Showing posts with label Cohen New Works Festival. Show all posts
Showing posts with label Cohen New Works Festival. Show all posts

Tuesday, May 14, 2013

Video: University of Texas Profiles Isaac Gomez and 'The Women of Juarez' (Cohen New Works Festival, 2013)


University of Texas




from its feature on nine 2013 graduates:

For Isaac Gomez, theatre is not merely entertainment, it’s a life-changing event.

I believe through theatre you can change the world.”

The El Paso native created a new work called “The Women of Juarez,” which debuted during the Cohen New Works Festival this year. The play, which incorporates music and dance along with different kinds of storytelling methodologies, shares stories about women who have firsthand experience with the violence and murder of women in the border city of Juarez.




“Our goal is to give a space for the stories to be told, uninterrupted and unaltered,” says Gomez, who recently won a George H. Mitchell Award for Academic Excellence.


The first person in his immediate family to leave El Paso for college, Gomez was drawn to theatre at the age of 10. He acted in community theatre and school plays in El Paso and did some playwriting, but his perspective about theatre has evolved over time. One of his goals is to apply theatre studies to accomplish positive social change and activate a sense of civic duty in people.


“[We want] for people to leave the space and continue to tell the stories” of the women of Juarez. “That’s how you spread awareness,” he says.


Gomez, a double major in theatre and dance and journalism, plans to move to Chicago or New York and continue his work as a “theatre practitioner and scholar.”

Tuesday, March 26, 2013

Daily Texan Video: The Way You Move Your Body, Cohen New Works Festival, March 25 - 29, 2013

The Way You Move Lucy Kerr University of Texas Austin TXVideo interviewing participants in The Way You Move Your Body and director Lucy Kerr by Charlie Pearce and Sam Ortega for the Daily Texan, March 26:


Daily Texan University of Texas Austin TX

Remaining performances: 3/27 6:30pm, 3/28 6:30pm (Brockett Theatre)

Tuesday, March 19, 2013

THE WOMEN OF JUAREZ by Isaac Gomez, Cohen New Works Festival at University of Texas, March 25 - 28, 2013



Cohen New Works Festival University of Texas








presents




Women of Juarez Isaac Gomez University of Texas

by Isaac Gómez, Bianca Sulaica and others

March 25: 8pm
March 26: 8pm
March 27: 8:30pm
March 28: 5:30pm

All performances for "The Women of Juarez" will be performed on the B. Iden Payne Stage in the F. Loren Winship Drama Building at the University of Texas at Austin.

"Before the war on drugs took precedence in our border country of Mexico, Ciudad Juarez had a bigger problem. Told through an ensemble of Latina women, The Women of Juarez explores the ways in which the stories of the women of Juarez – the missing and the lost; the murdered and the ones left behind – are honored and told in unconventional and untraditional ways."

As part of the Cohen New Works Festival presented by the University Co-op (www.coopnwf.org/www.facebook.com/events/545755898779591 for more information), "The Women of Juarez" hopes to honor the real testimonios of the real women in Juarez and the stories they have to tell.

Challenging the ways in which these stories are often told in books, film, and scholarship, our project activates an ensemble of ten latinas, a devised/collaborative script that doesn't follow a traditional "playwrighting" format, and a process that pulls from movement/gestures, real testimonies, generated text, public record, Mexican folkclore, and Mexican music; the world in this play is a complicated one and does not fit in the same scope a "traditional" play does.

Producer and Co-Writer Bianca Sulaica says, "For these Latina women, it's about recognizing yourself in these pictures of these missing women. And as a Latina woman, how you identify knowing that these women who are being targeted much because they are women and what they look like, and how you can related to being a possible victim because of what you look like."

Dramaturg Madilynn Garcia says, "This is a story that is going to change people. And I know it, because it's already changed me. These are stories that aren't told and having this space and this place for the stories of these women is so very important."

The Women of Juarez Isaac Gomez
Featuring: Karen Alvarado, Dana Arismendez, Jenefer de la Fuente, Briana Garcia, Estrella Gonzalez, Lisa Veronica Martinez, Christen Perez, Graciela Reyna, Karen Rodriguez, and Bianca Sulaica.

Production Team: Isaac Gomez, Bianca Sulaica, Madilynn Garcia, Victoria Solorio, Melinda Wright, Mose Brown, Moses Park

"The Women of Juarez" will premiere as part of the Cohen New Works Festival presented by the University Co-op March 25-29, 2013.

All performances for "The Women of Juarez" will be performed on the B. Iden Payne Stage in the F. Loren Winship Drama Building at the University of Texas at Austin.
(Click to go to the AustinLiveTheatre front page)

Friday, March 15, 2013

Kickstarter Appeal for The Priceless Slave by J.M. Meyer, Cohen New Works Festival, University of Texas, March 25 - 29, 2013



Kickstarter Appeal from playwright Johnny Meyer and director Gary Jaffe, March 15, aiming to raise $2000 by April 7.

 Click Kickstarter logo to go to donation page.

kickstarter




The Priceless Slave
Priceless Slave J.M. Meyer Cohen New Works Festival University of Texas 
by J.M. Meyer
directed by Gary Jaffe

This is a true story. The events depicted in this play took place in Northern Louisiana from 1842 to 1856. Telling this story cannot atone for the sin of American slavery, for nothing can atone for the sin of slavery in a "free" country: a state has no soul, and therefore can never find forgiveness. Instead, the play seeks to help prevent slavery's reoccurrence.  

THE PRICELESS SLAVE is a chronicle of human obligations. Four human members of antebellum society exist in the shadow of a wider social system: here, in the shadows, they built their lives. Each character has the opportunity to fight against that social system, but in doing so they attack their own way of life, and trivialize their own hard-earned morsels of dignity.

Welcome to the world of The Priceless Slave, where forgotten stories return to life, and challenge the moral values of both our past and present. Written by J. M. Meyer, and directed by Gary Jaffe, THE PRICELESS SLAVE challenges the status quo to uphold the true meaning of “freedom.”


In the world of THE PRICELESS SLAVE, five characters represent the struggles seen in this antebellum society. Their descriptions and the synopsis are given below, beneath the video.




ALEXIS CLÉREL is an older English woman who married young, but her much older American husband died quickly and left her far less money than expected. Paulina is Alexis' friend and sometime benefactor, despite significant differences in age and background. Paulina and Alexis live vicariously through each other, and take this living very seriously, so much so that when one makes a move, the other feels some ownership of the act. Alexis believes it is important for Paulina to uphold her end of the friendship by becoming an established, respectable matron.


GEORGE PAYSINGER is a middle-aged architect and foreman owned by Senator John Hamter. James Gilmer has convinced Paysinger that his destiny is to help pull Northern Louisiana out of the frontier and into civilization. Paysinger's proudest moment thus far was the construction of Orchard Place Plantation. He might be an anti-hero.


PAULINA DEGRAFFENRIED GILMER is the wealthiest landowner in Northern Louisiana. She approaches thirty years of age, and is married to James Blair Gilmer, whom she will divorce in 1856. She is the widow of James Pickett, one of the seven founders of Shreveport, Louisiana; her first marriage is the primary source of her wealth. Pickett dies in 1842, one year prior to her marriage to James Gilmer. Paulina has three children from her first marriage; she will outlive all three. The play takes place in her home, Orchard Place Plantation.


THOMAS JEFFERSON is the third president of the United States of America, the author of the Declaration of Independence, and the play's only centenarian. As president, he oversaw the purchase of the Louisiana territory from France.


SALLY GILMER SPYKER is the young wife of Leonidas Spyker, and younger sister of James Gilmer. At the beginning of the play, she visits her sister-in-law, Paulina, for the first time. Sally just married Leonidas in New Orleans, and does not know that Paulina and Leonidas shared a brief relationship. Sally is not as naïve or simple as anyone would like, including herself; she understands the protective benefits of socialization and group-think.


SYNOPSIS   When Paulina DeGraffenried and George Paysinger receive word of James Gilmer's incriminating social indiscretion, each separately considers fleeing the constraints of their own social positions: Paysinger leaves; Paulina does not. Paulina panics at Paysinger's absence, and forfeits her James' trust to maintain her social status in wider society. James' sister, Sally Gilmer, discovers that Paysinger has been hiding beneath the porch of Orchard Plantation, the antebellum home he built with his own hands. Paulina recognizes that her forfeiture of her husband's trust places her children at risk, and she decides to abandon her marriage altogether.



In the world of The Priceless Slave, everyone is needed. To make this play be the best it can be, we not only need the talent and discipline of our cast and crew, but we also need you. By contributing to this world, you become a part of it.


You make The Priceless Slave come to life.


WE NEED YOUR HELP!


Although sponsorship from the University of Texas Co-op has provided a generous budget allowance for our project in the Cohen New Works Festival, that budget only covers costs such as prop construction, script printing, and other basic supplies. We think it's essential that go out of our way to provide some form of compensation for the artists devoting hundreds of hours of labor to our show. Our Kickstarter campaign will allow us to reimburse our artists for all the incidental expenses associated with constructing a piece of theater.


About the credentials of the writer and thee director [with links to AustinLiveTheatre.com reviews]:


Johnny Meyer: (Writer) His last play, AMERICAN VOLUNTEERS, drew on his experiences as a veteran of Iraq and Afghanistan, and explored the conflict between 21st century warfare and American values; the play received the 2010 Mitchell Award, and became the first stage-play to make the long-list for the United Kingdom's Dylan Thomas Prize.


Gary Jaffe: (Director) His professional work includes Spirits to Enforce (winner of the 2011 Critic's Table Award for Outstanding Drama) with Capital T Theatre, The Dudley's: A Family Game by Leegrid Stevens with Tutto Theatre Company (winner of eight 2011 B. Iden Payne Awards, including: Best Production of a Comedy and Best Director), The Alien Baby Play by Nicholas Walker Herbert (Tutto); his own play Love in Pine (LATCo); and The Twelfth Labor by Leegrid Stevens (Tutto).

Risks and challenges Learn about accountability on Kickstarter


The Priceless Slave is on a tight schedule with a limited amount of time until opening day on Monday March 25th. Fortunately, we have a bright and collaborative team of young professionals working hard to make this production a success. Working under pressure causes the entire team to stay on task and fulfill their duties to the utmost diligence.


Successfully crowd-funding our play through Kickstarter remains our most significant challenge, but we can meet that goal with your help! Luckily, the deadline to donate will occur after the final performance ends, so there is ample time to support our work with a small (or large) financial contribution!


As The Priceless Slave team stated in our video, we need YOUR support. This production will be the best it can be if you help us achieve our goals! Please come see our show, and please support our work in any way you can! Thank you!

The Way You Move Your Body, created by Lucy Kerr, Cohen New Works Festival, University of Texas, March 25 - 28, 2013



Way You Move Your Body New Works UT


The Way You Move Your Body

is part of the 2013 Cohen New Works Festival presented by the University Co-op

This mixed-ability dance/theatre piece exposes and dissolves disability prejudices. Both abled-bodied and disabled dancers guide the audience from a dark world of freaks to a joyful world where difference is celebrated. It is an unsettling but eye-opening journey, leaving the audience cringing, laughing, crying, smiling, and questioning the way we conventionally perceive differently-abled people.

Fierce, dynamic, and unconventional movement will emerge from the unique rhythms and capabilities of differently-abled dancers. The journey is augmented by both audacious and touching monologues told by a diverse group of people of various ages, identities, abilities and personal experiences. The group is tied together by a shared passion for dance and a strong bond that has formed over the past eight months of rehearsals.

This project will comment on the traditional representation of marginalized groups in society, particularly disabled groups. These people have historically been depicted as gross, freakish, inhuman, and pitiful in the context of popular movies and the freak show. I seek to communicate that all kinds of body-types offer interesting and positive elements to art and society, and all kinds of body-types should be respected, and not put on display to be stared at.

Location:
Oscar G. Brockett Theatre (in the Winship Building on UT campus)
300 East 23rd Street, Austin, Texas 78712
show times:
Monday March 25th at 4:30pm
Tuesday March 26th at 10:00am, Disability in Performance panel discussion 11:30am
Wednesday March 27th at 6:30pm
Thursday March 28th at 6:30pm (talk back following the show)

FREE FREE FREE FREE

run time: 70 minutes

adult content

Directed/Created by Lucy Kerr
Choreographed by Lucy Kerr and Company
Company-Susie Angel, Juan Munoz, Juanita Butler, Tanya Winters, Morgan Taylor, Joey Gaona, Jack Leahy, Reema Bounajem, Jamie Schanbaum
Dramaturgy-Lucy Kerr and Jack Leahy
Set Design/Build-Lance Green and Daniel Berkowitz
Sound Design-Lucy Kerr
Lighting Design, Sound-Gavin Cantrell
Stage Manager-Brett Tribe
PR/Graphic Designer, Program and Poster Design-Raquel Breternitz
Videographer/Photographer: Meg Seidel
Costume Design-Kirsten Schroder
Run Crew, Costume/makeup/Prop assistants -Shelby Krafka, Kirsten Schroder, Sophie Sevenoaks, Sam Malcolm

NWF event page: http://www.facebook.com/events/545755898779591/

http://moveyourbodyproject.tumblr.com/

www.newworksfestival.org

www.facebook.com/thewayyoumoveyourbody
(Click to go to the AustinLiveTheatre front page)


Poster Art, Cohen New Works Festival, University of Texas, March 25 - 29, 2013



Poster Art via Facebook for the March 25 - 29


Cohen New Works Festival University of Texas
Click to go to website for info and performance times


Ish Cohen New Works UT




Eye of the Beholder New Works UT
Farewell Cohen New Works UT



Priceless Slave J.M. Meyer


Lambda Cohen New Works UT 




Sunday, December 23, 2012

Auditions at UT, Austin for Cohen New Works Festival and UT New Theatre, January 14 - 15, 2013


General Auditions for Cohen New Works Festival University of Texas AustinUniversity of Texas New Theatre (UTNT) and The Cohen New Works Festival presented by the University Co-op are to take place on the evening of Monday, January 14, 2013 (the first day of classes) in Winship 1.148 at the University of Texas. Please come prepared with a one-minute contemporary monologue.

Callbacks for individual shows are scheduled for Tuesday, January 15, 2013. Rooms and locations for callbacks are TBA and are based on individual needs of each show and sides will be provided for each callback.

UTNT and New Works Festival rehearsal and performance schedules do not conflict so actors are able to audition and participate in both, if willing and able.

Available roles, character breakdowns and show synopses for UTNT shows will be released at a later date. Uncast shows affiliated with the New Works Festival will be present at the general auditions and specific character breakdowns and needs will be available prior to callbacks.




Reminder: New Works Festival auditions are open to the general public as well. They do not need to be UT students, or students at all. This applies ONLY for shows affiliated with the Cohen New Works Festival presented by the University Co-op.


UT New Theatre (UTNT) is an annual event held each Spring curated by Steven Dietz, featuring works by third-year M.F.A Candidates in Playwrighting. Shows affiliated with UTNT will be performed at the Lab Theatre

The New Works Festival is a week-long showcase of new work created by UT students held every other Spring in various locations in and around the Winship Drama Building and the University of Texas campus.

Both UTNT and The Festival are not just events, but rather celebrations of a continuously ongoing process–the creation of new work!

For questions regarding General Auditions and UTNT, please contact Production Manager Carolyn Hardin at carolynhardin.87@gmail.com.

For questions regarding The Festival and Festival auditions, please contact PR/Marketing Chairs Isaac Gomez and Rosalind Faires at press@newworksfestival.org.

Saturday, December 15, 2012

Selections for 2013 Cohen New Works Festival, University of Texas, March 2013


Cohen New Works Festival University of Texas

 

 

 

The 2013 Cohen New Works Festival Selection

The Cohen New Works Festival presented by the University Co-op is a week-long showcase of new work created by UT students held every other spring in various locations in and around the Winship Drama Building and the University of Texas campus. It is not just an event, but also a celebration of a continuously ongoing process–the creation of new work.

The Festival exists as an incubator for innovative and original forms of theatre, dance, music, film, design, visual art, architecture, and a wide variety of alternative mediums. It provides a nurturing environment and practical resources for the creation, development, production, and discussion of new and interdisciplinary work by students, faculty, guest artists, and scholars who come together in the spirit of collaboration and critical inquiry.

With the largest selection pool since the Festival’s commencement, the Committee-at-Large is proud to present the following 34 projects as part of the 2013 Festival. At the heart of new and developed work, project titles and synopses are subject to change between now and the Festival, which is slated to take place March 25-30, 2013.

对视——eye contact Project Lead: Yao Chen
“eye contact” is a performance-based installation expressing the Westernization process of Chinese-American Women in the past 100 years. The installation will include: one scroll, two dolls and Yao Chen.


A Nostalgic Afternoon Project Lead: Caleb Britton
“A Nostalgic Afternoon” is an installation of the largest blanket fort imaginable. Individuals have the opportunity to enter and write their story on the pages of a book. A blog url will be provided with the installation and participants are invited to visit the website the following week and read the compiled stories.


Almost Invincible Project Lead: Jeff Kurihara
“Almost Invincible” is a new musical theater collaboration piece. The concept of the show is a live-action graphic novel musical about a hero and villain in a small American city. Animated video projection will be used to bring this graphic novel to life as scenic elements and comic cell art.


Amelia Earhart at the Edge of the World Project Leads: Lydia Nelson & Courtney Sale
July 1937. 15-year-old Betty Klenck receives and transcribes the final transmissions of Amelia Earhart. Villainous company Last Words & Sons & Sons sets out to steal Betty’s lucrative notebook. Inspired by 1930s radio, this ensemble comedy, based on a true story, asks audiences to consider: what will be/come of your last words?


Art-Vend Project Lead: Bich Vu
Project Description to come!


Bio Light Project Lead: Susan MacCorkle
“Bio Light” is an Educational Installation featuring costumes that faithfully mimic sea animals in the Great Barrier Reef. Led technology and cutting edge costume materials help create the illusion of bioluminescence. A video presentation will allow the viewer to see the costumes in action and learn more about the creatures and their environment.


Colossal Project Lead: William Davis, Andrew Hinderaker, William Anderson
“Colossal” is an epic theatrical event. Featuring a twenty-person ensemble, dancing, and a drum corps, its plot centers on a University of Texas football player, struggling to move forward in the wake of a catastrophic spinal injury. A play about love, ability, and extraordinary feats of strength, Colossal is both a celebration and critical examination of our nation’s most popular form of theater.


Dead Mall Project Lead: Eva Suter and Brian Kettler
“Dead Mall” presents a haunted world of half-forgotten stores and wholly forgotten people. Ghost stories and shadows fill the spaces where Macy’s and Orange Julius used to be. For two teenage girls, a typical Saturday at the mall takes a dark turn. The muzak is on, but who is listening?


Déjà Vu Project Lead: Sam Gorena
“Déjà Vu” is a theatrical spectacle that invites the audience into one of our most personal areas-our memory. This show reexamines how we look at memories by experimenting with the senses to discover how we really remember. Join us for a look into the complicated haze that is memory.


Good Girl/Bad Girl Project Lead: Kaitlyn Aylward
“Good Girl/Bad Girl” investigates how culture, community, race, religion, age and language influence definitions of appropriate and inappropriate dress. Communities addressed are New Mexican women, Mexican women, Native American women, women who participate in sororities, and women who work on ranches and/or define themselves as Cowgirls. Research is presented through interviews and photographs.


Handcuffs are Not a Metaphor Project Lead: Roni Chelben
People are taken from their homes. They wear pajamas. Suits. Who knows. They are told to seat on the floor; Do not move. Do not speak. Do not clap. A Work for local dancers and video from far away. A universe of oppression in a glass box.


Intercultural Performance: Emerging Artists from UT and Chung Ang University Project Lead: Yvonne Ferrufino
During the 2013 Spring Break vacation, artists from UT and Chung Ang University will create a new work in Seoul, Korea. This lecture presentation will reveal the final dance theater piece of an intercultural collaboration between performing artists that explores the relationships between civilian Korean women and military men.


Ish Project Lead: Rachel Gilbert
“Ish” is a solo performance telling the story of a young Jewish woman (who is also Catholic) growing up in a non-Jewish place, and how the Holocaust became her personal history. Ish explores the conscious and subconscious influence of identity through the lenses of cultural studies, performance studies, and history.


Light Instruments Project Lead: Lincoln Davidson
“Light Instruments” aims to redefine the way people experience everyday spaces through the manipulation of light. The project consists of two independent systems that will alter everyday spaces, creating unique emotive experiences. One will be installed in the Payne Theatre Lobby and the second at the McCombs-UTC Fly Over Staircase.


LΛMBDΛ Project Lead: Ryan Andrus
“LΛMBDΛ” is a scientific art installation accompanied with a high-energy, physically-electric, animated scientific performance. The event will investigate astronomical phenomena involving light in our universe. Topics include gravitational lensing, the aurora borealis, and the cosmic microwave background.


Perceiving Campus Project Lead: Charlotte Friedley
What if that iconic view of the UT Tower was obscured? Would you invest the time to investigate your surrounding in more detail? This team of six architecture students plans on de-emphasizing the recognizable and bring awareness to the obscured. A series of obstructions and frames will be placed throughout the campus in an effort to bring about this mindset.


Slip River Project Leads: Katie Bender, Abe Koogler & Gabrielle Reiseman
Inspired by 19th century explorer narratives, “Slip River” recreates the experience of encountering new worlds, where rules shift and the unknown becomes visible, where peril–or possibility–are just around the river’s bend. Incorporating interactive dance, sounds capes, and text, “Slip River” leads audiences through the shimmering underbelly of UT’s Payne Theater.
Suspicious Dinner Project Lead: Diana Small
“Suspicious Dinner” is a dance and theater spectacle collaboratively generated from a hearty diet of Facebook, home videos, androids, and the diaries of prehistoric creatures. Will she trade her spoon for an eight-day staycation? Will he ever achieve absolute fermentation? We serve you Dance! Profession! Beauty! Music! Passion! Suspicion! Dinner!


Synthesis Project Lead: Hallie Ward
Student organizations Dance Action and Classical Reinvention join forces to unify movement, live music, and photography in a guided performance through the Harry Ransom Center. Collaborating choreographers, dancers, and musicians will break the walls of traditional theater to bring their own invention into a haven of preservation and history.


The Beauty Play Project Lead: Sarah A. Marcum
“The Beauty Play” looks at how a monolithic ideal of beauty impacts the day-to-day life of women within the U.S. from various races and cultures. Using direct quotes and memories from personally conducted interviews, the play asks the audience to question their own definitions of beauty.


The Farewell Project Leads: Olivia Reep & Katie Folger
“The Farewell” is an experiential and open piece that explores loss and grief through audience interaction, memories, multimedia, Viewpoints based movement and true storytelling. How do we deal with the loss of a loved one? How do we honor them? How do we remember them while moving on?


The First Steps Project Lead: Austin Dowling
“The First Steps” follows pairs of actors and dancers as they journey through their own pasts and relive the moments that shaped their lives, all-the-while focusing on the journey taken by each of these performers as they recall what it takes to finally say, and mean, the words: “I’m okay.”


The LETTER Project Lead: Rebecca Goldstein
Meet LETTER who speaks for SARAH, a student with a disability, at the University of Blah Blah Blah. Follow LETTER and SARAH to engage in a conversation surrounding how the ADA (Americans with Disabilities) Act, 39 years after its creation, still affects many in the world today.


The Only Living Boy in New York Project Lead: Haley Elizabeth Anderson
A play about a hermitic synesthete named Henry who is dealing with the recent loss of his mother by closing himself off from his father and the city until a mysterious girl named Peter enters his cramped Brooklyn apartment and scrambles his perceptions of the world.


THE PRICELESS SLAVE: A Workshop Production Project Leads : J. M. Meyer, Gary Jaffe & Megan Rabuse
“PRICELESS SLAVE” uncovers the true story of an antebellum slave-architect and his conflicted relationship with the woman who “borrowed” him to construct a lonely mansion in the wilderness of northern Louisiana. The projects’ aesthetics interweave theater and the visual arts to create a cutting-edge Southern Gothic comedy.


The Way You Move Your Body Project Lead: Lucy Kerr
This mixed-ability piece seeks to dissolve categories of normal and abnormal body-types. Interesting, unexpected, and unconventional movement will emerge from the unique rhythms and capabilities of differently-abled people in a celebration of difference that suspends the familiar and leads the audience to question conventional notions of aesthetics, dance, and disability.


The Women of Juarez Project Leads: Isaac Gomez and Bianca Sulaica
Before the war on drugs took precedence in our border country of Mexico, Ciudad Juarez had a bigger problem. Through an ensemble of Latina women, this devised collaborative work explores the ways in which we re-member and tell the stories of the missing, but not forgotten, women subjected to what is internationally labeled as a feminicide-the killings of the women of Juarez.


Third Street Project Lead: Briandaniel Oglesby
What dinosaurs are chasing you? “Third Street” will be a staged reading of a full-length play, developed with an ensemble, about Shane, a strange and awkward kid who escapes into fantasies of knighthood, and Otis, the bully pursued by imaginary dinosaurs. They live on Third Street, and play in dirty alleys.


Times Two: A Public Staging of Love and Desire Project Lead: Joey Gaona
“Times Two” is a collaborative dance piece that portrays the universal concepts of love and desire through male/male partnering. Along with an original score and spoken personal recollections, this piece will present dance and the arts as integral partners in civic dialogue.


We Are StarStuff Project Lead: Jessica Hutchinson
Combining actual and imagined texts synthesized from our research of real personalities and powerful scientific concepts, creators and audience alike will experiment with the way we use stories and science to experience our world. “We Are StarStuff” explores time and distance, light as a tool of observation and revelation, and humanity’s changing understanding of the beginnings (and endings) of the cosmos, and the elements that make it truly our home.


West Texas Beehive Project Lead: Alexa Kelly
“West Texas Beehive”, a play in one act by Alexa Kelly, explores a romantic relationship tested by the rigors of life in a brothel as based on the classic childhood song “I’m Bringing Home a Baby Bumble Bee”.


Wild Abandon Project Lead: Chelsea Pribble
“Wild Abandon” is a live intersect of original Blues and Folk Music in a casual concert format with varying styles of Technical Concert Dance. This interdisciplinary performance will wildly abandon all expectations.


Wonder and Wander Project Lead: Bethany Lynn Corey
Designed for children under the age of two, this piece invites audience members to engage in play alongside the performers as they discover a series of objects. Responding to the audiences’ own sounds and movements, this piece will provide audiences a two-way experience of narrative, movement, sound and image.


Write Me One Project Lead: Patrick Shaw
Over the course of a month, our team of three will install ourselves in various hubs around the greater Austin area where we will set up camp and offer to write difficult communications on the behalf of strangers. We’ll conclude the project with public addresses on the state of Austin.

The Committee-at-Large was comprised of approximately forty undergraduate and graduate student representatives within the University of Texas at Austin.
Inquiries about the Committee-at-Large and the Festival selection should be directed towards producers@newworksfestival.org.
Application inquiries and selection criteria should be directed towards applications@newworksfestival.org.
Festival and general inquiries should be directed towards press@newworksfestival.org.

Friday, December 7, 2012

Upcoming: Filaments Play-Reading Series at Cohen New Works Festival, University of Texas, March 25 - 29, 2013


Anouncing The Filaments: Sparked by Suzan Zeder


December 07, 2012
by Isaac Gomez, PR and Marketing Chair, 2013 Festival, and Cassidy Browning, Engaging Research


Cohen New Works Festival University of Texas
The Cohen New Works Festival
presented by the University Co-Op March 25 - 29 at the University of Texas in Austin is proud to announce the creation of a new series within the Festival: The Filaments: Sparked by Suzan Zeder. The Filaments is an expansion on the Reading Room from the 2011 Festival – which offered a space for three project submissions to hold staged readings.


Our Committee-at-Large recommended projects for this series during Festival selection and then voted to select six projects for the 2013 Filament series.

The exciting lineup includes:

Cancun
Project Lead: Raymundo Delgadillo
Cancun is a multimedia performance addressing American stereotypes of Mexico and the lack of knowledge about American involvement in the Mexican drug war.

Creative Skin
Project Lead: Courtney Mazeika
Creative Skin provides an inside look at creative processes that choreographers navigate while focusing on the blazing flashes of inspiration, the struggles of insecurity, and the willingness to expose one’s vulnerabilities. Using dance, text, media, and music this project guides the audience through an accumulative performance that exposes a choreographer’s journey.

Danseur Drama
Project Lead: Mark-Anthony Zuniga
Danseur Drama is the story about 28 year-old Kavin who is convinced by friends to try ballet to help him get over his ex-boyfriend. Unexpectedly, ballet will ultimately test friendships, define family, and promote healing. The format is a play, but each scene will demonstrate a ballet term, which also represents the underlying theme.

Believe You Me: Interpreting Media
Project Lead: Daniel Berkowitz
How do you see yourself? Believe You Me is an interactive installation which explores the relationship between humans and media through the use of video, live performance and an alien invasion. We invite you to log off, cancel your subscriptions and come as you are.

Safe
Project Lead: Kenny Chilton
What does safety really mean? The actors explore safety versus security through the citizens of the Safehouse.

War Games
Project Leads: Meg Greene and Lindsay Hearn
War Games is a play for family audiences that explores the story of Jonah, a young boy whose father is deployed in Afghanistan. Jonah and his family work to navigate the harsh emotional realities of war and discover a language that they can all understand.


ABOUT SUZAN ZEDAR
by Kirk Lynn, Producer

Suzan Zeder is the wild heart and true spirit behind every Cohen New Works Festival to date at the University of Texas. Suzan has carried the Festival through several growing pains toward the mature beast it is today. [ . . .] Zeder is one of the nation’s leading playwrights of plays for young and family audiences. Her work has been seen in all fifty states and has been produced and published in Great Britain, Germany, Australia, Japan, Israel, and Switzerland. Step On A Crack, Wiley And The Hairy Man, In A Room Somewhere, and The Death And Life Of Sherlock Holmes are regularly performed by professional and university theatres throughout the country. Doors and Mother Hicks were produced at the Kennedy Center in Washington, D.C., which also co-commissioned Do Not Go Gentle.

Suzan Zeder is a four-time winner of the Distinguished Play Award given by the American Alliance of Theatre and Education. She is also a member of the Academy of Distinguished Teachers at The University of Texas and The College of Fellows of the American Theatre in Washington, D.C. Suzan Zeder is the first holder of an endowed chair in Theatre For Youth/Playwriting at the University of Texas.

Tuesday, November 13, 2012

Daily Texan: Undergrads Prepare Piece on Body Image for Cohen New Arts Festival



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Reimagining body image, beauty through art

November 6 , 2012


Cohen New Works Festival University of TexasThrough the Cohen New Works Festival, presented by the UT University Co-op, students are given the opportunity to use theater as an agent for social change. Theatre studies junior Sarah Marcum and theatre and dance junior Paige Brown are taking advantage of this opportunity by collaborating on a project that draws attention to modern-day beauty ideals and their various effects on women.


Sarah Markum, Paige Brown (photo: Chelsea Purghan for the Daily Texan)
(Photo: Chelsea Purghan for the Daily Texan)
Students have the opportunity to submit their own original pieces for consideration to be showcased during the weeklong festival that happens every other spring. The committee accepts all types of “new work,” whether it is theater, dance, music, film, design or visual art. The festival’s committee-at-large, which consists of about 40 undergraduate and graduate students, is currently in the process of selecting the works that will be showcased in the festival.


“It is a process that incorporates a large number of voices to help create as diverse a festival as humanly possible,” PR/Marketing chair Isaac Gomez said.


Marcum and Brown submitted an original piece about how Western culture’s modern ideal of beauty affects the day-to-day lives of women in the United States.


Marcum said the piece was influenced by the people in her life battling with the struggles of body image and beauty.


“Sarah approached me one day about wanting to create a piece on beauty and appearance that really talked about the very real social and political ramifications of having this one idea of beauty and how it plays itself out on different types of women,” Brown said.



Tuesday, September 18, 2012

Upcoming: GO! Grants Showcase, Mark Cohen New Works Festival, University of Texas, September 20


Mark Cohen New Works Festival University of TexasThe Executive Committee of the Mark Cohen New Works Festival 2013 and Faculty Producers proudly announce the 2012 Go! Grant showcase alongside the online application launch for the 2013 Cohen New Works Festival! Events are at the Winship Drama Building, University of Texas, from 5 to 6 p.m. on Thursday, September 20.
The Go! Grant Showcase is where artifacts, installations and performances will be presented by undergraduate and graduate student projects that received a small stipend in the form of a Go! Grant this past spring. Each of the eight projects will be featured in various locations on the first floor of the Winship Drama Building.

In preparation for the highly anticipated 2013 Cohen New Works Festival, the Executive Committee will also reveal the online application for the 2013 Festival. A small introductory celebration of new work, the 2013 Kick-Off Event is an opportunity where graduate and undergraduate students are welcome to meet and greet about potential project collaborations, and are also given the opportunity to volunteer for subcommittees within each executive committee.

Students within the Department of Theatre and Dance will be able to pick up their major’s passes at the Kick-Off event, and there will also be FREE FOOD!

The Festival is known for being the largest collegiate event of its kind, producing approximately 30 selections of new work in a variety of mediums and spaces in and around Winship Drama Building and University of Texas campus. The Go! Grant Showcase/2013 New Works Festival Kick-Off event is the official inauguration of the largest celebration of new work in the region: the Cohen New Works Festival presented by the University Co-op!

Monday, March 21, 2011

Upcoming: Before This Was Texas, Generic Ensemble Company at Cohen New Works Festival, March 28

Received directly:


Generic Ensemble Company

presentsBig Bend National Park (wikitravel.org)

Before This Was Texas

an in-progress showing
with kt shorb, Saray de Jesus Rosales, Krysta Gonzales, and Carole Metellus
With poetry by Kimberly Alidio
Monday, 2/28 at 8:15; Kayim Atrium (Trinity Street entrance to the Visual Arts Center in the Art Building on University of Texas at Austin campus)


Part of the Engaging Research component of The Cohen New Works Festival presented by the University Co-op.

Friday, December 31, 2010

Upcoming: The Boar's Head Pageant, St. Albert the Great Catholic Church, January 8

Received directly:

The Boar’s Head Pageant

Boar's Head Pageant St. Alban the Great Catholic Church Austin TX

January 8, 2011 at 7:00 p.m.

St. Albert the Great Catholic Church

12041 Bittern Hollow, Austin, TX 78758 (corner of Bittern Hollow and Metric, one block north of ACC Northridge Campus.)

(512) 837-7825

www.boarsheadaustin.com

info@boarsheadaustin.com

Reserved seats and VIP reception: $10 each; General Admission tickets are free. Free lighted parking.

http://boarsheadaustin.eventbrite.com/

Join us for the only medieval celebration of the Christmas season and New Year in Austin. This theatrical presentation takes you back in time to the royal court of England with an elaborate musical presentation, featuring a magnificent orchestra, traditional songs and professional performers in elaborate period costumes and the dramatic arrival of the Magi. Complimentary hot wassail (spiced apple cider) is served after each performance. Guests are encouraged to wear period costumes.

Purchase tickets or make donations on-line: www.boarsheadaustin.com http://boarsheadaustin.eventbrite.com/ Read More

Read about the boar's head legend and more at AustinLiveTheatre.com . . . .

Thursday, October 7, 2010

UT Accepting Applications for Cohen New Works Festival, 2011

Found on-line:


Cohen New Works Festival Now Accepting Applications for 2011 Productions

The application for the 2011 University Co-Op Presents the Cohen New Works Festival is now available online at www.coopnwf.org. Applications must be submitted by Wednesday, October 20 at 12pm.

The University Co-op Presents the Cohen New Works Festival is a celebration of new work created by UT students that culminates in a week-long showcase every other April held throughout campus. It is not just an event, but a celebration of a continuously ongoing process — the creation of new work.

The application for the 2011 University Co-Op Presents the Cohen New Works Festival is now available online at www.coopnwf.org. Applications must be submitted by Wednesday, October 20 at 12pm.

Also check out our Connect link on the website to find collaborators or a project. Be proactive, explore the possibilities and assemble your team!

Friday, August 21, 2009

Upcoming: The Psyche Project, University of Texas, September 10 - 12


Found at NowPlayingAustin:

The Cohen New Works Festival Encore

The Psyche Project

September 10-September 12, 2009
Oscar Brockett Theatre, University of Texas at Austin Performing Arts Center,
300 East 23rd Street Austin

Co-created by Jenny Connell and Marie Brown in collaboration with the ensemble, The Psyche Project makes a return engagement September 10-12, 2009 at the Oscar Brockett Theatre. With generous support from the University Co-op, this event is free and open to the public.

Fast, Funny and irreverent, The Psyche Project retells the myth of Eros and Psyche, two star-crossed lovers who married in secret, ticked off the Goddess of Love, and went to hell and back to keep their marriage together. See what happens when Greek Myth goes modern, hell is a mall, and Eros upgrades from arrow to a semi-automatic. The myth of Eros and Psyche is one of the oldest love stories of the Western world – God meets girl, God gets girl, God loses girl and gets her back.

Tickets: FREE
Show times are September 10, 11 & 12 at 8:00p.m
September 12 at 2:00 p.m.

[graphic "Eros and Psyche" Copyright: ©Rebecca Sinz. http://tinyurl.com/mmo7rd]

Saturday, March 21, 2009

Upcoming: Cohen New Works Festival, UT, March 30 - April 4



Found on-line.













UPDATE: Feature article by Robert Faires in Austin Chronicle of March 26

The University Co-op Presents the Cohen New Works Festival is a celebration of new work created by UT Department of Theatre and Dance that celebrates original works created by UT students, faculty, and guest artists. Audiences will experience a variety of performances, readings, choreography, guest artist panels, and workshops. The Festival is collaborative and multi–disciplinary in nature and offers students events that culminate in a week-long showcase every other April held throughout campus. It is not just an event, but a celebration of a continuously ongoing process--the creation of new work. Inaugurated in 2001 as a new play festival, The University Co-op presents the Cohen New Works Festival was created and named in honor of David Mark Cohen, former head of playwriting within The University of Texas at Austin Department of Theatre and Dance. Cohen was killed in a car crash on December 23, 1997, but during his life, he was an adamant supporter of new work.

Today, The New Works Festival has evolved to include not just plays, but all mediums of student-generated new work. It is the largest festival of its kind, being run and organized entirely by a committee of graduate and undergraduate students, with the support of faculty co-producers. 2009 will mark the fifth New Works Festival in 10 years and includes multiple exhibitions at the Blanton Museum of Art and three outdoor site-specific works. With generous support from the University Co-op, all events are free.

schedule of performances

Guest Artist Focus Groups:

* Monday, March 30 2:30–4:00pm 2.112
The Business of Show Business
Panel discussion with David Conte, Ed Raymond and Bruce Ostler, moderated by Denise Martel

* Tuesday, March 31 11:00–12:30pm 2.136
Dance
Amy Greenfield and Kelly Hargraves , facilitated by David Justin

* Tuesday, March 31 4:00–5:30pm 2.112
Intellectual Property Law
Louis Bonham, facilitated by Rachel Durkin-Drga

* Wednesday, April 1 3:00–4:30pm 2.136
Directing New Work
Sarah Benson, facilitated by Katie Pearl

* Thursday, April 2 11:00–12:30pm 2.136
New Play Development
Wendy Goldberg, facilitated by Steven Dietz

* Saturday, April 4 12:00-1:30pm 2.112
Capturing the Moment: Photography
David Bjurstrom, facilitated by Susan Mickey

bios of invited guest artists
full feature on Cohen festival, history, and photos

All UT Cohen New Work Festival drama events are now listed the ALT Calendar.