Showing posts with label Samantha Brewer. Show all posts
Showing posts with label Samantha Brewer. Show all posts

Sunday, November 24, 2013

Steel Magnolias by Robert Harling, City Theatre, November 22 - December 22, 2013




CTXLT review

by Dr. David Glen Robinson

Chinquapin Parish comes to the City. 

Steel Magnolias Robert Harling City Theatre Austin TX
(citytheatreaustin.org)
To the City Theatre, that is, in the form of Robert Harling’s superbly written modern classic, Steel Magnolias. Theatre fans cannot see this masterpiece frequently enough; they must review it often to catch the fast-flying wicked barbs, double entendres, bon mots, and just plain corny jokes that fill its two hours and ten minutes. It feels like about one hour because laughter makes one lose all track of time. City Theatre’s holiday offering is highly recommended.

The story is about the small group of women who frequent Truvy’s Beauty Salon, get their hair done and share their lives. It is a high comedy with an underlying tragedy. The stories related by the customers in the styling chairs depict small town northern Louisiana culture, accurately in this reviewer’s experience. Further, it is a Christmas play, as part of the first act takes place at Christmastime, which at Truvy’s sees even keener and sharper humor related to the season, all without causing anyone to review their sense of the sacred and profane. Have I said this play is superbly written?

This strong material and the expectations of audiences for it set a high mark for any production, and the City Theatre production meets all the expectations for it. It's yet another glowing success for City Theatre.

The cast is well matched. Under the leadership of Samantha Brewer as Truvy, the cast shares the tidal shifts of intensity and emotion that sweep through their many stories. Director Berkovsky deserves credit for the exciting pace and its timing, that key element of comedy. The players did not miss a beat, as far as the audience could detect, quite a feat on any opening night, when butterflies and jitters are inevitable. If Best Ensemble Performance in a Comedy is a category to be taken seriously, then the cast of Steel Magnolias certainly deserves a nomination for a B. Iden Payne award from the Austin theatre community.

The set was believable and authentic, and it conveyed a sense of warmth and familiarity from the first moment Berkovsky did the production design and Jennifer Cunningham did scenic painting.

A special credit goes to Val Frazee for hair design, super important in a play about beauticians and their customers. The wig work was especially spectacular.

The costume design by Rosalie Oliveri was most impressive, conveying both the idiosyncrasies and class-conscious wealth of northern Louisiana. Styling and prop design, usually credited on the program, were missing from the credits.

Steel Magnolias teaches us the age-old verity that friendship is a value that sustains us throughout our lives. On a deeper levelis the truth that friendship, simple friendship among neighbors and families, is perhaps the highest form of love. It gives much and demands everything and in the end provides strength beyond imagining. The play program carries a quote from Shakespeare that says it best: “I count myself in nothing else so happy as in a soul rememb’ring my good friends.”

Make Steel Magnolias your new holiday play. It runs at City Theatre at Airport Rd and 38 1/2 Street on the east side until December 22nd.

Wednesday, July 3, 2013

A STREETCAR NAMED DESIRE by Tennessee Williams, City Theatre, July 25 - August 18, 2013




City Theatre Austin TX











(3823 Airport Rd. at 38 1/2 St., behind the Shell station)

presents

Streetcar Named Desire Tennessee Williams City Theatre Austin TX

A STREETCAR NAMED DESIRE
July 25 – August 18. Thursday – Saturday 8:00 p.m. Sunday 5:30 p.m.
The City Theatre. 3823 Airport Blvd. 78722 – east corner of Airport Blvd. and 38 ½ Street.
General Seating $15. Guaranteed Front/2nd Row Reserved $25.
Students $12. Thursday all seats $10. Group discounts are available.
Reservations 512-524-2870 or info@citytheatreaustin.org
www.citytheatreaustin.org

The City Theatre continues its summer season with the Tennessee Williams's American classic, A Streetcar Named Desire, which revolutionized modern drama and is still an undisputed masterpiece from one of the great voices of the American theatre. Directed by Jeff Hinkle and starring Rachel McGinnis Meissner and Tim Brown, the production runs July 25 – August 18, 2013.

“I have always depended on the kindness of strangers.” – Blanche du Bois, A Streetcar Named Desire

Winner of the Pulitzer Prize for Drama, Streetcar is not only a landmark in American theatre, but a ground-breaking theatrical event! Immerse yourself in the steamy French Quarter of New Orleans as we discover the torrid and fragile life of Blanche Du Bois, southern school teacher and socialite who has come to the end of the line, and is forced to move in with her pregnant sister Stella and explosive husband Stanley. In the sultry decadent jungle of half-light, honky-tonks and fleeting sanity, Blanche desperately seeks refuge in a quiet world of memory and illusion. But Stanley is there to cut off her only escape and her fragile world slowly crumbles as she quickly learns brutal lessons of passion and deceit. Embodying the turmoil of a changing nation, Streetcar strips Williams’ tortured characters of their illusions, leaving a wake of destruction in their path. Poetic and provocative, lyrical and lusty, the play is a haunting and uncompromising master work from one of the greatest writers in modern drama.


“If I got rid of my demons, I’d lose my angels.” ― Tennessee Williams

Thomas Lanier Williams was born in Mississippi, 1911, and into a family life full of tension. He decided to become a playwright after he was admitted to the University of Missouri and saw a production of Ibsen's Ghosts. He moved to New Orleans and changed his name from "Tom" to "Tennessee.” In 1939, the young writer received a $1,000 Rockefeller Grant and, what many consider to be his best play, The Glass Menagerie was written and burst its way onto Broadway. With his dominating mother and fragile sister, Rose, many critics believed that Tennessee used his own relationships as inspiration for the play. Elia Kazan, who directed many of his greatest successes, said of Tennessee: "Everything in his life is in his plays, and everything in his plays is in his life." Williams followed up his first major critical success with several other hits including A Streetcar Named Desire, Summer and Smoke, A Rose Tattoo, and Camino Real. He received his first Pulitzer Prize in 1948 for Streetcar, and reached an even larger world-wide audience when The Glass Menagerie and A Streetcar Named Desire were made into major motion pictures. Later plays which were also made into movies include Cat on a Hot Tin Roof, Orpheus Descending, and Night of the Iguana. Yet, with the powerful impact he had, Williams struggled with depression throughout most of his life and lived with the constant fear of insanity. On February 24, 1983, Tennessee Williams choked to death on a bottle cap at his New York City residence. In addition to twenty-five full length plays, Williams produced dozens of short plays and screenplays, two novels, sixty short stories, over one-hundred poems and an autobiography. Among his many awards, he won two Pulitzer Prizes and four New York Drama Critics' Circle Awards.



The City Theatre has assembled an exciting cast for the show including the dynamic and talented Rachel McGinnis Meissner and Tim Brown who starred in CTC’s 2010 Iden Payne nominated production of Cat on a Hot Tin Roof. The cast also includes Laura Artesi, Clay Avery, Samantha Brewer, Matt Biery, Kate Trammell, Evan Shaw, and Austen Simien. The play is directed by guest director Jeff Hinkle, whose other productions with CTC include Othello, Hair, Cat on a Hot Tin Roof, and Romeo and Juliet. The costume designer is Lindsay McKenna with set design by Kevin George. The City Theatre Company is an Austin-based not for profit arts organization and is sponsored in part by the Austin Creative Alliance and the Austin Cultural Arts Division. Founded in 2006, the company has been recognized by the Austin Critics Table Awards, the B. Iden Payne Awards and is twice voted “Best Theatre Company” by Austin-American Statesman’s Austin 360. CTC is dedicated in providing quality theatre experience and entertainment for Austin artist’s and its community.


(Click to go to the AustinLiveTheatre front page)

Tuesday, April 26, 2011

Upcoming: Of Mice and Men, City Theatre, May 12 - June 8

Received directly:

Of Mice and Men, City Theatre, Austin

City Theatre Austin

THE CITY THEATRE

proudly presents John Steinbeck's American classic

OF MICE AND MEN

with Derek Jones as George Milton and Andy Brown as Lennie Small.

also featuring Samantha Brewer, Gabriel Diehl, Scot Friedman, Larry Oliver, Garry Peters, Daniel Sawtelle, Gabriel Smith, and Ben Woods

May 12 – June 5

Thursdays – Saturdays at 8 p.m., Sundays at 5:30 p.m.

The City Theatre. 3823 Airport Blvd. 78757 – east corner of Airport Blvd. and 38 ½ Street (click for map)

Tickets $15 - $20. Guaranteed Front/2nd Row Reserved $25.

Students $12. Thursday all seats $10. Group discounts are available.

Reservations 512-524-2870 or info@citytheatreaustin.org

www.citytheatreaustin.org

The City Theatre Company continues its 2011 season with the critically-acclaimed Of Mice and Men, by John Steinbeck. This classic tale and Nobel Prize-winning novella about two migrant workers’ quest for the American dream portrays the struggle for independence, the responsibility we have to one another, and the desire for a place we all long to call our own.

“We got a future. We got somebody to talk to that gives a damn about us.” - George

Read more at AustinLiveTheatre.com . . . .


Tuesday, February 9, 2010

Buried Child by Sam Shepard, City Theatre, February 4 - 21





Tom Waits’ discordant, sardonic music is a perfect match for Sam Shepard’s Buried Child. The program doesn't credit anyone, but City's artistic director Andy Berkovsky tells me director Caleb Straus made the choice. Like Tom Waits, Shepard brings us into a world of discord and grotesque despair. He creates a distorted vision of the all American rural idyll.

Think you’ve had a tough time visiting the prospective in-laws? Forget it. Shepard topped your experience, all the way back in 1978, just as Waits was stumbling into alcoholic stardom.

Vince and Shelly take a road trip, heading through Illinois, the heart of America, on their way to New Mexico for an unannounced visit on Vince’s dad. Shelly puts up with Vince’s enthusiasms and anecdotes about this school, that playground and his other narcissistic memories, and then they pull into the drive of a ramshackle farmhouse in the middle of nowhere. Into the middle of a very bad dream.

Read more and see images at AustinLiveTheatre.com . . . .


Sunday, January 17, 2010

Upcoming: Buried Child by Sam Shepard, City Theatre, February 4 - 21


Click for ALT review, February 9




Received directly:

The City Theatre Company digs deep to present
Sam Shepard’s Pulitzer-Prize-winning drama

Buried Child

February 4 - 21
Thursdays – Saturdays at 8 p.m. Sundays at 5:30 p.m.
No show on Saturday, February 6
The City Theatre is at 3823 Airport Blvd. – east corner of Airport Blvd. and 38 ½ Street, behind the Shell station.
Reservations 512-524-2870 or info@citytheatreaustin.org
Tickets $15 - $20. Guaranteed Front Row Reserved Seats $25. Students $12. Group discounts are available. Thursdays, all seats $10.

Sam Shepard's Buried Child is an American masterpiece by one of the most successful counter-culture playwrights of our generation. This darkly comic tale of a Midwestern family with a terrible secret achieved national recognition as an instant classic, winning the Pulitzer Prize in 1979 and garnering outstanding critical acclaim.

Like many of Shepard's plays, Buried Child is characterized by a poetic sensibility and offbeat sense of humor, as well as startling imagery that conjures up the decline of the great American West. This production will run from February 4 – 21.

Read more at AustinLiveTheatre.com . . . .


Thursday, August 27, 2009

The Lion, The Witch and the Wardrobe, City Theatre, August 20 - September 13








Director Bridget Farias and her cast have put together a jolly version of
The Lion, The Witch and the Wardrobe, with loving attention to the eccentricities of Narnia creatures.

Audiences will enjoy the glim from the 2005 film version produced by Disney, which was the best selling DVD in 2006, but both that film and this script follow closely the novel for children written by C.S. Lewis in 1949.

When this production was announced through ALT, one parent, Tim, was plainly disappointed. " Wish they had kid friendly show times. After my kid's bed time is a bit late to see a play. Was looking forward to this one. Oh well...."

Another reader, Anonymous, noted that the City Theatre runs a 5:30 p.m. show on Sundays. That could solve Tim's problem, but it does raise another point: what's the target audience for this production?

Narnies, maybe, in analogy to "Trekkies"?

Read more at AustinLiveTheatre.com . . . .



Wednesday, August 26, 2009

Upcoming: Rabbit Hole, City Theatre, September 16 - October 4

UPDATE: City Theatre is bringing back Rabbit Hole, winner of the 2006 Pulitzer Prize, for its pre-season. The play opens on Thursday-Friday September 16 -17 at 8 p.m. each evening; it runs September 24-27 and then on Thursday, October 1 and Sunday, October 4.

Rabbit Hole City Theatre AustinFollowing is the text of the ALT review published on July 14:





Rabbit Hole
by David Linday-Abaires is a quiet play about loss. Becca and Howie were young parents six months ago when a swift series of random events sent their four-year-old son Danny running after his dog, just as a teenager drove down the street going maybe just a tiny bit too fast.

That back story is not shoved into your face. The action opens as Becca's loud, impulsive sister Izzy is sitting at Becca's kitchen table, telling a comic-horrible story about a confrontation that she had in a bar. Becca is folding laundry, tiny boys' garments, as she listens, fascinated to Izzy crowing.

"You punched her?" Becca gasps, "Izzy, you mean that you were in a bar fight?"

Read more at AustinLiveTheatre.com . . . .

Tuesday, July 28, 2009

Upcoming: The Lion, The Witch and The Wardrobe, City Theatre, August 20 - September 13

Received directly:

The City Theatre
closes the 2009 summer theatre season with


The Lion, The Witch and The Wardrobe

based on C.S. Lewis’ favorite classic adventure

August 20 – September 13 Thursday – Saturday 8:00 p.m. Sunday 5:30 p.m.

NARNIA…a land frozen in eternal winter…a country waiting to be set free.

This wonderful adaptation based on the children’s novel by
C. S. Lewis is the story of four children, Susan, Lucy, Edmond and Peter who escape the London blitz of World War II, when they are sent to live with their uncle in the countryside. Lucy’s discovery of a magic wardrobe in her uncle’s home, leads her and her siblings into a world where “it is always winter, but never Christmas”, the land known as Narnia.

Here the children discover strange wonders: centaurs, talking beavers, fairies, and a fawn-like creature known as Tumnus, who befriends the children.

But Narnia is a land of contrasts as well. There is evil, in the person of the ambitious and calculating White Witch who battles to rule all of Narnia, and goodness and nobility, embodied in the powerful Lion King Aslan, who opposes her and her diabolic schemes. This story of love, faith, courage and giving, with its triumph of good over evil, is a profound celebration of life and inspiration, captivating young and old for decades.


The Lion, the Witch and the Wardrobe
is the first in a seven-book series by C. S. Lewis called The Chronicles of Narnia. Clive Staples (C.S.) Lewis was born in 1898 in Belfast, Ireland. He was a professor of Medieval and Renaissance English at Oxford. He wrote books on religion and philosophy, but is most famous for this remarkable series, that has captured the imagination of children and adults worldwide. Many will be familiar with the series through the recently released Walt Disney Productions and Walden Media films, The Chronicles of Narnia: The Lion, The Witch and the Wardrobe, and Prince Caspian.


The production is directed by Bridget Farias with additional staging by Andy Berkovsky and set design by Daniel LeFave and costumes by Jessi Brill. It features the company of Derek Vandi (Aslan), Samantha Brewer (White Witch), Chad Duda (Peter), Laura Ray (Susan), Raphael Jaquette (Edmund), Shannyn Rose Cowart (Lucy), Bobby DiPasquale (Mr. Beaver), Fiona Rene (Mrs. Beaver), Austin Rausch (Mr. Tunmus), Dario Konjicija (Fenris Ulf), Marques Deleeon (Dwarf), Justin McKnight (Elf), D.H. Thompson (Father Christmas/Professor), and Molly McKee, Monique Borses, Nikki Maldonado, Annabel Stephan, Matthew Haynes, and Cameron McKnight (Wood Creatures/Ensemble).


This production is recommended for all ages and fun live theatre entertainment for the entire family.


TICKETS AND PERFORMANCE INFORMATION

Reservations 512-524-2870 or info@citytheatreaustin.org

General Seating $15 - $20. Guaranteed Reserve Seats$25. Kids under ten $10.
Thursdays all seats $10. Group and senior discounts are available.


The City Theatre. 3823 Airport Blvd. – east corner of Airport Blvd. and 38 ½ Street.
Visit our website www.citytheatreaustin.org

Tuesday, July 14, 2009

Rabbit Hole, Dancing Cat Circle at City Theatre, July 9 - 19






Rabbit Hole
by David Linday-Abaires is a quiet play about loss. Becca and Howie were young parents six months ago when a swift series of random events sent their four-year-old son Danny running after his dog, just as a teenager drove down the street going maybe just a tiny bit too fast.

That back story is not shoved into your face. The action opens as Becca's loud, impulsive sister Izzy is sitting at Becca's kitchen table, telling a comic-horrible story about a confrontation that she had in a bar. Becca is folding laundry, tiny boys' garments, as she listens, fascinated to Izzy crowing. "You punched her?" Becca gasps, "Izzy, you mean that you were in a bar fight?"

Read more at AustinLiveTheatre.com . . . .



Tuesday, June 23, 2009

Upcoming: Rabbit Hole, Dancing Cat Circle at City Theatre, July 9 - 19

Click for ALT review, July 14




Received directly:


The City Theatre and Dancing Cat Circle present
Pulitzer Prize-Winner


Rabbit Hole


Critically acclaimed play makes its Austin Premier


In cooperation with Dancing Cat Circle Theatre Group, City Theatre joins the 2009 Austin Summer Acts! Festival with the premier of David Lindsay-Abaire’s Pulitzer Prize winning play, Rabbit Hole. In this powerful drama, Broadway’s most heralded play of 2006, a couple struggles to pick up the pieces after a life-shattering accident leaves them drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort and to a path back into the light of day.

The Associated Press called Rabbit Hole “A startling, heartfelt new play”. The New York Times said, “A beautifully observed new play blessed with David Lindsay-Abaire’s customary wit and grace.”


It’s about what you find along the way.
– Rabbit Hole

Read more at AustinLiveTheatre.com . . . .