Showing posts with label Ausin Texas. Show all posts
Showing posts with label Ausin Texas. Show all posts

Tuesday, May 8, 2012

Austin Lyric Opera -- A Comprehensive Look Inside The New On-Line Marketing Machine by ALO's Marketing Director Marc van Bree

Here's text, a slide show and links to series of presentations by Marc Van Bree, hired last year by Austin Lyric Opera to overhaul its on-line marketing at a time of financial cuts (allocations for digital marketing were reduced from $40,000 annually to $15,000). [See Paul Robinson's May 2011 account of the ALO in Crisis.] Thanks to Thomas Cott's You've Cott Mail daily e-mail survey of arts news for the link to the exultantly self-congratulatory posting by Drew McManus, proprietor of the $4000-a-year Venture Platform software package used by Van Brees and the ALO.

Opening article in the series at Van Brees' blog:

Dutch Perspective blog Marc Van Bree





A new website and digital strategy for the opera

April 27, 2012 By

When I started my job as marketing director for Austin Lyric Opera, I knew I wanted to put my stamp on its digital marketing efforts. I wanted to put all that I have written about and all that I have learned over the past years to action. What follows is a brief overview of what I did and how I did it [AustinLiveTheatre note: each title is linked to the corresponding post]:

A new website

Coming in, the opera was stuck with an all Flash-based website: it was complicated and time consuming to make even the smallest of updates; mobile devices could not load the site; and no data could be collected. The first priority was to change this. You simply cannot build a working digital strategy without the foundation of a solid institutional website that can drive ticket sales.
In redesigning the website, from architecture to graphic design, these were the four key development concepts:
Driving conversions
  • All roads should lead to a conversion. The ticket buying process needs to be straightforward, simple and seamless; from campaign source to order confirmation.
Data collection
  • How do patrons get to our website? What do they do when they arrive? We need to track the entirety of the sales funnel.
Highly customizable
  • A responsive website that can handle breaking news, custom landing pages and continuously revolving sales and institutional messages.
Easily manageable
  • Staff with little technology skills should be able to make basic website updates and embed multimedia elements.
I knew I wanted a website built on WordPress and having watched the development of Venture Industries by Drew McManus, I was surely impressed by the proprietary elements on top of the standard WordPress installation that Venture offers. Doing due diligence, I talked to and received several proposals from other web development agencies. One proposed Drupal despite my insistence on WordPress, and all proposed a budget in the $15,000-20,000 range. I knew I could do better. I went with Venture and I set a $10,000 budget.
Drew McManus’ Venture brought together the opera’s in-house strengths and Drew’s strengths in the performing arts and online user experiences. The work broke down like this:
In-House Resources (Client)
  • Planning: entirely redesigned site architecture and navigation
  • Content: content migration, creation and population; and integration with third party box office
  • Design: custom graphic design template along with home page and interior page layouts.
  • Development: basic custom CSS changes.
Custom Work (Venture)
  • Adapt client’s graphic design into custom PHP templates.
  • Designed custom admin interface.
  • Designed custom search bar that appears in the top, right hand corner of every page.
  • Removed slider overlay for unobstructed full width image while maintaining use of standard action button.
Work was completed in a 3 month time frame. That’s fast. The actual money spent came in far under budget, totaling $6,500, and broke down in two components: $1,500 for the custom work; $4,000 for the annual Venture license.
A quick note about the $4,000 annual license fee. This includes hosting, support, updates and a myriad of other benefits and services. In a way, Venture is like purchasing a Photoshop license for your organization. Having Photoshop doesn’t automatically guarantee you beautiful design; you have the best tool at your disposal, but you still need a graphic designer. Having Venture doesn’t automatically guarantee you a great website; you still need someone in-house.
However, the support and the best practice / brainstorming you get with Venture are superb. Other agencies would bill hourly. Furthermore, if your in-house resources are not as strong, you can outsource more of the work. I was impressed by the custom work we received for the money we spent. You can do as much or as little custom work as you’d like or as your budget allows.
The end result was a beautiful, highly effective new website that met all the criteria outlined in the four key development concepts: driving conversions; data collection; highly customizable; and easily manageable.
Aided by a new ticketing solution launched simultaneously, and a new digital strategy, we increased online single ticket sales from 28% to 55% of total single ticket sales while delivering a greater ability to analyze patron behaviors, track conversions and account for advertising spending.

Sunday, April 1, 2012

McCallum Appoints Joshua Denning as Director of Performance Theatre


From McCallum Fine Arts Academy:


McCallum Fan Letter




Joshua Dennning (via McCallum Fine Arts Academy)April 1

The Fine Arts Academy welcomes Mr. Joshua Denning as our new Director of Performance Theatre. After a national search for a new director, the committee selected Mr. Denning. You may remember him as Jim Conley in the Royal Court Players fall production of Parade or as Seaweek Stubbs in Hairspray at ZACH. As a director and choreographer Mr. Denning has staged 19 productions including more than a dozen theatre for youth productions at ZACH Theatre and Center Stage Texas and a fully staged production of the musical Jon & Jen. He has international credits, including Simba in The Lion King in Hamburg, Germany. His BFA is in Musical Theatre from Wright State University.

Friday, March 30, 2012

Auditions for Tigers Be Still and for Middletown, Hyde Park Theatre, April 7


Hyde Park Theatre AUstin TXHyde Park Theatre will Tigers Be Still by Kim Rosenstock (image: www.citytheatrecompany.org)hold auditions for Tigers Be Still by Kim Rosenstock (June-July) and Middletown by Will Eno on Saturday April 7. For more information, or to set up an appointment email Ken Webster at hydeparktheatre@gmail.com


From City Theatre, Pittsburgh, where Tigers Be Still is about to open: "Depression has never been funnier! Sherry’s art therapy degree didn’t launch her dream career, so she moved back into her childhood bedroom. Her mom won’t come downstairs. Her sister won’t leave the couch. Her very first patient won’t stick around for a session. Her boss brings a rifle to work. And an escaped tiger roams the streets … but Sherry’s life is looking up. Variety commends Rosenstock’s “clever comic dialogue in a voice that is too smart to be cute.”


Middletown Will Eno (image: coolcleveland.com)From coolcleveland.com: "Middletown is Will Eno’s deeply moving and funny new play exploring the universe of a small American town. Mary Swanson just moved to Middletown, eager to start a family and enjoy the neighborly bonds a small town promises. But when Mary befriends resident John Dodge, she is quick to discover that below Middletown’s unflinchingly honest exterior lies something much more complex. Middletown is a wry, human portrait of a town with two lives, one ordinary and visible, the other epic and mysterious."

Tuesday, September 27, 2011

Austin's B. Iden Payne Nominations for Stage Performance, 2010 - 2011


Announced last night, September 26:


Nominations to be considered by members of the Austin Creative Alliance:

Click to view full list

DRAMA

Outstanding Production

  • Frankenstein: The Trouble Puppet Show (Trouble Puppet Theater Company)
  • Hedda Gabler (Palindrome Theatre)
  • A Lie of the Mind (Capital T Theatre)
  • Paradise Key (a chick and a dude productions)
  • Topdog/Underdog (City Theatre Company)

Outstanding Direction

  • Connor Hopkins (Frankenstein: The Trouble Puppet Show)
  • Lisa Jordan (Topdog/Underdog)
  • Melissa Livingston (Paradise Key)
  • Christina J. Moore (Who’s Afraid of Virginia Woolf?)
  • Don Toner (The Trip to Bountiful)

Outstanding Lead Actor

  • Collin Bjork (Equality 7-2521) Anthem
  • Tom Green (Dr. Halb) Paradise Key
  • Joey Hood (Jerry) The Zoo Story
  • Ev Lunning, Jr. (George) Who’s Afraid of Virginia Woolf?
  • Justin Scalise (Hamlet) Hamlet [Scottish Rite Theatre and Black Swan Events]

Outstanding Lead Actress

  • Mary Agen Cox (Carrie Watts) The Trip to Bountiful
  • Dawn Erin (Ann Martin) Defiant
  • Babs George (Martha) Who’s Afraid of Virginia Woolf?
  • Meredith McCall (Linda Waterman) Fiction
  • Rebecca Robinson (Hannah Jelkes) The Night of the Iguana

Outstanding Featured Actor

  • Aaron D. Alexander (Papi) Fight
  • Travis Dean (Baylor) A Lie of the Mind
  • Micah Goodding (Aaron McKinney, Stephen Belber) The Laramie Project: Ten Years Later
  • Daniel Sawtelle (Slim) Of Mice and Men
  • Jacob Trussell (DJ Snowstorm) Flying

Outstanding Featured Actress

  • Shannon Grounds (Fool) Lear
  • Sadé Jones (Lady in Green) for colored girls who have considered suicide / when the rainbow is enuf
  • Julia Lorenz-Olsen (Ophelia) Hamlet [Scottish Rite Theatre and Black Swan Events]
  • Rebecca Robinson (Beth) A Lie of the Mind
  • Gricelda Silva (Bushy Tail) Flying
Click to view full list at AustinLiveTheatre.com

Wednesday, September 14, 2011

Video by Eric Graham: Marion Bridge, Hyde Park Theatre, September 8 - October 8


Eric Graham's video, announced on-line by the Hyde Park Theatre:


Hyde Park Theatre, Austin



presents

Marion Bridge by Daniel MacIvor

directed by Ken Webster

September 8 - October 8, Thursdays - Saturdays at 8 p.m.

Hyde Park Theatre, 511 W. 43rd Street at Guadalupe (click for map)

Buy tickets online or call 479-PLAY (7529).








[Apple users: can't see the video? Click to go to YouTube.]

Friday, September 2, 2011

Auditions: Helen Keller in The Miracle Worker, City Theatre



Posted by Andy Berkovsky at www.AustinActors.net:


City Theatre Austin

Casting Helen Keller in the Miracle Worker


City Theatre invites you to the auditions and casting for Helen Keller in the emotional and acclaimed play The Miracle Worker starting up this weekend. Information:

*Dates: September 3, 10 a.m. to 2 p.m. and September 5 and 6, 5:30 – 7:30 p.m.
*The City Theatre 3823 Airport Blvd. Austin 78722 (behind the Shell station -- click for map)
*This is an open callback. No appt. necessary. Come anytime during the schedule above.
*Casting for Helen Keller. Information below.
*Headshot and resume preferred but not necessary. A short monologue is suggested.
*Show dates October 27 – November 20 with rehearsals beginning 2nd or 3rd week of September.

Helen Adams Keller was born a healthy child on June 27, 1880, to Captain Arthur H. and Kate Adams Keller of Tuscumbia. At the tender age of 19 months, she was stricken with a severe illness which left her blind and deaf. The half-wild, deaf and blind girl was taken by her parents to see Dr. Alexander Graham Bell. Because of her visit, Helen was united with her teacher Anne Mansfield Sullivan. And so our story begins.

If you have any questions, please respond at thecitytheatreaustin@yahoo.com or call 512-524-2870.

Contact: Andy Berkovsky thecitytheatreaustin@yahoo.com




Tuesday, August 23, 2011

Upcoming: Barrio Daze by Adrian Villegas, New Movement Theatre,September 2 and 3


Received directly:


Adrian Villegas presents his one-man comedyBarrio Daze by Adrian Villegas

Barrio Daze

a laugh-out-loud-funny comedy about inner-city lives during a fateful day in the barrio

ONE WEEKEND ONLY!
Friday and Saturday, September 2nd and 3rd at 8 p.m.
at the New Movement Theater, 1819 Rosewood Ave (click for map)
$8 general admission, available at the box office on performance evenings

Adrian Villegas, atistic director for the award-winning Latino Comedy Project, returns with his one-man comedy Barrio Daze. Set against the backdrop of a fictional national election, Barrio Daze is a sprawling and irreverent one-man tour through a single day in the barrio. In a hilarious God's-eye-view of barrio life, Villegas brings to life a vivid gallery of unforgettable characters ranging from a hopeless panhandling borrachón (drunk) to an unlikely Chicano U.S. Senate hopeful.

Other members of his rich gallery of characters include a clueless burger-flipping high-school drop-out; a noble, hard-working illegal immigrant; and a culturally conflicted Hispanic "coconut" (brown on the outside, white on the inside) working for a prominent right-wing politician. On a single fateful election day, the diverse lives oft he nine characters overlap and collide in meaningful and surprising ways. The day culminates with the outcome of a heated senatorial race between a well-funded, rabidly conservative good-'ol boy politician and the inspiring grass-roots campaign of a dirt-poor Chicano school teacher.

Using a tapestry of slide photography, original audio parodies and stage monologues, Barrio Daze deftly mixes uproarious cultural humor with pointed social commentary to create a fast-paced, laugh-out-loud and unforgettably funny portrait of contemporary Latino life.

The Austin Chronicle wrote, "Performed with nothing less than brilliance…'Barrio Daze' is both absurdly funny and dead-on insightful…A series of damn funny and poignant sketches…This is laugh-out-loud material. Adrian Villegas is truly a gem.” The Dallas Morning News wrote, “’Barrio Daze’ is a free-for-all of social satire and wicked self-mockery. The only answer is helpless laughter. Mr. Villegas’ gift is in making we, the different people, laugh together.” Meanwhile, the Statesman's XL Ent. Weekly commented that Villegas' work "rivals the [one-man] shows John Leguizamo has done".

Villegas' rollicking one-man shows deal with barrio life, racial politics, and pop culture, and have played to packed audiences and critical acclaim at colleges, theatres and cultural arts venues across the country. In addition to his solo work, Villegas is also the artistic director for The Latino Comedy Project (L.C.P.), a popular, award-winning sketch comedy troupe. To date, the LCP’s YouTube comedy videos have received over twelve million views worldwide. The LCP cast also co-wrote and were featured in an MTV3 comedy ad campaign, which was nominated for a 2009 Emmy Award.

As both a touring solo performer and artistic director for the Latino Comedy Project, Villegas strives to create work that entertains, bridges cultures, and taps into the hunger of under-served Latino audiences.

“Barrio Daze” will run one weekend only Friday and Saturday, September 2nd and 3rd at 8pm at The New Movement Theater, 1819 Rosewood Ave, Austin, Texas 78722. Tickets are $8 general admission, available at the box office on performance evenings.

Friday, August 19, 2011

The Servant of Two Masters, Penfold Theatre outdoors in amphitheatres, Round Rock 8/04-21, Wimberley, 8/26-27


A Servant of Two Masters, Penfold Theatre

by Michael Meigs

I always enjoy watching the handsome and talented Penfold Theatre folk. Not only onstage in their accomplished presentations, of which The Servant of Two Masters directed by Beth Burns is only the latest shining example, but also as with considerable skill they build their presence and reputation.

Austin attracts graduates of theatre programs the way that Nashville attracts banjo pickers, and with not much effort I could name you half a dozen groups of friends who are putting their work up in dusty rented venues throughout this town. Talent is not lacking, and there's plenty of courage and ingenuity.

Ryan Crowder (image: Kimberley Mead)Nathan Jerkins (image: Kimberley Mead)The Penfold team is grouped around funnyface Ryan Crowder, playing the leading rascal in this show, and Nathan Jerkins, who gives his self-assured ironic humor to the stock role of Brighella the innkeeper. In 2007 they founded the company with their Abilene Christian University classmate Sean Martin, at about the same time I arrived in Austin.

Penfold formed an early alliance with St. Ed's musical jack of all trades Dr. Michael McKelvey (director of their sparkling chamber musical theatre pieces The Last Five Years, John and Jen and I Love You Because). Company members' work with Austin Shakespeare and with recent arrival from California Beth Burns helped build networks including many of the liveliest and most dedicated theatre folk in Austin. They won B. Iden Payne awards.

And unlike most other young devotees of the theatre, they looked around for a promising home in the greater Austin area. Penfold made friends in Round Rock, the rapidly growing community just north of Austin, and has secured support from businesses, the municipality and potential arts patrons for their vision of a resident theatre company in that town.

Their summer shows at the Round Rock amphitheatre, open to all without charge, are splendid marketing devices, making Round Rock residents aware both of their talents and of their intentions to put down roots in that town. Last summer they put on the frantic crowd-pleaser The Complete Works of William Shakespeare (abridged) and through most of this month they've been performing this late classic of the Italian commedia dall'arte by Carlo Goldoni. In addition to the Penfold founders the cast of The Servant of Two Masters features lively character actors familiar to Austin audiences from many venues (for example, Robert Deike, Alejandro McDonald-Villarreal, Griçelda Silva, Andréa Smith and the recently arrived Toby Minor).

Read more at AustinLiveTheatre.com . . . .

Monday, August 15, 2011

Auditions for A Christmas Carol, the musical, at Georgetown Palace, September 10-12


Found at www.AustinActors.net:

Georgetown Palace

A Christmas Carol, the Musical auditions


The Georgetown Palace Theatre announces auditions for A Christmas Carol, The Musical directed by Cliff Butler and choreographed by Danny Herman and Rocker Verastique. All auditions will at Georgetown Palace Theater at 810 S. Austin Ave in Georgetown.

Charles Dickens' classic gets the full Broadway treatment by the Broadway team of Alan Menken ("Beauty and the Beast," "Little Mermaid,"), Lynn Ahrens ("Ragtime," "Seussical") and Mike Okrent ("Crazy For You," "Me and My Girl.")
Called by The New York Times "a tonic for adults, and for children a transfixing journey," this spectacular musical extravaganza ran for ten years at Madison Square Garden. This version of "A Christmas Carol" timelessly retains its emotional power and pure joy, thanks to the marvelously-told story by Ockrent and Ahrens, and the Menken/Ahrens score filled with beautiful melodies and emotional lyrics. In fact, their song "A Place Called Home" has become a holiday standard.

SINGING AUDITIONS will be held Saturday, Sep 10th from 2-5 pm and Sunday, Sep 11th from 2-5pm. Auditioners are asked to sing a memorized song, no longer than 1min in length. Piano accompaniment will be provided, or you may bring your own accompaniment on a CD. No singing a cappella please. Please sing only 36-48 measures of a song to include the money note. No monologues. Children ages 7-12 yrs old do not need to prepare a song. They will be taught a piece at the audition.

All
DANCING AUDITIONS will be held on Monday, Sep 12th. General dance call-backs will be from 7-8:30pm. Advanced dance call-backs and anyone who is auditioning to be a dancer only, will need to be at the Palace at 8:30pm to learn the dance combinations and perform them in small groups for the audition team. Auditioners are asked to wear comfortable clothes for dancing.


Upcoming: Wait Until Dark, Hill Country Community Theatre, September 22 - October 2


Received directly:


Hill Country Community Theatre

Priscilla Castañeda, Steve Hendrix Wait Until Dark HCCT


presents

Wait Until Dark

by Frederick Knott

September 22 - October 2

Fridays and Saturdays at 7:30 p.m., Sundays at 2:15 p.m.

Hill Country Community Theatre, 4003 W. FM 2147 in Cottonwood Shores (click for map)


Which frightens you more: the evil you can see coming, or the one you can’t?

The cast of Wait Until Dark, Hill Country Community Theatre’s first production of the 2011-2012 season, is working to bring that question to life as they rehearse for the play’s opening in September.

The cast for the dramatic thriller, which was a smash hit both on Broadway and as a movie, includes Steve Reily as Mick Talman, Preston Kirk as Sgt. Carlino, Mark Fernandes as Harry Roat, Priscilla Castañeda as Susy Hendrix, and Ocean Fillingim as Gloria. Teresa Bishop is serving as stage manager and veteran actor/director Darrell W. Spencer, Ph.D., who recently moved to the Austin area from Nevada, is the show’s director.

A “Hitchcock” style thriller, the play was written by Frederick Knott and opened on Broadway in 1966. In 1967, it was produced as a movie starring Audrey Hepburn, Alan Arkin and Efrem Zimbalist Jr.

Spencer, who has an extensive background in both acting and directing as well as teaching dramatic arts in several liberal arts colleges, says he was attracted to directing Wait Until Dark partly because of the unique challenges presented by the dramatic thriller genre.

“Unlike most drama, where developing the characters is of key importance, in a thriller the situation has to be foregrounded,” he explains. “You have to keep people on the edge of their seats by developing the situation and leading the audience to relate to that situation through the characters.”

Wait Until Dark will open at HCCT, 4003 W. FM 2147 in Cottonwood Shores, September 22 and run through October 2 with 7:30 p.m. performances Thursday through Saturday and 2:15 p.m. matinees on Sunday afternoons.


Sunday, August 14, 2011

Upcoming: Funny Money by Ray Cooney, Circle Arts Theatre, New Braunfels, September 8 - October 2


und on-line:

Circle Arts Theatre New Braunfels





Our Outstanding 2011 Season continues with:Funny Money (image: Towne Centre Theatre)


Funny Money

by Ray Cooney

Sept. 8-October 2

Circle Arts Theatre

in Landa Park at 124 Elizabeth Street (click for map)


The same guy who wrote "Out Of Order" delivers another hysterical mistaken identity comedy. When Henry finds a briefcase full of money the covers up begins and craziness ensues!


Arts Reporting: Attic Theatre San Antonio Re-Purposes Sculptor's Pieces for 'Smudge' (August 18 - September 4)

Found on-line, an article by Deborah Martin and a photo-essay by Robert Jerstad, Jennifer Whitney and the McNay Museum on the Attic RepertoryTheatre's incorporation of pieces by sculptor Jade Townsend into its production of Smudge by Rachel Axler (August 18 - September 4), San Antonio Express-News, August 13:

Smudge sculptures Jade Townsend (image: Robin/Robert Jerstad)


AtticRep repurposes art installation for set of new show 'Smudge''

by Deborah Martin
dlmartin@express-news.net

AtticRep's set for Smudge, the final show in its fifth season, is a real piece of art.

Literally.

The set was drawn from New York artist Jade Townsend's “An Allegory of Taste: Between Here and There,” a large installation commissioned by the McNay Art Museum for the “New Image Sculpture” exhibit earlier this year.

“It's definitely exciting that it gets this whole other life,” Townsend said.

Using an art installation as a set feeds into one of AtticRep's missions as the company prepares to launch its sixth season this fall. Producing artistic director Roberto Prestigiacomo and interim managing director Rick Frederick want to find ways to collaborate extensively with artists from other disciplines — to bring in visual artists more often, for example, and to bring in musicians and work with galleries and other arts groups, as well. The idea is to bring in other perspectives and fresh eyes from beyond the world of theater, they said.

Sculpture by Jade Townsend used by Attic Rep San Antonio for 'Smudge'“It's quite exciting,” Prestigiacomo said.

For “Smudge,” which opens Thursday, a few visual artists were brought into the mix, starting with Townsend and his installation.

The most visible section of the piece when it was on display at the McNay was a small, white house bursting at the seams. The house's insides, visible through the windows and bulging gaps in the walls, were crammed with all sorts of furniture and other clutter. Plywood lamps, dressers, televisions, a piano and a guitar, among other things, were piled high; a crowned figure sat atop the heap.

Read more at www.mysanantonio.com . . . .

Saturday, August 6, 2011

Teatro Vivo Cast Talks about Dos Pocitos, Salvage Vanguard Theatre, August 18 - September 3


Teatro Vivo has just posted one-minute videos of cast members discussing their roles in Raul Garza's new play Dos Pocitos, playing August 18 - September 3 at the Salvage Vanguard Theatre. The company did a staged reading at its Latin American New Plays Festival in April (click for ALT review). Dos Pocitos is a dark comedy set in the not-too-distant future, describing the venture of two middle-aged Tejano cousins into "Texaco," the vast stretch of land along the previous U.S.-Mexico border, abandoned by both governments.

Artistic Director Rupert Reyes as Uile the beekeeper








YouTube link: http://youtu.be/UvMajapEGvU

Mateo Barrera
as Adam the adventurer








YouTube link: http://youtu.be/mVl6Js3Etfk

Click to view these and two additional videos at AustinLiveTheatre.com . . .

Wednesday, July 7, 2010

re:Psyche, Secondhand Theatre at the Blue Theatre, June 23 - July 18




Secondhand Theatre's re:Psyche, playing at the Blue Theatre until July 18, reminds me of a Swiss circus.

In late spring and summer, medium-sized towns and villages in the Swiss mountains awaken to find a weathered Little Top has appeared on a vacant municipal lot, surrounded by a miscellany of campers and caravans. The troupe rarely numbers more than ten performers, perhaps with three or four musicians. Practised professionals, they are initiates in make-believe, gymnastics and glitter. They stay for a week or ten days, then fold their tent and disappear.

Verity Branco, Harrison Butler re:Psyche  Secondhand TheatreThe seven actors in re:Psyche have the same mysterious resilience and commitment. Five of the actors and three of the tech staff established ties in UT's MFA programs for theatre arts, where Re:Psyche began as "an experiment in movement-based ensemble-created work." Jenny Connell's script with chracters from the legend of Psyche, that mortal woman who involuntarily enchanted Eros (Cupid), became an offering at the Mark Cohen New Play Festival in 2009, voted "Best of Fest." UT sponsored an additional staging in 2009, much appreciated.

Now, with further reworking, cast changes and the addition of eerie, effective music by Austin string minimalists Mother Falcon, the troupe has set up its metaphorical tent as Secondhand Theatre, at the Blue Theatre building, that odd patch behind the Goodwill warehouse at 916 Springdale Road.

I suggest that you get over there and take it in before the group disperses. These folks are serious, comic, and seriously entertaining.

Read more at AustinLiveTheatre.com . . . .