Showing posts with label Carrie Klypchak. Show all posts
Showing posts with label Carrie Klypchak. Show all posts

Friday, October 18, 2013

Auditions for Gidion's Knot by Johanna Adams, Capital T at Hyde Park Theatre, October 27, 2013




Capital T Theatre Austin TXAuditions for Gidion’s Knot by Johanna Adams on Sunday, Oct 27 at Hyde Park Theatre. Timeslots available 1 pm - 4 pm


Gidion's Knot Johanna Adamson Capital T Theatre Texas
(www.capitalt.org)
Over the course of a 90-minute parent/teacher conference, a grieving mother and an emotionally overwhelmed primary school teacher have a fraught conversation about the tragic suicide of the mother’s son, the teacher’s student, Gidion. Gidion may have been bullied severely — or he may have been an abuser. As his story is slowly uncovered, the women try to reconstruct a satisfying explanation for Gidion’s act and come to terms with excruciating feelings of culpability.


Audition Format: Cold readings from the Script. Click here to sign up for an audition slot. Please bring headshot (or current pic), resume, and personal calendar to note specific rehearsal availability.

REHEARSALS for the show will start mid November – primarily weeknight rehearsals with some weekend afternoon rehearsals possible (holiday travel plans can be negotiated for the final rehearsal schedule). PERFORMANCES The show will run as part of the Long Fringe of Frontera Fest at Salvage Vanguard Theatre on assigned dates between January 20 through February 2; the run will continue 1 week after the festival closes ending on Feb 8th.


*** Please contact the Production Manager, Carrie Klypchak, with any questions at klypchakcarrie@gmail.com

Auditioning for the following paid non-Equity roles:


Heather Clark (female; age 35-50; any ethnicity) – A 5th teacher in Lake Forest, Chicago. Formerly in advertising – things didn’t go so well – she holds a BA in Marketing and an MBA. Two years previously she went back to school to get a Master’s in education. Heather believes that children are “fragile.” She lives with her cat; there’s a photo of him on her desk. He has diabetes. At the start of the play the cat is at the vet. Heather is waiting for a call to find out if he has to be immediately put down. She doesn’t have anyone to go with her and has been told by the vet that she doesn’t have to be there when they do it. On Friday, she suspended Gidion, a boy in her class, after seeing a story that he wrote and was circulating amongst his peers. His story makes specific reference to her. A conference with Gidion’s mother was scheduled for Monday. Gidion killed himself that Friday evening. She has been told by the school’s legal team not to speak to Gidion’s mother and does not expect her to show up for the meeting. Today is Monday and Gideon’s mother has suddenly arrived.


Corryn Fell (female; 35-50; any ethnicity) – Gidion’s mother, not “the mother he needed…just the one he got.” A graduate professor of medieval and earlier forms of poetry at Northwestern, she read her son stories about the Great Poet’s War when he was a little child. He wanted to be a writer, a poet. Gidion’s father is dead. There is no sense of a family unit besides Corryn and Gidion. She seems to have experienced a lot of death, but has survived it. She says that she believes in Shiva and thinks that children “are stronger than any of us.” She blames Heather for her son’s death and thinks that Heather didn’t like Gideon because she wasn’t able to fit him into one of her boxes. She has not yet made arrangements for Gidion’s funeral and arrives to discuss with Heather the reason for Gidion’s suspension. grade public school

Tuesday, August 20, 2013

The Motherfucker with the Hat by Stephen Adly Guirgis, Capital T Theatre, August 8 - 31, 2013 (Review No. 2)


Austin Live Theatre review
The Motherfucker with the Hat Stephen Adly Guirgis Capital T Theatre Austin TX
Indigo Rael (poster: Capital T Theatre)




by Michael Meigs

Let's get right down to that title. The expletive noun is one of the most offensive combinations in the English language, and many of us get a sharp visceral twinge seeing it used in the title of Guirgis's play. The noun and variants of its subsidiary combinant verb are also among the most common oral expressions in the English language, especially in American parlance.

Words are powerful, especially when they evoke taboos. Publications and individuals may try to exorcise personal responsibility for using them -- or even knowing them -- by altering them into recognizable euphemisms. MoFo, used in a recent Tweet by an admired young Austin director, probably percolated up from American ghettos of poverty. Fug was foisted upon Norman Mailer's 1949 The Naked and the Dead by editors at Andre Deutsch's Allen Wingate press. The doughty men and women of the television series Battlestar Galactica were allowed to say frack. One happy chant of a star marching band of a high school in coastal Virginia has long been "We don't drink! Nor smoke! Norfolk! Norfolk!"


Playwright Guirgis, a successful screenwriter, probably intended to provoke with that title, one that still can't be mentioned in broadcasts without a beep or printed in most general-circulation publications without a couple of asterisks applied like pasties on a pole dancer's most prominent delights.

The Motherfucker with the Hat Stephen Adly Guirgis Capital T Theatre Austin TX
Indigo Rael, J. Ben Wolfe (photo: Capital T. Theatre)
But this story takes place entirely within the hard pressed underclass of an outlying borough of New York City. The characters struggle with alcoholism, drugs, crime and one another, and the expletives and taboo speech authenticate the milieu for us. If you're bothered by the title on the poster, give this one a miss, because that's the language used throughout the play by the protagonist and others. Their coarse speech assumes a music and rhythm of its own; one becomes inured to the literal meaning of the obscenities. Guirgis conveys intensely complex meanings and feelings in that impoverished speech.


People talk like that. Not just those in the underclass, of course -- those words are probably applied with a shade more imagination in many a locker room across the country, and I recall the slight uneasiness I experienced when I heard one of my grown children regularly using the "f-word" (yet another euphemism) without a trace of self-consciousness.


Mark Pickell's Capital T company and their sponsor, Ken Webster's Hyde Park Theatre, have a sharply defined taste for the type of theatre commonly termed edgy or dark. For lack of a better classification, many a reviewer would probably say they're dealing in black humor. These are stories with cynical twists, peopled with characters that are sharply drawn and often obsessive. We thank God that we don't have their flaws.


Read more at AustinLiveTheatre.com . . . . 

The Motherfucker with the Hat by Stephen Adly Guirgis, Capital T Theatre, August 8 - 31, 2013 (Review No. 1)


Austin Live Theatre review
The Motherfucker with the Hat Stephen Adly Guirgis Capital T Theatre Austin TX



by Dr. David Glen Robinson

Capital T Theatre’s production of The Motherfucker with the Hat (TMFWTH) by Stephen Adly Guirgis fairly screamed “exploitation!” in its promise,-- or rather, warning -- of foul language and nudity. As usual , the reality escaped the hype in unpredictable ways. TMFWTH was a far more serious play than its unfortunate title suggested.

The story of TMFWTH was fairly direct. Jackie (W. Ben Wolfe) comes home to the apartment he shared with his love, Veronica (Indigo Rael), after having found a job, difficult to do as a recent parolee from prison upstate. Before Jackie and Veronica begin their weekend-long celebration, Jackie finds another man’s hat in the apartment, and it hadn't been there that morning when he left. The recriminations are lengthy and end with Jackie leaving.

The Motherfucker with the Hat Stephen Adly Guirgis Capital T Theatre Austin TX
J. Ben Wolfe, Indigo Rael (photo: Capital T Theatre)

The story looked like a tale of revenge at that point, but in fact it changed quickly into a larger tale of the struggle for life in the worst of circumstances , amidst a shifting mosaic of sobriety and addiction. It could have become a sex farce, but the sexual situations were anything but farcical. The other on-stage characters were Ralph (Aaron Alexander), Victoria (Antoinette Robinson) and Cousin Julio (Rommel Sulit).


As is often the case in Austin theatre, the nudity in the show was all male. Bulky, covering underwear on women does not count. But contrary to expectation, the brief showe of bare skin was anything but gratuitous; instead, the revelation (ha!) sharply pivoted the plot.


The foul language in the play merely reflected the street patois of Latino and other ethnic sections of New York City, and playwright Stephen Adly Giurgis revealed a keen ear for spoken language. The script, however, taught no lessons beyond this one. The semantic potential of cursing in literary forms can go much further than this, however. The uses of billingsgate in drama were explored and workshopped in editions of Breaking String Theatre's New Russian Drama Festival last year and earlier this year. There, it was made clear that cursing can open deeper levels in the minds and personalities of characters. Not so here.

Click to read more at AustinLiveTheatre.com. . . .

Saturday, August 17, 2013

Photoshoot: The Motherfucker with the Hat by Stephen Adly Guirgis, Capital T Theatre, August 8 - 31, 2013




Photo shoot for posters for the
Capital T Theatre Austin TX






presentation of
The Motherfucker with the Hat Stephen Adly Guirgis, Capital T Theatre, Austin TX
Indigo Rael, J. Ben Wolfe (photo: Capital T)

The Motherfucker with the Hat

by Stephen Adly Guirgis
Directed by Carrie Klypchak
August 8 – 31, 2013
Thursday-Saturday at 8pm
Hyde Park Theatre 511 W 43rd St at Guadalupe - click for map


Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man’s hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Motherfucker is a gleefully foul-mouthed look at modern love and other addictions.
Capital T Theatre is proud to present the regional premiere of Stephen Adly Guirgis’ outrageously funny and touching comedy directed by Cap T company member Carrie Klypchak starring Austin favorites Ben Wolfe (The Pain and the Itch), Indigo Rael (Exit, Pursued by a Bear), Antoinette Robinson (Mr. Marmalade), Rommel Sulit (Men of Tortuga) and Aaron Alexander (Behanding in Spokane).
The Motherfucker with the Hat Stephen Adly Guirgis, Capital T Theatre, Austin TX
Antoinette Robinson (photo: Capital T)
The Motherfucker with the Hat Stephen Adly Guirgis, Capital T Theatre, Austin TX
Aaron Alexander (photo: Capital T)
Click to view additional photos at AustinLiveTheatre.com

Saturday, August 10, 2013

Video: The Motherfucker with the Hat by Stephen Adly Guirgis, Capital T Theatre at the Hyde Park Theatre, August 8 - 31, 2013


Video for the
Capital T Theatre Austin TX






presentation of
Motherfucker with the Hat Stephen Adly Guirgis Capital T Theatre
Indigo Rael (photo: Capital T Theatre)

The Motherfucker with the Hat

by Stephen Adly Guirgis

Directed by Carrie Klypchak
August 8th – 31st

Thursday-Saturday at 8
pm

Hyde Park Theatre 511 W 43rd St at Guadalupe - click for map






Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man’s hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Motherfucker is a gleefully foul-mouthed look at modern love and other addictions.

Capital T Theatre is proud to present the regional premiere of Stephen Adly Guirgis’ outrageously funny and touching comedy directed by Cap T company member Carrie Klypchak starring Austin favorites Ben Wolfe (The Pain and the Itch), Indigo Rael (Exit, Pursued by a Bear), Antoinette Robinson (Mr. Marmalade), Rommel Sulit (Men of Tortuga) and Aaron Alexander (Behanding in Spokane).




(Click to go to the AustinLiveTheatre front page)

Friday, June 28, 2013

THE MOTHERFUCKER WITH THE HAT by Steven Adly Guirgis, Capital T Theatre at Hyde Park Theatre, August 8 - 31, 2013




Capital T Theatre Austin TX







[performing at the Hyde Park Theatre, 511 W. 43rd St. at Guadalupe -- click for map ]

presentsMotherfucker with the Hat Steven Adly Guirgis Capital T Theatre Austin TX

The Motherfucker with the Hat

by Stephen Adly Guirgis
Directed by Carrie Klypchak
August 8th – 31st
Thursday-Saturday at 8pm
Hyde Park Theatre 511 W 43rd St at Guadalupe - click for map




Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man’s hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Motherfucker is a gleefully foul-mouthed look at modern love and other addictions.

Capital T Theatre is proud to present the regional premiere of Stephen Adly Guirgis’ outrageously funny and touching comedy directed by Cap T company member Carrie Klypchak starring Austin favorites Ben Wolfe (The Pain and the Itch), Indigo Rael (Exit, Pursued by a Bear), Antoinette Robinson (Mr. Marmalade), Rommel Sulit (Men of Tortuga) and Aaron Alexander (Behanding in Spokane).

Cast

Jackie - Ben Wolfe
Ralph D - Aaron Alexander
Veronica- Indigo Rael
Cousin Julio - Rommel Sulit
Victoria - Antoinette Robinson
Lighting Design by Patrick Anthony
Costume Design by Cheryl Painter

About the Playwright


Stephen Adly Guirgis- Playwright
Co-artistic director and proud member of LAByrinth Theater Company. His plays have been performed on five continents and throughout the United States. Jesus Hopped the ‘A’ Train, Our Lady of 121st Street, In Arabia We’d All Be Kings, The Last Days of Judas Iscariot and The Little Flower of East Orange were all produced by LAByrinth and directed by Philip Seymour Hoffman. Judas and Little Flower were co-productions with the Public Theater. Other plays include Den of Thieves, Race Religion Politics, Dominica: The Fat Ugly Ho and the upcoming Untitled/St. Paul play. UK and regional premieres at the Donmar Warehouse (Olivier nom.), the Almeida (dir. Rupert Goold), the Arts, the Hampstead, Edinburgh (Fringe First Award) and two Midwest premieres at Steppenwolf. New Dramatists alumnus, MCC Playwrights and Ojai Playwrights member. TV writing credits include NBC’s “UC: Undercover,” David Milch’s CBS drama “Big Apple,” “NYPD Blue” and “The Sopranos.”
(Click to go to the AustinLiveTheatre front page)

Wednesday, August 26, 2009

I ♥ Walmart , Capital T Theatre at Hyde Park Theatre, August 13 - 29


UPDATE: Free on-line video streaming of sold-out final performance, August 29, 8 p.m. CDT http://qik.com/capitalt







That great big pop heart in the title sends you the message: We're gonna send Walmart a great big exploding funny valentine, 'cause it's the place we love to hate!


That fits very nicely with the demographic served by Capital T Theatre. Their Austin theatre public is generally young, generally irreverent, generally idealistic in a fuzzy Austin kind of way, and ready for a laugh. Those of us who haunt the Hyde Park Theatre probably spend more time in the bars and the music venues than at the stage, and we might prefer improv comedy or even, on an unplanned evening, late night television or the Alamo Drafthouse. Capital T's pre-show projections of mostly anti-Walmart skits from the Internet directly echoes the Alamo Drafthouse's pre-film warmups. The Capital T crowd is eager to laugh at the incongruities of this American life.

And laugh we did! Mark Sheibmeir gave us a bouncy, funny satire as an imaginary trainer for Walmart greeters, those losers at the front door, and Mason Stewart did a wonderful, grinning, assured turn in bombast as the marketing man with a new vision for the company: the holy of holies, literally, for us American consumers. Those two bits by Mark Pickell and Larry Hill respectively framed the first half and left us ready for more.

Read more at AustinLiveTheatre.com . . . .


Wednesday, July 29, 2009

Upcoming: I ♥ Walmart, Capital T Theatre at Hyde Park Theatre, August 13 - 29


Click for ALT review, August 26



UPDATE: Review by Sean Fuentes at AustinTheatreReview.com, August 26

UPDATE: Review by Ryan E. Johnson at Examiner.com, August 18

Received directly from Capital T Theatre:

Cap T presents a new original play

I ♥ Walmart

which runs August 13th-29th at Hyde Park Theatre. This collaborative original work conceived by Mark Pickell and Carrie Klypchak examines the people who love Wal-Mart and the people who love to hate Walmart.

The show is being launched just in time to celebrate Northcross Mall’s conversion into an “upscale” two story Pantheon of 24-hour consumerism. :(

Comprised from the writings of more than a dozen playwrights across the US including former local favorite Jim Fritzler (of Nebraska now), it is guaranteed to spark a conversation or two.

Starring B Iden Payne and Austin Critics Table winners and nominees
Kelli Bland,Travis Dean, Mark Pickell, Mark Scheibmeir, Mason Stewart & Ben Wolfe,

and introducing
Mateo Barrera, Molly Fonseca, Carrie Klypchak, Joey LePage, & Miriam Shoemaker

Tickets Sliding Scale at the Door $15-$25
Buy online:





or call 479-PLAY