnolias by Robert Harling, City Theatre, November 22 - December 22, 2013




CTXLT review

by Dr. David Glen Robinson

Chinquapin Parish comes to the City. 

Steel Magnolias Robert Harling City Theatre Austin TX
(citytheatreaustin.org)
To the City Theatre, that is, in the form of Robert Harling’s superbly written modern classic, Steel Magnolias. Theatre fans cannot see this masterpiece frequently enough; they must review it often to catch the fast-flying wicked barbs, double entendres, bon mots, and just plain corny jokes that fill its two hours and ten minutes. It feels like about one hour because laughter makes one lose all track of time. City Theatre’s holiday offering is highly recommended.

The story is about the small group of women who frequent Truvy’s Beauty Salon, get their hair done and share their lives. It is a high comedy with an underlying tragedy. The stories related by the customers in the styling chairs depict small town northern Louisiana culture, accurately in this reviewer’s experience. Further, it is a Christmas play, as part of the first act takes place at Christmastime, which at Truvy’s sees even keener and sharper humor related to the season, all without causing anyone to review their sense of the sacred and profane. Have I said this play is superbly written?

This strong material and the expectations of audiences for it set a high mark for any production, and the City Theatre production meets all the expectations for it. It's yet another glowing success for City Theatre.

The cast is well matched. Under the leadership of Samantha Brewer as Truvy, the cast shares the tidal shifts of intensity and emotion that sweep through their many stories. Director Berkovsky deserves credit for the exciting pace and its timing, that key element of comedy. The players did not miss a beat, as far as the audience could detect, quite a feat on any opening night, when butterflies and jitters are inevitable. If Best Ensemble Performance in a Comedy is a category to be taken seriously, then the cast of Steel Magnolias certainly deserves a nomination for a B. Iden Payne award from the Austin theatre community.

The set was believable and authentic, and it conveyed a sense of warmth and familiarity from the first moment Berkovsky did the production design and Jennifer Cunningham did scenic painting.

A special credit goes to Val Frazee for hair design, super important in a play about beauticians and their customers. The wig work was especially spectacular.

The costume design by Rosalie Oliveri was most impressive, conveying both the idiosyncrasies and class-conscious wealth of northern Louisiana. Styling and prop design, usually credited on the program, were missing from the credits.

Steel Magnolias teaches us the age-old verity that friendship is a value that sustains us throughout our lives. On a deeper levelis the truth that friendship, simple friendship among neighbors and families, is perhaps the highest form of love. It gives much and demands everything and in the end provides strength beyond imagining. The play program carries a quote from Shakespeare that says it best: “I count myself in nothing else so happy as in a soul rememb’ring my good friends.”

Make Steel Magnolias your new holiday play. It runs at City Theatre at Airport Rd and 38 1/2 Street on the east side until December 22nd.

Tuesday, October 22, 2013

STEEL MAGNOLIAS by Robert Harling, City Theatre, November 22 - December 22, 2013



STEEL MAGNOLIAS

City Theatre
Steel Magnolias City Theatre Austin
Robert Harling’s wisecracking and wise southern hit comedy serving up life, love and laughter that’s as warm and comforting as sweet potato pie. In the haven of Truvy’s beauty salon, six women come together to share secrets, gossip and bare their souls learning to embrace themselves and the future with all its uncertainties. From weddings to divorces, babies to funerals, new beginnings to happy endings, they weather every event with grace, determination and perfectly coiffed hair.

November 22 – December 22. Thursday - Saturday 8:00 p.m. Sunday 5:30 p.m. Two shows Thanksgiving weekend, Saturday and Sunday. The City Theatre, 3823 Airport Blvd. Suite D. 78722 – east corner of Airport Blvd. and 38 ½ Street. General seating $15. Front/2nd Row Reserved $20-25. Thursday all seats $10. Group and student discounts. For reservations, call 512-524-2870 or e-mail info@citytheatreaustin.org. www.citytheatreaustin.org

Tuesday, October 1, 2013

Auditions for The Whipping Man by Matthew Lopez, City Theatre, October 19 and 22, 2013



City Theatre AUstin TXAUDITIONS for Austin premier of Matthew Lopez's award-winning drama THE WHIPPING MAN  October 19 and 22 at The City Theatre. 3823 Airport Blvd. Suite D. Austin, TX 78722 (click for map)

Whipping Man City Theatre Austin TX 

Casting two African-American actors and one white male actor. 

Bring headshot, resume and a one minute prepared dramatic monologue. Scenes will also be performed. Call 512-524-2870 or info@citytheatreaustin.org to set up an appt. Ten-minute slots by appointment. Times: Saturday, October 19 12:00 – 3:00 p.m. Tuesday, October 22, 6 – 10 p.m. If you are not able to make this audition time, please let us know.

Show dates: February 7 – March 6 with rehearsals beginning in November. 

The Civil War is over and throughout the south, slaves are being freed and soldiers are returning home. Into the chaos of war-torn Richmond comes Caleb DeLeon, a wounded Jewish Confederate officer who find family's home in ruins and abandoned, save for two former slaves, Simon and John, who wait for the family's return. As the three men wait for signs of life to return to the city, they wrestle with their shared past, the bitter irony of Jewish slave-owning and the reality of the new world in which they find themselves. The pain that each man endures is not soothed and deep-buried secrets from the past refuse to be hidden forever as the play comes to its shocking climax.

Monday, September 16, 2013

Tuesday, September 10, 2013

THE CITY THEATRE OPEN HOUSE AND GALA, September 21, 2013






City Theatre Austin TX









(3823 Airport Rd. at 38 1/2 St., behind the Shell station)
presentsCity Theatre 2013 open house and gala Austin TX
The 2013 City Theatre Open House and Gala!

Come be a star and celebrate CTC's 8th anniversary of live theatre entertainment in Austin! SATURDAY, SEPTEMBER 21.

Open house 10 a.m. - 6 p.m. Come bid on auction items, enjoy food and drinks, talk with CTC actors, get your season tickets.

Glitter Ball Gala starts at 9:00 p.m. Into the evening, the gala with music and dancing on the CTC stage.

FREE AND OPEN TO THE PUBLIC. Don’t miss it!
(Click to go to the AustinLiveTheatre front page)

Wednesday, August 28, 2013

Auditions for Steel Magnolias by Robert Harling, City Theatre, September 15 & 16, 2013



City Theatre Austin TXSTEEL MAGNOLIAS Auditions on September 15 and 16 at the City Theatre. 3823 Airport Blvd. Suite D. Austin, TX 78722
Directed by City Theatre Artistic Director Andy Berkovsky

Times: Sunday, September 15, 12:30 – 3:30 p.m.Monday,
September 16, 6 – 10 p.m. Ten minute slots by appointment.

Show dates: November 22 – December 22.

Steel Magnolias Robert Harling, City Theatre Austin TXThanksgiving show dates are tentative with rehearsals beginning end of September. Casting all roles. If you are not able to make this audition time, please let us know.

Fall in love with the ladies of Steel Magnolias all over again! Robert Harling’s wisecracking and wise southern hit comedy serving up life, love and laughter that’s as warm and comforting as sweet potato pie. In the haven of Truvy’s beauty salon, six women come together to share secrets, gossip and bare their souls learning to embrace themselves and the future with all its uncertainties. From weddings to divorces, babies to funerals, new beginnings to happy endings, they weather every event with grace, determination and perfectly coiffed hair.

Bring headshot, resume and a one minute prepared monologue. Scenes will also be performed if needed. Call 512-524-2870 or info@citytheatreaustin.org to set up an appt.

STEEL
MAGNOLIAS
Auditions
When: September 15 and 16.

Where:
The City Theatre. 3823 Airport Blvd. Suite D. Austin, TX 78722
Time:
Sunday, September 15, 12:30 – 3:30 p.m. Monday,
September 16, 6 – 10 p.m. Ten minute slots by appointment.


Show dates: November 22 – December 22. Thanksgiving show dates are
tentative with rehearsals beginning end of September. Casting all roles. If
you are not able to make this audition time, please let us know.
Directed by City Theatre Artistic Director Andy Berkovsky

Fall in love with the ladies of Steel Magnolias all over again! Robert Harling’s
wisecracking and wise southern hit comedy serving up life, love and laughter
that’s as warm and comforting as sweet potato pie. In the haven of Truvy’s
beauty salon, six women come together to share secrets, gossip and bare
their souls learning to embrace themselves and the future with all its
uncertainties. From weddings to divorces, babies to funerals, new
beginnings to happy endings, they weather every event with grace,
determination and perfectly coiffed hair.

Bring headshot, resume and a one minute prepared monologue.
Scenes will also be performed if needed.
512-524-2870 or info@citytheatreaustin.org to set up an appt.

Tuesday, June 18, 2013

Photos by Andy Berkovsky: Much Ado About Nothing by William Shakespeare, City Theatre, June 13 - July 7, 2013


Photos by Andy Berkovsky for the

City Theatre Austin TX


Much Ado About Nothing William Shakespeare City Theatre Austin
Nikki Zook, Kevin Gates (photo: Andy Berkovsky)
City Theatre Austin Masks
 




production of 



Much Ado About Nothing


by William Shakespeare
directed by Bridget Fairas,
June 13 - July 7, 2013
Thursdays - Saturdays at 8 p.m., Sundays at 5:30 p.m.
(3823 Airport Rd. at 38 1/2 St., behind the Shell station)
 

Shakespeare’s Sublime Battle of Wits and Wills.
Much Ado About Nothing Shakespeare City Theatre Austin

Considered one of the most popular and charming comedies, Much Ado About Nothing features the classic couple Benedick, an arrogant and confirmed bachelor, and Beatrice, his favorite sparring partner, who would rather exchange scorching insults than sweet nothings. However, the pugnacious pair is forced to forge a partnership in order to defend house and honor, and salvage the true love of Hero and Claudio after deceptions destroy the lovers’ wedding day. Will the earnest endeavor to restore a young romance elicit an unexpected change of heart for the effort’s unlikely collaborators as well? Witty wordplay, passionate poetry and clever plot twists make this the perfect romantic evening to share love and laughter.


Much Ado About Nothing William Shakespeare City Theatre Austin
(photo: Andy Berkovsky)

Friday, August 31, 2012

Cabaret by Kander & Ebb, City Theatre, August 16 - September 9

Cabaret City Theatre (image: Andy Berkovsky)





ALT review

by Michael Meigs


It's enticingly easy to imagine yourself away to 1930's Berlin in this staging of Kander and Ebb's Cabaret, for the City Theatre's space creates exactly the right dynamic. There are rules-of-thumb for successful parties. The first involves adequate supplies of liquor, but the second one, in fact the more important, requires fitting the numbers of guests to the space. The City's 85-seat intimate space is exactly right, both as a cabaret world where performers will joke, wink and jiggle just for you and as a combustible concentration of expectations.


Why Cabaret? It's a warhorse of the American stage, of course, packed with thrills, pleasures and very familiar music. In part it's a coming-of-age story, both for our naïve protagonist Cliff the aspiring novelist and for the naïve United States that he represents. There's a Freudian sting to it as well, for Cabaret balances the pleasure principle and coyly concealed visions of violence and death -- and incarnates them in the character of the EmCee. In that role, relative newcomer to Austin Johann Robert Wood is absolutely terrific -- an enticing guide to the hells of temptation. Charismatic, muscular, graceful and mocking, he dominates that stage even when it's filled up with quivering pink pulchritude.

Wednesday, May 23, 2012

Upcoming: Medea by Euripides, with Suzanne Balling, City Theatre, June 7 - July 1


City Theatre Austin TX




presents
Medea Euripides City Theatre Austin TX
Medea

by Euripides
with Suzanne Balling
directed by Karen Sneed

June 7 – July 1, Thursdays – Saturdays 8:00 p.m. Sundays 5:30 p.m.
The City Theatre. 3823 Airport Blvd. 78757 – east corner of Airport Blvd. and 38 ½ Street. (click for map)

General Seating $15. Guaranteed Front/2nd Row Reserved $25.
Students $12. Thursday all seats $10. Group discounts are available.
Reservations 512-524-2870 or info@citytheatreaustin.org

The City Theatre Company turns up the heat to present Euripides’ famous Greek tale, Medea. In this masterly written drama of passion, suffering and the sensitivity of injured love are strongly drawn, until they culminate in the awful deed of vengeance. The production is directed by Karen Sneed and plays June 7 – July 1, Thursday – Saturday 8 p.m. Sunday 5:30 p.m.
"I'll teach these people not to laugh at me. What's stopping me? I've nothing to live for." - Medea

Alone;
Medea is the ancient Greek tragedy based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband, for whom she sacrificed everything.

Medea unleashes a vengeance on her enemies, making both assassins and victims of all those around her. Euripides produced
Medea at the City Dionysian festival along with the lost plays Philoctetes, Dictys and the satyr play Theristai. So much like today’s writers, Euripides made a splendid effort to maintain the place of drama in the spiritual life of the society by modifying its interests, topics and themes in the sense which his own generation required. Heroic persons could still excite interest if they were made more real, - if, in them, the passions and sorrows of every-day life were portrayed with greater vividness and directness. In that, Euripides became the virtual founder of the romantic drama and he continued to write well-known works including Electra, The Bacchae and The Trojan WomenRead more on Euripides.

Featuring one of the most powerful female roles in the history of drama,
Medea is an intense story fuelled by passion, hatred and deadly rage. Heroic yet deadly, sympathetic yet appalling, Medea’s barbaric actions will stir your emotions as you find yourself irresistibly drawn into the nightmare world of this spectacularly vengeful woman. Award-winning Austin actress Suzanne Balling leads the cast in the role of Medea, who will stop at nothing to repay Jason for the ultimate betrayal of his family and the woman he promised to love forever.  

Joining her in the starring roles are Robert Lee Berry (Creon), Trevor Bissell (Jason) and Terri Lynne Hudson (Nurse). Also featured are Lauren Hayes, Leigh Hegedus, Craig Kanne, Becky Musser, Rachel Redig, Molly Sapp, Andreas Stein, Don Sneed, John Redig, James Holder, Bethany Bissell and Brooklyn Bissell. The production is directed by Karen Sneed (CTC’s
The Imaginary Invalid) and is choreographed by Courtney Poole, with costume design by Kendi Erickson and set design by Andy Berkovsky.
The City Theatre Company is an Austin-based not for profit arts organization and is sponsored in part by the Austin Creative Alliance, the Austin Cultural Arts Division and the AMD Foundation. Founded in 2006, the company has been recognized by the Austin Critics Table Awards, the B. Iden Payne Awards and was twice voted “Best Theatre Company” by Austin- American Statesman’s Austin 360. CTC is dedicated in providing quality theatre experience and entertainment for Austin artists and its community.

Sunday, November 6, 2011

Images by Andy Berkovsky: The Miracle Worker, City Theatre, October 28 - November 20


Images by Andy Berkovsky:


City Theatre Austin

Monique Borses, Dawn Erin (image: Andy Berkovsky, City Theatre)

City Theatre

presents

The Miracle Worker

by William Gibson

October 28 – November 20, Thursdays – Saturdays at 8 p.m., Sundays at 5:30 p.m.

The City Theatre, 3823 Airport Blvd. 78757 – east corner of Airport Blvd. and 38 ½ Street (click for map)

General Seating $15. Guaranteed Front/2nd Row Reserved $25.

Students $12. Thursday all seats $10. Group discounts are available.

Reservations 512-524-2870 or info@citytheatreaustin.org

www.citytheatreaustin.org

The inspiring story of Helen Keller and Anne Sullivan, the teacher who opened the world to a blind and deaf child, comes to the stage as The City Theatre Company presents The Miracle Worker October 28 – November 20, 2011.


“When we do the best we can, we never know what miracle is wrought in our life.”

Monique Borses, Dawn Erin (image: Andy Berkovsky, City Theatre)



Click to view additional images by Andy Berkovsky. . . .






Sunday, October 16, 2011

Rumors by Neil Simon, City Theatre, September 29 - October 23


Rumors Neil Simon City Theatre Austin


The greater Austin area hasn't lacked for productions of this 1988 farce by Neil Simon. A search of AustinLiveTheatre brings back announcements of stagings by the Wimberley Players in September, 2009, by the Renaissance Guild in San Antonio in July, 2010, by Leander's Way Off Broadway Community Players in January of this year and even by UT's student-run Broccoli Project last March. That sequence resembles the systematic trial-and-error of artillery ranging, back and forth, close and far, until once all the coordinates are set, BAM! the shot goes home. Home, in this case, being the City Theatre, one of Austin's liveliest and most entertaining theatre venues.


Simon was one of the twentieth century's most prolific writers for stage, big screen and small screen. The Internet Movie Data Base lists 83 titles associated with him and its short title for his entry tabs him as the writer of The Odd Couple (1968). Rumors is nowhere in that list, probably because its premise, timing and humor are pure stagecraft. The audience witnesses the arrival of various couples in evening dress, one after another, all invited to celebrate the tenth anniversary of their friend and associate, Charlie Brock, Deputy Mayor of New York, and his wife Myra. Problem: the kitchen staff is missing, the food hasn't been prepared, Myra has disappeared, and their friend Charlie is in a daze, having fired a pistol shot that took off his own earlobe.


They're trapped in a situation that surpasses their understanding. Equally baffled by these circumstances and equally confined in this box set, we watch each couple squirm, panic, bicker and try to cover up as others arrive. Simon paces the arrivals and discoveries, and all we learn of Charlie is third hand -- he's confused, he's crying, he's taking Valium, he's sleeping, he's unavailable to answer when the police come calling to inquire about a car accident, a car theft, and the reports of two shots in the night.

Read more at AustinLiveTheatre.com . . . .

Friday, September 2, 2011

Auditions: Helen Keller in The Miracle Worker, City Theatre



Posted by Andy Berkovsky at www.AustinActors.net:


City Theatre Austin

Casting Helen Keller in the Miracle Worker


City Theatre invites you to the auditions and casting for Helen Keller in the emotional and acclaimed play The Miracle Worker starting up this weekend. Information:

*Dates: September 3, 10 a.m. to 2 p.m. and September 5 and 6, 5:30 – 7:30 p.m.
*The City Theatre 3823 Airport Blvd. Austin 78722 (behind the Shell station -- click for map)
*This is an open callback. No appt. necessary. Come anytime during the schedule above.
*Casting for Helen Keller. Information below.
*Headshot and resume preferred but not necessary. A short monologue is suggested.
*Show dates October 27 – November 20 with rehearsals beginning 2nd or 3rd week of September.

Helen Adams Keller was born a healthy child on June 27, 1880, to Captain Arthur H. and Kate Adams Keller of Tuscumbia. At the tender age of 19 months, she was stricken with a severe illness which left her blind and deaf. The half-wild, deaf and blind girl was taken by her parents to see Dr. Alexander Graham Bell. Because of her visit, Helen was united with her teacher Anne Mansfield Sullivan. And so our story begins.

If you have any questions, please respond at thecitytheatreaustin@yahoo.com or call 512-524-2870.

Contact: Andy Berkovsky thecitytheatreaustin@yahoo.com




Monday, July 18, 2011

Audtions for City Theatre's 2011-2012 Season, August 7 - 8

Received directly from Andy Berkovsky, Artistic Director of City Theatre, Austin:

CITY THEATRE 2011 – 2012 SEASON AUDITIONS:

CASTING LEAD ROLES FOR UPCOMING SHOWS!

City Theatre, Austin












The City Theatre 3823 Airport Blvd. Suite D Austin, TX 78722

Sunday, August 7, 12:30 p.m. – 3 p.m and Monday, August 8, 6:00 – 9:00 p.m.

Ten minute appointment slots.

Needed: Bring headshot and resume if not yet submitted. May perform short monologue suitable for role(s) you are seeking. Casting all lead roles for the upcoming theatre season which include Rumors, Wit, Medea, Romeo and Juliet, Inherit the Wind, Chicago and many more. For the complete schedule, go to www.citytheatreaustin.org

Call 512-524-2870 or info@citytheatreaustin.org for an audition time.

If you are not able to make this audition time, please let us know.

Wednesday, July 13, 2011

The Little Dog Laughed, City Theatre, June 9 - July 3

The Little Dog Laughed City Theatre Austin


City Theatre Artistic Director Andy Berkovsky had wanted to do Douglas Carter Beane's four-character sex farce since at least mid-2009. The title floated out there on the City's season listings, pending availability of performance rights. When City finally got the rights and ran it for four weeks in June and July, the silence was deafening. Not a single review appeared.


The City has faced controversy with equanimity -- a year ago, Paul Ruddick's gay-themed comedy The Most Fabulous Story Ever Told played in this same slot in the season and drew demonstrators and on-line comment (a new one from Oklahoma City just showed up today on the ALT blog (www.austinlivetheatre.blogspot.com)). But silence?


Ruddick's play was a gay spoof of the Bible; Beane's play is a gay spoof of Hollywood, with the thesis that A-List Hollywood actors are obliged to cover up homosexual or bisexual identities because they fear becoming damaged goods at the box office. Perhaps there was no one willing to go to bat for Tinsel Town.


Ruddick's play was pretty silly stuff, done with the exuberance of consciously naughty adolescents. Beane's play is something more. He does launch lots of raucous cheap shots at Hollywood hypocrisy, incarnated in the character the narrator-agent Diane, played by Michelle Cheney. Beane's career as a screenwriter suggests strongly that in this 2006 play he knew what he was talking about. The core of the play, however, is the struggle between commercialized lust and affection.

Read more and view image at AustinLiveTheatre.com . . . .

Friday, May 20, 2011

Upcoming: The Little Dog Laughed, City Theatre, June 9 - July 3

Received directly:

City Theatre Austin

presentsThe Little Dog Laughed, City Theatre Austin

The Little Dog Laughed

by Douglas Carter Beane

June 9 - July 3, Thursdays – Saturdays at 8 p.m., Sundays at 5:30 p.m.

The City Theatre, 3823 Airport Blvd. – east corner of Airport Blvd. and 38 ½ Street (click for map)

Tickets $15 - $20. Guaranteed Front/2nd Row Reserved $25.

Students $12. Thursday all seats $10. Group discounts are available.

Reservations 512-524-2870 or info@citytheatreaustin.org

www.citytheatreaustin.org

The Little Dog Laughed, City Theatre, Austin“Hell hath no fury like an agent scorned” seems to be the enduring message of Douglas Carter Beane’s The Little Dog Laughed, a sharp comedy that fiercely satirizes Hollywood wheeling and dealing and probes issues of gay identity in the popular media. The Tony-nominated play makes its Austin premier at the City Theatre, starring power-house actors Michelle Cheney and Victor Trevino, directed by Andy Berkovsky and Bridget Farias and running June 9 – July 3.

Yes, we love the cinema for its great film makers, its beautiful faces and its daring images. But in this tabloid age where big stars go on Oprah and jump around like heartsick schoolboys, what we really love is all that dish! The players here include a hard-driving Hollywood agent, her budding screen idol client, a sexy young drifter, and the drifter's naive, needy girlfriend. The Little Dog Laughed follows the adventures of Mitchell Green (Victor Trevino), a movie star who could hit big if it weren't for one teensy-weensy problem. His agent, Diane (Michelle Cheney), can't seem to keep him in the closet. Trying to help him navigate Hollywood's choppy waters, the devilish Diane is doing all she can to keep Mitchell away from the cute rent boy (Micah Sudduth) who's caught his eye and the rent boy's girlfriend (Keylee Koop)… wait, the rent boy has a girlfriend? Will there be a happy ending as the final credits roll?

Douglas Carter Beane is considered one of the best new American playwrights writing for the stage today. His works include the screenplay of To Wong Foo, Thanks for Everything! Julie Newmar, and several plays and musicals including As Bees in Honey Drown, Sister Act, the musical, Xanada and Little Dog which was nominated for the 2007 Tony Award for Best Play. The City Theatre is very excited to have two phenomenal performers lead the cast of the show. Victor Trevino has been working professionally as an actor for over twenty years with performances in major theatres across the U.S. and with roles in films and television including American Me, Big City, The X-Files, Pee-Wee’s Playhouse and General Hospital. And enough can’t be said about Michelle Cheney, a veteran of the CTC stage and countless Austin theatre companies. She has starred in Into the Woods, The Best Little Whorehouse in Texas, Guys and Dolls, Noises Off and is a recent Austin B. Iden Payne theatre award winner. Rounding out the cast are two young and talented actors Keylee Koop (City Theatre’s Buried Child) and Micah Sudduth (Zach Scott’s Take Me Out). The production is directed by Bridget Farias, Artistic Director of the EmilyAnn Theatre and Andy Berkovsky, City Theatre Artistic Director and three-time B. Iden Payne theatre award nominee for outstanding director.

The City Theatre Company is a non-profit arts organization and is sponsored in part by the Greater Austin Creative Alliance, the Austin Cultural Arts Division and the AMD Foundation. CTC is dedicated in providing quality theatre experience and entertainment for Austin artists and its community.

Tuesday, April 26, 2011

Auditions for Hair, the musical, City Theatre, May 15 - 16

Received directly:

Hair (image from City Theatre, Austin)

City Theatre Austin


City Theatre announces

AUDITIONS – SUMMER ROCK MUSICAL


HAIR

May 15 - 16, 2011

The City Theatre 3823 Airport Blvd. Suite D (click for map)

Sunday, May 15, 1 - 4 p.m. and Monday, May 16, 5:30 – 9:00 p.m.

Ten minute appointment slots. Show dates August 18 – September 11.

Needed: Bring headshot and resume. Have a one minute pop rock song prepared. Short scenes from the show will be performed. Casting all roles including ensemble.

This summer, the tribe of the Age of Aquarius will be protesting the war, freeing their love, letting their hair down, and baring it all. Hair tells the story of a group of friends choosing to speak up and sing out in celebration of love, life and freedom. The first great rock musical, it has some of the most rousing and soulful songs ever written for the stage, including "Let the Sun Shine In," "Easy to be Hard," "Good Morning Starshine," "Aquarius" and the infectious title song, "Hair." Call

512-524-2870 or info@citytheatreaustin.org for an audition time. Produced by The City Theatre Company.

If you are not able to make these audition times, please let us know.

Upcoming: Of Mice and Men, City Theatre, May 12 - June 8

Received directly:

Of Mice and Men, City Theatre, Austin

City Theatre Austin

THE CITY THEATRE

proudly presents John Steinbeck's American classic

OF MICE AND MEN

with Derek Jones as George Milton and Andy Brown as Lennie Small.

also featuring Samantha Brewer, Gabriel Diehl, Scot Friedman, Larry Oliver, Garry Peters, Daniel Sawtelle, Gabriel Smith, and Ben Woods

May 12 – June 5

Thursdays – Saturdays at 8 p.m., Sundays at 5:30 p.m.

The City Theatre. 3823 Airport Blvd. 78757 – east corner of Airport Blvd. and 38 ½ Street (click for map)

Tickets $15 - $20. Guaranteed Front/2nd Row Reserved $25.

Students $12. Thursday all seats $10. Group discounts are available.

Reservations 512-524-2870 or info@citytheatreaustin.org

www.citytheatreaustin.org

The City Theatre Company continues its 2011 season with the critically-acclaimed Of Mice and Men, by John Steinbeck. This classic tale and Nobel Prize-winning novella about two migrant workers’ quest for the American dream portrays the struggle for independence, the responsibility we have to one another, and the desire for a place we all long to call our own.

“We got a future. We got somebody to talk to that gives a damn about us.” - George

Read more at AustinLiveTheatre.com . . . .


Wednesday, March 16, 2011

Upcoming: This Spring of Love, musical based on Two Gentlemen of Verona, City Theatre, April 14 - May 8

Found on-line:

City Theatre Austin Texas

City Theatre

presentsThis Spring of Love City Theatre Austin

This Spring of Love, a musical

words by William Shakespeare

musical adaptation by Andy Berkovsky

directed by Jeff Hinkle

April 14 – May 8
Thursday – Saturday 8:00 p.m. and Sunday 5:30 p.m.
The City Theatre, 3823 Airport Blvd. Suite D (behind the Shell station - click for map)
For reservations, call 512-524-2870 or e-mail info@citytheatreaustin.org.
$15 - $20. Front Row Reserved $25. Thursday all seats $10.
Group and student discounts.


The romantic musical comedy explosion of love, laughter and rock n' roll! If music be the food of love, play on in this modern musical adaptation of Shakespeare's The Two Gentlemen of Verona. Four young lovers hit the road to romance and find their bonds of friendship are tested along the way when they encounter the entanglements of stubborn fathers, pesky cupids, dirty outlaws, and everything in between. Don't miss the no holds “bard” pop musical filled with comedy, song, dance and the triumphs of young love.

Thursday, March 10, 2011

Topdog / Underdog by Suzan-Lori Parks, City Theatre, February 17 - March 13


Top Dog/ Underdog City Theatre


You have missed an extraordinary experience. Almost all of you. Lisa Jordan's staging of Topdog/Underdog by Suzan-Lori Parks takes place this evening and then three more times, and then it's gone forever.

Yes, I didn't get to the City Theatre production until late in the run. That wasn't willful neglect but just a queueing problem. I have a season ticket to the City, but there is so much theatre in Austin, much of it unusual, innovative or of high quality, or all three. And ALT is just me, trying to feast beyond reason on all that art.

McArthur Moore and Richard Rashad Romeo appeared together at the City two years ago under Jordan's direction in August Wilson's Fences. That was a graceful, moving ensemble production. In this very contemporary underclass drama by Parks, they constitute a world of their own in which each is a burning pole of energy.

Read more at AustinLiveTheatre.com . . . .

Tuesday, February 22, 2011

Performance Images by Andy Berkovsky: Top Dog/Underdog by Suzan-Lori Parks, City Theatre, February 17 - March 13

Performance images by Andy Berkovsky, received directly from the City Theatre:

The City Theatre presentsRichard Romeo, McArthur Moore in Top Dog/Underdog, City Theatre

TOPDOG/ UNDERDOG

by Suzan-Lori Parks

directed by Lisa Jordan, featuring Richard Romeo and McArthur Moore

February 17 – March 13, Thursdays – Saturdays 8:00 p.m., Sundays 5:30 p.m.

produced in honor of Black History Month.

The City Theatre. 3823 Airport Blvd. 78757 – east corner of Airport Blvd. and 38 ½ Street, behind the Shell station. (click for map)

Reservations 512-524-2870 or info@citytheatreaustin.org

McArthur Moore, Richard Romeo, Top Dog/Underdog, City Theatre



The City Theatre is proud to open its 2011 season with one of the hottest new plays in American drama, Topdog/Underdog, written by Suzan–Lori Parks and winner of the 2002 Pulitzer Prize. Produced in honor of Black History Month, performances begin February 17 and run through March 13 at The City Theatre.


“There’s more to me than some cheap hustle.”

Click to view additional images from Top Dog/Underdog at AustinLiveTheatre.com. . . .