Showing posts with label Johnny Meyer. Show all posts
Showing posts with label Johnny Meyer. Show all posts

Tuesday, May 7, 2013

VETERANS' VOICES, a Memorial Day Reading at the Byrne-Reed House, May 27, 2013



Statue Veterans Voices University of Texas
(image © www.torange.biz)

Texas Veterans' Voices and Humanities Texas present
Veterans' Voices

a Memorial Day reading for veterans and their loved ones

May 27, 2013 10 a.m.

Byrne-Reed House, 1410 Rio Grande Street, Austin, Texas 78701   View Map

All are invited to participate in group readings from ancient Greek dramas, including Ajax, Herakles, and The Odyssey. Discussion will follow, led by veterans including Paul Woodruff (Army), Johnny Meyer (Army), Mike Flynn (Navy), Lon Olson (Navy), and Luke Perez (Air National Guard).
While the event is free and open to the public, space is limited and an RSVP is required. RSVP to rsvp@humanitiestexas.org or 512.440.1991.

Free parking is available at St. Martin's Lutheran Church on the northwest corner of 15th and Rio Grande Streets. Light refreshments will be served.

http://www.humanitiestexas.org/news/events/veterans-voices

(Click to go to the AustinLiveTheatre front page)


Friday, March 15, 2013

Kickstarter Appeal for The Priceless Slave by J.M. Meyer, Cohen New Works Festival, University of Texas, March 25 - 29, 2013



Kickstarter Appeal from playwright Johnny Meyer and director Gary Jaffe, March 15, aiming to raise $2000 by April 7.

 Click Kickstarter logo to go to donation page.

kickstarter




The Priceless Slave
Priceless Slave J.M. Meyer Cohen New Works Festival University of Texas 
by J.M. Meyer
directed by Gary Jaffe

This is a true story. The events depicted in this play took place in Northern Louisiana from 1842 to 1856. Telling this story cannot atone for the sin of American slavery, for nothing can atone for the sin of slavery in a "free" country: a state has no soul, and therefore can never find forgiveness. Instead, the play seeks to help prevent slavery's reoccurrence.  

THE PRICELESS SLAVE is a chronicle of human obligations. Four human members of antebellum society exist in the shadow of a wider social system: here, in the shadows, they built their lives. Each character has the opportunity to fight against that social system, but in doing so they attack their own way of life, and trivialize their own hard-earned morsels of dignity.

Welcome to the world of The Priceless Slave, where forgotten stories return to life, and challenge the moral values of both our past and present. Written by J. M. Meyer, and directed by Gary Jaffe, THE PRICELESS SLAVE challenges the status quo to uphold the true meaning of “freedom.”


In the world of THE PRICELESS SLAVE, five characters represent the struggles seen in this antebellum society. Their descriptions and the synopsis are given below, beneath the video.




ALEXIS CLÉREL is an older English woman who married young, but her much older American husband died quickly and left her far less money than expected. Paulina is Alexis' friend and sometime benefactor, despite significant differences in age and background. Paulina and Alexis live vicariously through each other, and take this living very seriously, so much so that when one makes a move, the other feels some ownership of the act. Alexis believes it is important for Paulina to uphold her end of the friendship by becoming an established, respectable matron.


GEORGE PAYSINGER is a middle-aged architect and foreman owned by Senator John Hamter. James Gilmer has convinced Paysinger that his destiny is to help pull Northern Louisiana out of the frontier and into civilization. Paysinger's proudest moment thus far was the construction of Orchard Place Plantation. He might be an anti-hero.


PAULINA DEGRAFFENRIED GILMER is the wealthiest landowner in Northern Louisiana. She approaches thirty years of age, and is married to James Blair Gilmer, whom she will divorce in 1856. She is the widow of James Pickett, one of the seven founders of Shreveport, Louisiana; her first marriage is the primary source of her wealth. Pickett dies in 1842, one year prior to her marriage to James Gilmer. Paulina has three children from her first marriage; she will outlive all three. The play takes place in her home, Orchard Place Plantation.


THOMAS JEFFERSON is the third president of the United States of America, the author of the Declaration of Independence, and the play's only centenarian. As president, he oversaw the purchase of the Louisiana territory from France.


SALLY GILMER SPYKER is the young wife of Leonidas Spyker, and younger sister of James Gilmer. At the beginning of the play, she visits her sister-in-law, Paulina, for the first time. Sally just married Leonidas in New Orleans, and does not know that Paulina and Leonidas shared a brief relationship. Sally is not as naïve or simple as anyone would like, including herself; she understands the protective benefits of socialization and group-think.


SYNOPSIS   When Paulina DeGraffenried and George Paysinger receive word of James Gilmer's incriminating social indiscretion, each separately considers fleeing the constraints of their own social positions: Paysinger leaves; Paulina does not. Paulina panics at Paysinger's absence, and forfeits her James' trust to maintain her social status in wider society. James' sister, Sally Gilmer, discovers that Paysinger has been hiding beneath the porch of Orchard Plantation, the antebellum home he built with his own hands. Paulina recognizes that her forfeiture of her husband's trust places her children at risk, and she decides to abandon her marriage altogether.



In the world of The Priceless Slave, everyone is needed. To make this play be the best it can be, we not only need the talent and discipline of our cast and crew, but we also need you. By contributing to this world, you become a part of it.


You make The Priceless Slave come to life.


WE NEED YOUR HELP!


Although sponsorship from the University of Texas Co-op has provided a generous budget allowance for our project in the Cohen New Works Festival, that budget only covers costs such as prop construction, script printing, and other basic supplies. We think it's essential that go out of our way to provide some form of compensation for the artists devoting hundreds of hours of labor to our show. Our Kickstarter campaign will allow us to reimburse our artists for all the incidental expenses associated with constructing a piece of theater.


About the credentials of the writer and thee director [with links to AustinLiveTheatre.com reviews]:


Johnny Meyer: (Writer) His last play, AMERICAN VOLUNTEERS, drew on his experiences as a veteran of Iraq and Afghanistan, and explored the conflict between 21st century warfare and American values; the play received the 2010 Mitchell Award, and became the first stage-play to make the long-list for the United Kingdom's Dylan Thomas Prize.


Gary Jaffe: (Director) His professional work includes Spirits to Enforce (winner of the 2011 Critic's Table Award for Outstanding Drama) with Capital T Theatre, The Dudley's: A Family Game by Leegrid Stevens with Tutto Theatre Company (winner of eight 2011 B. Iden Payne Awards, including: Best Production of a Comedy and Best Director), The Alien Baby Play by Nicholas Walker Herbert (Tutto); his own play Love in Pine (LATCo); and The Twelfth Labor by Leegrid Stevens (Tutto).

Risks and challenges Learn about accountability on Kickstarter


The Priceless Slave is on a tight schedule with a limited amount of time until opening day on Monday March 25th. Fortunately, we have a bright and collaborative team of young professionals working hard to make this production a success. Working under pressure causes the entire team to stay on task and fulfill their duties to the utmost diligence.


Successfully crowd-funding our play through Kickstarter remains our most significant challenge, but we can meet that goal with your help! Luckily, the deadline to donate will occur after the final performance ends, so there is ample time to support our work with a small (or large) financial contribution!


As The Priceless Slave team stated in our video, we need YOUR support. This production will be the best it can be if you help us achieve our goals! Please come see our show, and please support our work in any way you can! Thank you!

Friday, January 28, 2011

Agamemnon by Aeschylus, City on a Hill* Productions, FF Long Fringe at the Blue Theatre, January 22, 25, 29, 30


Agamemnon, City on a Hill* Productions Austin



Agamemnon as produced by City on a Hill* Productions and directed by David J. Boss is a satisfyingly crunchy rendition of the first part of Aeschylus' Orestia. In this season of Academy Award nominations it might be useful to note that the trilogy won the annual competition at the Greater Dionysian Festival in Athens in 458 B.C.

In a chronological sense it's not "the first play in the Western canon," as stated in the program. Aeschylus wrote between seventy and ninety plays, of which only seven are extant (with three of those comprising the Orestia). The parts of the trilogy were among his last compositions, for he died in Sicily at the age of 70 only three years after presenting them.

The Orestia is a defining work in the Western dramatic canon. The fate of Agamemnon has constituted a cautionary tragedy reworked regularly since Aeschylus' time. Sophocles and Euripides further explored the myths of the fall of the house of Atreus, with the tales of rivalry, cannibalism, war, child sacrifice, the conquest of Troy, treachery, sexual infidelity, prophetic ecstacy, incest, religious conflict and madness. The story and its figures are deep dyed in Western literary tradition. It's great stuff.

Read more at AustinLiveTheatre.com . . . .

Wednesday, January 12, 2011

Upcoming: Agamemnon by Aeschylus, City on a Hill Productions at the Blue Theatre, FronteraFest LF, January 22, 25, 29, 30

Received directly:


City on a Hill* Productions

presents

Agamemnon City on a Hill Productions Austin TX

Agamemnon

directed by David J. Boss

January 22nd at 12:00pm - January 25th at 9:00 pm
January 29th at 9:15 pm - January 30th at 7:00 pm

Blue Theatre Austin

916 Springdale (click for map)


City on a Hill* Productions (producers of the award-winning "American Volunteers") presents the tragic first parts of Aeschylus' "Orestia," known as "Agamemnon" at FronteraFest 2011. Using the seminal translation for the stage by scholar Peter Meinecke, we bring you a play faithful to the text as Aeschylus wrote it.


See the strain of war as first told by the Greeks. Agamemnon returns home to Argos as a war hero but his actions before the fabled conflict still have repercussions he cannot avoid. As the Chorus looks on, tragedy comes to the House of Menelaus in this tale of the cost of war and proto-nihilism.


Starring American Shakespeare Center veteran Daniel Rigney as Agamemnon and Austin veteran actor Kimberley Mead as Clytemnestra. Directed by Austin Shakespeare regular David J. Boss, and produced by the team of Ania Upstill, Emilio Banda, and the award-winning playwright Johnny Meyer.

Tuesday, June 1, 2010

American Volunteers by Johnny Meyer, Staged Reading at University of Texas, May 24




The hero's aura that trails after the 27-year-old John Meyer looks to be authentic. The man was an Army ranger -- no small accomplishment. Only the toughest and most apt--men only--finish the 60-day training course at Ft. Benning, in the Georgia mountains and in the Florida swamps. They are in constant physical training and in simulated combat operations, often functioning 20 hours a day. The lore is that the stresses age these men prematurely. Candidates commonly lose weight -- between 20 and 40 pounds from already fit bodies. Leadership at the platoon level is a foremost criterion of selection -- and evaluation is both by the trainers and by peers in the squad.

Meyer has been there. He's done that. He served as a ranger in Afghanistan, an experience that provided him with the material for an unpublished novel. He was called back for service under the terms of his Army reserve status, in 2006 while studying at UT for his undergraduate degree. His concept of the novel changed. He says that he had an agent for a brief period -- until he told the agent that he was recasting about half of the text in verse. Meyer attended Shakespeare in Winedale, a formative experience, and last week after the staged reading of American Volunteers for the UT English Department he spoke earnestly about the immediacy of theatre. "You can close a novel and put it down. You can't do that with theatre."

American Volunteers has the feeling of authenticity in the details -- the guy talk, the stress, the confusion of war, and the yearning for home. I just wish it were a better play.

Read more at AustinLiveTheatre.com. . . .

Saturday, May 22, 2010

Upcoming: American Volunteers, staged reading and talk-back, May 23 (only)


Received directly:

We are proud to announce that The University of Texas at Austin's English Department is hosting a free staged reading of American Volunteers, the award-winning play by UT student and former Army ranger Johnny Meyer. The performance will be held at 12:30 p.m. on Sunday, May 23rd at the Jessen Auditorium, located in the six-pack at the University of Texas. The staged reading will be followed by a Q&A session with the cast and playwright.

American Volunteers was recently nominated for the David Mark Cohen New Play Award by the Austin Critics' Table, and won the $20,000 George H. Mitchell Co-op Award.

American Volunteers follows a squad of special operations Rangers as they patrol the Afghanistan-Pakistan border. The play focuses on the three sergeants responsible for leading the squad, and the conflict that arises as each pursues life, liberty, or happiness. The plot unfolds under the eyes of a female soldier briefly attached to the squad, and a metamorphic Chorus. Warning: Strong language, violence, and meter.

Click for news accounts and reviews of the performance staged at the Blue Theatre in January, 2010.

Sunday, January 17, 2010

Arts Reporting: Statesman Backgrounder on Johnny Meyer and 'American Volunteers' (FronteraFest Long Fringe)

UPDATE: Review by Dan Solomon at Austinist.com, February 1

UPDATE: Jeanne Claire van Ryzin's review of American volunteers at the Statesman Austin360 "Seeing Things" arts blog, January 22

UPDATE: Statesman's video interview of Johnny Meyer, January 17

The Statesman's arts editor Jeanne Claire van Ryzin does a backgrounder on Johnny Meyer and American Volunteers, published January 16:

THEATRE - FRONTERAFEST

Conflict doesn't end at the Afghan border in new play
by Jeanne Claire van Ryzin
American-Statesman arts writer

[. . . .] Meyer, 27, is a former Army Airborne Ranger and staff sergeant, a veteran of the wars in Afghanistan and Iraq. "American Volunteers," adapted from Meyer's unpublished novel of the same name, charts the personal and military lives of an isolated squad patrolling the Afghanistan-Pakistan border. Meyer focused the action on the three men responsible for leading the squad and the conflict that arises as each pursues the most basic of American values.

Meyer chooses his words carefully when talking about the war. And his tone darkens.

His play is not about his politics, he says, nor about politics in general nor even about his personal experience, though he did serve on the Afghanistan-Pakistan border.

The urgency of combat exposes the basest of human reactions, he says, and that was where he found his story. And that story was about the inherent conflict that erupts when the goals of a foreign war clash with American values.

"What happens when soldiers, even though they are volunteers, try to live out certain very American values — life, liberty and the pursuit of happiness — above the orders they receive?" he asks. "There are questions, larger questions, there that are worth looking at, I think."

(click to view full article at Statesman.com)

[Statesman photo by Deborah Cannon]

FronteraFest Listing
City On a Hill? Productions – American Volunteers by John M. Meyers (90 minutes)

American Volunteers follows a squad of special operations Rangers as they patrol the Afghanistan-Pakistan border. The play focuses on three sergeants responsible for leading the squad, and the conflict that arises as each pursues life, liberty or happiness. The story is told through the bifocal perspective of a female soldier briefly attached to the squad, and a metamorphic Chorus. Warning: Strong language, violence, and meter.

Tickets: $8, Blue Theatre, 911 Springdale Road
Tue. 1/19 9:15 p.m. Thur. 1/21 7 p.m. Sat. 1/23 9:45 p.m. Sat. 1/30 12 p.m.

Tuesday, August 4, 2009

Richard III, Shakespeare at Winedale, July 16 - August 9






Shakespeare at Winedale is most of the way through its July 16 - August 9 summer season of three plays done by students accepted for its "Shakespeare boot camp." Those of us who attended last Saturday afternoon's performance of
Richard III saw the cast gather in a circle and heard them chanting vocal exercises, a prep to get the blood racing for their performance.

The barn at Winedale has been the performance locale since 1970. One is reminded of the traditions by photos, story telling, a succession of painted wooden cows from recent years and by the extensively reserved front rows, saved for patrons, participants and alumni of the program. We of the general public could claim any vacant seats with a tidy little card from the box office, starting an hour before the performance.

You'd think that 100+ degree temperatures would be killing, but you'd be wrong. There was a hot wind blowing, but although the barn is open-sided, it is cooled by surprisingly effective air conditioning. Enough cool air flows down from the rafters to keep the audience sweat free. And the play is gripping.

Read more at AustinLiveTheatre.com . . . .