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| Tiffany Stern (image via Hidden Room Theatre) |
Many thanks to the UT English Department for their kind sponsorship of this event.
Tiffany Stern is a Professor of Early Modern Drama (English Faculty), and Beaverbrook and Bouverie Fellow in English (University College) at Oxford University.
Tiffany specialises in Shakespeare, theatre history from the sixteenth to the eighteenth century, book history and editing. Her work arises from an interest in the contexts that shaped the ways playwrights wrote and actors performed. Her first book was Rehearsal from Shakespeare to Sheridan; her second book, Making Shakespeare, focused on Shakespeare’s London, actors, theatres, props and music. Both books are used by theatre companies interested in experimenting with ‘original’ methods of Shakespearean production. Shakespeare in Parts, a book she co-wrote with fellow Oxford faculty member Simon Palfrey, concentrates on Shakespeare as a playwright and actor performing from, and writing for, 'parts' (the texts actors received, consisting of cues and speeches, nothing else). Combining Simon’s expertise as an interpreter and Tiffany’s as a theatre historian, it is a work that takes its interpretative momentum from archival research to discover not only a newly active, choice-ridden actor, but also a new Shakespeare. It is complemented by Documents of Performance in Shakespearean England, which considers the other papers of performance not examined in 'Parts': plot-scenarios, playbills, arguments, prologues, songs, scrolls and backstage-plots.
Tiffany is also an editor, and has produced editions of the anonymous King Leir, Richard Sheridan’s The Rivals, and George Farquhar’s The Recruiting Officer.
The Baron’s Men company is looking for actors ages 18 and up for its spring 2014 production of Romeo and Juliet. 
Using Shakespeare’s Folio techniques to unlock your emotional depth and create a richer understanding of classic as well as contemporary scripts
Witches, spirits, insane wives...City Theatre is looking for someone to help assist with MACBETH costumes. 
Present Company 
casting all roles at auditions for Othello by William Shakespeare. Auditions 
In the "sun and moon" scene, 4.5, Kate's concession to Petruchio's declarations comes with more than a light touch of sarcasm -- but she laughs when Petruchio address Vincentio (an impromptu substitution of Matt Davies) as a fair mistress. When Kate gets the joke and flirts with Vincentio, Petruchio intervenes a bit hastily, to cut off a kiss -- which represents, as Burns points out, that she's now playing on an even field with him. They move to the final scene: 5.1, on the street -- the "kiss me, Kate" moment. Their frenetic energy slows to tender regard, but loses none of its passion.
