Showing posts with label Austin Statesman. Show all posts
Showing posts with label Austin Statesman. Show all posts

Sunday, July 28, 2013

Scottish Rite Theatre Fires Emily Marks, Cuts Short Charlotte's Web


Following is the Statesman article of July 26, only 79 words of which are available outside the www.mystatesman. subscriber pay wall:


Austin Statesman

 

Shows canceled, camps moved amid leadership changes at Scottish Rite Theater

By Andrea Ball, American-Statesman Staff


‍Scottish ‍Rite Theater fired its executive director this week, forcing the group to cancel eight performances and throwing into question the fate of its summer camps.

Emily Marks, who served as the group’s leader and artistic director since January 2012, was terminated by the board of directors Tuesday. Since then, the board has canceled its remaining performances of “Charlotte’s Web.” The ticketing agent has been contacted and all customers will get their money back, said board President Todd Smith.

Meanwhile the summer camps have been disrupted. Girls Thrive Theater has been relocated to the Salvage Vanguard Theater, Marks said. Arrangements are not yet made for Puppet Pandemonium.
Marks — who also did not publicly discuss the reasons behind her departure — said she is proud of the work she did at the nonprofit. Before working at the theater, Marks founded Girls Rock Austin, a nonprofit focused on female empowerment through music.

“I am incredibly proud of the work our team accomplished at the ‍Scottish ‍Rite Theater,” she said. “We have served over 12,000 children since January 2012. I am incredibly grateful to the original board and organizational infrastructure for hiring me, and remain proud of the excellent programming we provided in an incredible space.”

Smith also declined to comment on Marks’ firing.

“The ‍Scottish Theater has a long history of providing quality child programming over the years and it is our intention to continue providing high-quality, wholesome entertainment for children and their families,” Smith said.

The theater was built in the late 1800s and was purchased more than 100 years ago by the Austin ‍Scottish ‍Rite fraternity, which started the children’s theater in 2004 as a family programming venue.
Although the organization was created by the ‍Scottish ‍Rite, the theater is an independent nonprofit with an annual budget of about $300,000.

Sunday, July 7, 2013

Prakash Mohandas Prepares 'Om Shanti Om' for Dell Hall, Long Center - Austin Statesman, July 7, 2013


Uncredited feature published July 7 in the Statesman's 'Love My Job' feature

Click to go to the Statesman's video interview of Prakash Mohandas

Austin Statesman



 Love My Job: Prakhash Mohandas

Prakhash Mohandas Austin Statesman Om Shanti Om Agni Productions Austin TX

(photo: Austin Statesman)

 Watching Prakash Mohandas direct cast members for his upcoming production, “Om Shanti — Once upon a Time in Bollywood,” it is hard to believe engineering was his mainstay up until a few months ago. [CLICK to view 'Upcoming' announcement page at AustinLiveTheatre.com]

The actor, dancer, musician and filmmaker is obviously in his realm on the stage, but Mohandas is also a successful entrepreneur. He is founder and CEO of Agni Entertainment, the burgeoning film and theater company which produces, promotes and distributes independent film and theater projects with a South Asian focus.

“Coming from India, I never thought that all of my artistic interests could be translated into a profession,” he said. “I think one of the things the U.S. has taught me is that anything can be a profession if you are really passionate about it, provided that you put in some thought about how you can make that passion of yours monetarily viable.”

Mohandas’ passion for the arts came at an early age. He began learning hip hop and jazz in India at age 6. When he was 11, he took up Indian classical music. He also participated in theater throughout school and continued to pursue dance, theater and music during his undergraduate studies.

“Most of my artistic abilities came from my early education in India,” he said. “But culturally, the community has a stigma against artistic careers; they aren’t considered lucrative enough to make a living. Culturally, I was raised to go toward a path of engineering, medicine, law or an MBA.”

Mohandas left India to attend graduate school in engineering at The University of Texas. Engineering was never something Mohandas questioned; instead, he said he followed suit with many of his peers and moved to the U.S. to pursue his graduate studies.

“Over there, all my artistic interests were considered hobbies — even through I was really passionate about them, I never thought of them as a career path,” he said.


Click to read more at AustinLiveTheatre.com . . . . 

Click to view article at Austin Statesman. . . .

Tuesday, June 4, 2013

Austin Print Journalists Anounce 2012-2013 Critics' Table Favorites


Theatre choices by reviewers for the Austin Statesman and the Austin Chronicle for 2012-2013, from the 'Critics' Table' list published by Jeanne Claire van Ryzin in the Austin Statesman:

THEATRE
Production, Drama (tie)

 
All My Sons, Palindrome Theatre
Rose Rage, The Hidden Room Theatre

Production, Comedy  
Slip River, UT/David Mark Cohen New Works Festival

Production, Musical  
Legally Blonde the Musical, Summer Stock Austin

Theatrical Event  
Now Now Oh Now, Rude Mechanicals

Direction  
Beth Burns, Rose Rage/Invisible, Inc.

Acting in a Leading Role
 

Barbara Chisholm, The Importance of Being Earnest
Brock England, Rose Rage
Noel Gaulin, Accidental Death of an Anarchist/The Bear/Vodka, Fucking, and Television
Joey Hood, "I Am the Machine Gunner"

Acting in a Supporting Role
 

Joey Banks, Bloody Bloody Andrew Jackson
Fran Dorn, The Edge of Peace
Robert Matney, Rose Rage
Laurence Pears, Rose Rage/Invisible, Inc.
Sydney Roberts, Urinetown: The Musical

Ensemble Performance
   The Poison Squad, The Duplicates

Music Direction  
Allen Robertson, Xanadu/Ragtime/Goodnight Moon

Movement
   Cassie Abate, Urinetown: The Musical

David Mark Cohen New Play Award (tie)
 

The Edge of Peace, Suzan Zeder
The Women of Juarez, Isaac Gomez and Bianca Sulaica

Touring Show, Theatre  
Watch Me Fall, Action Hero/Fusebox Festival

DESIGN

Scenic Design
   Thomas Graves, Michelle Marchesseault, Leilah Stewart, et al. (?) Now Now Oh Now

Costume Design  
Susan Branch Towne, The Sound of Music/Xanadu/Ragtime

Lighting Design 
The Duplicates, The Poison Squad

Sound Design  
Buzz Moran, All My Sons/Under Construction/spacestation 1985

Video Design
   Lowell Bartholomee, Vodka, Fucking, and Television

Special Citations

John Bustin Award for Exceptional Versatility
   Jill Blackwood

W.H. "Deacon" Crain Award for Outstanding Student Work

 Isaac Gomez, UT Dept. of Theatre & Dance
Will Davis, UT Dept. of Theatre & Dance
Sophia Franzella, St. Edward's University
Lindsley Howard, St. Edward's University
Hannah Fonder, St. Edward's University

Visionary Vivifier Award  
Caroline Reck and Glass Half Full Theatre

More Perfect Union Award  
Thomas Graves and Hannah Kenah in Alfred and Agnes

Dress for Excess Award
   Pam Friday, Seven Wonders of the World (Plus One)


Click to view full list, including choices for dance and music, at the Austin Statesman's www.Austin360 'Seeing Things' blog

Monday, March 18, 2013

Austin Statesman's Gary Dinges Reports Closure of the Silver Spur Theatre, Salado


It's ironic that ArtsJournal.com picked up this short article about the closing of the Silver Spur Theatre, Salado from the Austin Statesman's business page and circulated it nation-wide.


 A search of the Statesman establishes that other than occasional mention in arts events listings, the paper has published only three articles about the Silver Spur: this one about the closing, an elegiac March 2 photo essay by Andy Sharp, and a November, 2012 piece about a Christmas radio play. 


Austin Live Theatre published 36 'upcoming' pages for the theatre over the past four years, drawn from the extensive releases crafted by Preston Kirk.


By the way, the Silver Spur wasn't a 'community' theatre. It did indeed serve a community, but it wasn't an amateur outfit. The Spur was the enterprise of a handful of hard working artist-entrepreneurs who didn't manage to find a way to attract enough customers to keep the lights on.


Austin Statesman



Grainger Esch Silver Spur Salado Andy Sharp
(photo: Andy Sharp)

  Salado community theater shutting down


By Gary Dinges, American-Statesman Staff
Business section, March 18, 2013



A community theater in Salado has fallen on tough times and will close its doors for good at the end of this month.


While Silver Spur Theater’s attendance and revenue have grown since it opened in 2004, co-owner Grainger Esch said rising expenses have made it financially unfeasible for the venue to remain open.


The theater, home to a variety of Vaudeville-style shows, film screenings and live music, garnered national attention in 2008 when it hosted a wedding rehearsal after-party for Jenna Bush, daughter of former President George W. Bush.


“It’s just not sustainable,” Esch said. “The locals in Salado always thought this was a good thing to have, but there aren’t enough people to support it.”


Salado, which is about an hour north of Austin in Bell County, had 2,161 residents as of July 2011, according to the U.S. Census Bureau.


Out-of-towners helped boost business during peak tourism periods – spring, summer and the holiday season – but at other times of the year there were more than a few empty seats, Esch said.


“We needed tourism traffic to help this work, and there hasn’t been as much as we’d hoped,” he said.

In a bit of irony, the Silver Spur’s final production, “Schtick Happens,” sold out this month, according to Esch, and encore presentations were added.


“It was great, a joy,” he said. “Everyone had a blast.”


A few private events are scheduled to take place at the Silver Spur through the remainder of March, then Esch will begin selling off props and other items to theater groups elsewhere. Anything not sold will likely be auctioned, he said.


While the theater’s closure might be unfortunate, a Salado hotelier said he doesn’t expect it to significantly impact other businesses in the area.


“Tourists would come here to do other stuff, then wind up there – not the other way around,” said Rob Petro, owner of the Inn at Salado. “It was more of a distraction than a destination for most of them.”


While the Silver Spur is gone for now, Esch said he expects theater will one day return to Salado.


“It’s been a good run,” he said. “I’m proud of what we did, and I’ve got a good outlook about what’s ahead.”


Grainger Esch (photo: Andy Sharp via Austin Statesman)
Grainger Esch (photo: Andy Sharp)

Sunday, December 9, 2012

Arts Reporting: Austin Playhouse's Relocation to Highland Mall


Published in the Statesman's Sunday edition of December 9, 2012:


Austin360Statesman Austin TX





 Whether in a Tent or in a Mall, for Austin Playhouse the Show Goes On

by Jeanne Claire van Ryzin December 9, 2012



Don Day Austin Playhouse (photo: Alberto Martinez via Austin Statesman)
(photo: Alberto Martinez via Austin Statesman)

What’s the old show business saying? Something about how no matter what happens, the show must go on?

More than any other theater group in town, Austin Playhouse might embody the spirit of that saying.

A year ago, the midsize nonprofit troupe announced that it was pitching a tent — literally — on a site at the Mueller development, where it planned to build a two-theater facility as part of the Mueller community’s town center.

The tent was a temporary venue while the community theater group worked through the permitting process for its planned 17,000-square-foot complex that would also have classrooms, offices and ground-floor space that will be sold to a bar or restaurant.

However, with permitting for the Mueller project still not finalized but construction under way on the building next to it, the troupe is setting up a second temporary home. And this time, the show’s at Highland Mall.

On Thursday, Austin Playhouse will raise the curtain on “The Game’s Afoot (Or Holmes for the Holidays),” a murder mystery drawing-room comedy set in Broadway theater world of the 1930s.

The theater’s real estate shuffle around town mirrors the shifting landscape of Austin development[ . . . . ]



Read more at the Austin Statesman on-line. . . .

Saturday, November 10, 2012

AISD Cancels UT Play about 'And Then Came Tango' about A Couple of Penguin Dads


From today's edition:

Austin Statesman TX





AUSTIN SCHOOLS
Austin school district cancels UT play about same-sex penguin parents

And Then Camke Tango Emily Freeman University of Texas
(photo: Emily Freeman)
By Jody Serrano
A University of Texas play about two male penguin parents has ruffled feathers at the Austin school district, prompting the cancellation of 10 scheduled performances at Austin elementary schools.

Written by UT theater graduate student Emily Freeman, “And Then Came Tango” is a play about Roy and Silo, real penguins at New York’s Central Park Zoo who were given a fertilized egg and raised the hatchling, Tango, together.

UT students first performed the play for second-graders at Lee Elementary School in Central Austin in October. District officials raised concerns about age appropriateness and suspended the play, finally canceling it at the end of the month.

This is the first time the district has canceled a UT performance.

“The subject matter communicated in the play is a topic that Austin ISD believes should be examined by parents/guardians who will discuss with their elementary school age children at a time deemed appropriate by the parents/guardians,” Greg Goodman, the Austin school district’s fine arts director, said in a letter to UT’s Coleman Jennings, the head of the university’s youth theater program.

The Austin school district has routinely allowed UT students to perform their works in schools to satisfy degree requirements. Freeman said she was disappointed about the cancellation of her play and said the work was meant to communicate messages of fairness, equality and love.

“The play is about different families,” and under state teaching standards, that’s appropriate for kindergarten, Freeman said, referring to state curriculum standards. “I can’t see the argument that it’s not age appropriate for kids in second and third grade.”

She said the cast and crew have performed the play for private schools in the area, as well as at Round Rock High School and Del Valle Middle School.


Read more at the Austin Statesman online. . . .


  And Then Came Tango Emily Freeman University of Texas
An interactive play for young audiences
Written by Emily Freeman
Directed by Roxanne Schroeder-Arce

November 30 at 7:00 p.m.
December 1 at 2:00 p.m. and 7:00 p.m.
December 2 at 2:00 p.m. and 4:00 p.m.
Oscar G. Brockett Theatre

The performances are free and open to the public. Seating is limited.


Tuesday, October 23, 2012

Entrepreneurs Convert Goodwill Warehouse on Springdale while Blue Theatre Slips Away

Well, that's not exactly the title of Jeanne Claire van Ryzin's article on the Statesman's Austin360.com Seeing Things blog, but deep down in the account of conversion of that space is confirmation that Jenny and friends are relinquishing their lease. (And by the way, the Blue's website has already gone dormant.)

New Canopy complex aims to bring East Austin artists together
by Jeanne Claire van Ryzin, October 20

It’s the kind of site artists dream about.

There’s some 40,000 square feet within three large inter-connected warehouses. There’s an equally spacious lot with plenty of off-street parking.
Canopy project (image via Austin Statesman)
And best of all, there’s an address in East Austin, the area that in the past few years has become synonymous with the arts community.

Right now, the buildings on 916 Springdale Road look like any other construction site.

But come January, the place will open as Canopy, a complex of studios, offices, galleries and a café all stitched together by courtyards and breezeways — and yes, 158 parking spaces.

Plans call for Canopy to have 45 individual studios, eight multi-use spaces that could be used for galleries or offices for creative industry professional and one space being built-out to suit a café or restaurant.

Although the facility is owned and being developed by a consortium of private business people, the artist-founded non-profit group Big Medium — the folks who started the East Austin Studio Tour — is Canopy’s anchor tenant. And once Canopy is open, Big Medium will open its new gallery there, act as the site’s coordinator and use its space to continue to organize EAST. (This year’s EAST runs Nov. 10-11 and Nov. 17-18.)

Last week, a couple of dozen artists donned hardhats and put up with a drizzling rain to tour the Canopy site during an open house event aimed at potential tenants. (Rents for individual studios start at $500 per month. See www.canopyaustin.com for information.)

Click to read more at www.Austin360.com . . . .

Tuesday, June 5, 2012

Statesman and Chronicle Arts Writers Announce Their Favorites in the Critics' Table 2012-2012 Awards


from the Statesman's Austin360.com Seeing Things blog, June 4

2011-2012 Austin Critics’ Table Awards: The winners

By Jeanne Claire van Ryzin | Monday, June 4, 2012, 08:00 PM

Austin actors Liz Beckham, Jude Hickey, Eugene Lee, Nikki Zook and Sam Mercer won Austin Critics’ Table Awards for Outstanding Acting in Leading Role.

The awards — presented by an informal group arts critics from the American-Statesman and the Austin Chronicle — were presented Monday night at a ceremony at Cap City Comedy Club.

Daniel Ching, first violinist with the Miró Quartet, won for Oustanding Instrumentalist for his performance of “Credo” by the 2012 Pulitzer Prize-winning composer Kevin Puts.

Conspirare won Outstanding Choral Performance for its concert “Samuel Barber: American Romantic” and Conspirare singer David Farwig won for Outstanding Singer.

The award for Outstanding Original Composition was tie with Steven Snowden winning for his chamber piece “For So Long It’s Not True” and Ian Dicke winning for “Musa.”
Among the visual artist netting kudos, Laurie Frick and Miguel Aragon both won the outstanding artist of the year award. Colby Bird received the Outstanding Solo Gallery Exhibition for his show at Lora Reynolds Gallery.

[AustinLiveTheatre note:  ALT expects to list its own 'Applause' recognition for artists in live narrative theatre for the period 5/2011-7/2012 around August 1]

Thursday, May 24, 2012

Statesman and Chronilcle Writers Announce 2011-2012 'Critics' Table' Nominations


Writers for the Chronicle and the Statesman put together their annual list and released it last night.  Here are the nominations relating to Austin's live narrative theatre; the full list is available at Jeanne Claire van Ryzin's Seeing Things blog at the Statesman's Austin360.com website.  Robert Faires describes the process in his feature at the Austin Chronicle.

THEATRE

Production, Drama
“Arcadia,” Austin Shakespeare
“Dr. Jekyll and Mr. Hyde,” UT Department of Theatre & Dance
“Housebreaking,” Poison Apple Initiative
“The Lion in Winter,” Austin Playhouse
“The Pavilion,” Penfold Theatre Company
“Riddley Walker,” Trouble Puppet Theatre Company

Production, Comedy
“The Aliens,” Hyde Park Theatre
“The Further Adventures of Hedda Gabler,” Mary Moody Northen Theatre
“Guest by Courtesy,” Salvage Vanguard Theater
“Men of Tortuga,” Street Corner Productions
“Messenger No. 4,” Cambiare Productions
“The Schooling of Bento Bonchev,” Breaking String Theater

Production, Musical
“The 25th Annual Putnam County Spelling Bee,” Soubrette Productions
“Hairspray,” Zach Theatre<.br> “I Love You Because,” Penfold Theatre Company
“Next to Normal,” Zach Theatre
“Oklahoma!,” Texas State University Department of Theatre and Dance
“[title of show],” TexARTS

Theatrical Event
“Bottled-in-Bond: The Decline and Fall of a Thug as Told in Five Drinks,” Fusebox Festival: Digestible Feats
“Jubilee,” Rubber Repertory
“The Orchid Flotilla,” Glass Half Full Productions
“Surprise Annie,” Rubber Repertory
“Sweet Betrayal,” Fusebox Festival: Digestible Feats

Direction
Bastion Carboni, “Housebreaking”
Daria Davis, “Dr. Jekyll and Mr. Hyde”
Kaitlin Hopkins, “Oklahoma!”/”Hair”
Zell Miller III, “For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf”
Andrea Skola, “Men of Tortuga”
Dave Steakley, “Hairspray”/”Next to Normal”/”The Laramie Project”
Ken Webster, “The Aliens”

Acting in a Leading Role
Liz Beckham, “Arcadia”
Jill Blackwood, “The Further Adventures of Hedda Gabler”
Andrew Cannata, “I Love You Because/Dirty Rotten Scoundrels”
Jon Cook, “The Aliens”
Babs George, “Ghosts”
Jude Hickey, “The Aliens”
Eugene Lee, “The Book of Grace”/”God of Carnage”
Claire Ludwig, “A Room With a View”
Meredith McCall, “Next to Normal”
Sam Mercer, “Housebreaking”
Nadine Mozon, “The Book of Grace”
Robert Pierson,”B. Beaver Animation”
Matt Radford, “Uncle Vanya”
Caroline Reck, “The Orchid Flotilla”
Nikki Zook, “The Children’s Hour”

Acting in a Supporting Role
Kim Adams, “Ghosts”/”The Pavilion”
Brian Coughlin, “Hairspray”
Michael Dalmon, “Arcadia”
Shelby Davenport, “Arcadia”
Emily Everidge, “Uncle Vanya”
Jamie Goodwin, “Next to Normal”
Joey Hood, “The Aliens”
Jarrett King, “The Further Adventures of Hedda Gabler”
Tom Parker, “A Room With a View”
Jason Phelps, “Spring Awakening”
Kelli Schultz, “Next to Normal”
Michael Slefinger, “Big Love”
Janis Stinson, “Hairspray”
Breanna Stogner, “Down the Drain”
Rommel Sulit, “Big Love”/”Men of Tortuga”/”Bacha Bazi (Boy Play)”/”The Dragon Play”

Ensemble Performance
“69 Love Scenes,” Gnap! Theatre Productions
“Dr. Jekyll & Mr. Hyde,” UT Dept. of Theatre & Dance
“For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf,” UpRise! Productions/Vortex Repertory Co.
“God of Carnage,” Zach Theatre
“I Love You Because”, Penfold Theatre
“Jubilee,” Rubber Repertory

David Mark Cohen New Play Award
“360 (round dance),” Steven Dietz
“Bacha Bazi (Boy Play),” Gabriel Jason Dean
“Guest by Courtesy,” Hannah Kenah
“Messenger No. 4,” Will Hollis Snider
“River City,” Diana Grisanti
“Static,” Tom Horan

Music Direction
Greg Bolin, “Oklahoma!”/”Hair,” Texas State University Dept. of Theatre and Dance
Susan Finnegan, “The Spitfire Grill”
Austin Haller, “[title of show]”
Allen Robertson, “Hairspray”/”Next to Normal”

Movement
Quetta Carpenter, “Love’s Labour's Lost”, UT Dept. of Theatre & Dance
Matt Hislope and company, “Jubilee”
Robin Lewis. “Hairspray”
Amanda Mayi Moss & Sade Jones, “For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf”
Melinda Rebman & Zenobia Taylor, “The Dudleys: A Family Game”
Tom Truss, “Hair,” Texas State University Dept. of Theatre and Dance

DESIGN

Scenic Design
Rowan Doyle, “Dr. Jekyll and Mr. Hyde”
Ia Ensterä, “Uncle Vanya”/”Down the Drain”/”Ghosts”/”The Schooling of Bento Bonchev”/”The 21 Would-Be Lives of Phineas Hamm”/”Messenger No. 4”/”The Alien”s/”The Materiality of Impermanence”
Ann Marie Gordon, “Sarah Silver Hands”
Michael Raiford, “Hairspray”/”Spring Awakening”/”God of Carnage”
Chris H. Yoo, “360 (round dance)”

Costume Design
Yao Chen, “Dr. Jekyll and Mr. Hyde”
Julia Chinnock Howze, “Uncle Vanya”
Rachel McGinnis, “The 21 Would-Be Lives of Phineas Hamm”
Austin Rausch, “The Further Adventures of Hedda Gabler”
Susan Branch Towne, “The Magic Flute”/”Hairspray”
Proletina Veltchev, “Love’s Labours Lost”

Lighting Design
Jason Amato, “Devotion”/”Hairspray”/”Sarah Silver Hands”/”Next to Normal”/”Arcadia”
Kathryn Eader, “The Further Adventures of Hedda Gabler”
Kate Leahy, “Dr. Jekyll and Mr. Hyde”
Stephen Pruitt, “The Materiality of Impermanence”/”April Fools”
Steven Shirey, “Ghosts”/”The Schooling of Bento Bonchev”/”Jubilee”
Cheng-Wei Teng, “Love’s Labours Lost”

Sound Design
K. Eliot Haynes, “Riddley Walker”
Sam Kokajko, “Hairspray”
Jeffery Mills, “Civilization (All You Can Eat)”
Buzz Moran, “The Further Adventures of Hedda Gabler”/”Ghosts”
Brian Schneider, “The Pavilion”

Video Design
Jo Beira, “Too & For” (Catalyst)
David Bengali, Angela Hill, Josh Lampman, David Mauro, Dan Monceaux, Camilo Munar & Jake Witten, and Jordan Rein, “The Dudleys: A Family Game”
Scott Hathaway, “Devotion”
Jeff Kurihara, “Broken Pieces”/”Just for the Night” (New York Stories)
Todd V. Wolfson, “The Materiality of Impermanence”


Tuesday, April 10, 2012

Brockett Family Endows UT Professorship in Theatre History


From endowments.giving.utexas.edu:Oscar G. Brockett (image: Department of Theatre and Dance via kut.org)

Oscar and Lenyth Brockett Professorship in Theatre History

Description: The Oscar and Lenyth Brockett Professorship in Theatre History was established by the Board of Regents of The University of Texas System on February 6, 2012, to benefit The University of Texas College of Fine Arts. The endowment honors Oscar G. Brockett, Ph.D. and Mrs. Lenyth Brockett. Gift funds were provided by Ms. Francesca L. Brockett and Dr. James J. Pedicano.

The Statesman's arts editor Jeanne Claire van Ryzin writes in the Austin360 Seeing Things blog of April 10,

Brockett’s daughter, Francesca Brockett, and her husband, Jim Pedicano, donated $300,000 to support the professorship will fund faculty and student research in theater history.

The new professorship is the first step toward creating an academic research center named for Brockett, the highly regarded theater historian and UT professor who passed away in 2010 at age 87. His 1968 book, “History of the Theatre,” is still recognized as the highest-selling theater history text to date and is now in its 11th edition.

Sunday, April 1, 2012

Arts Reporting: Rupert Reyes on Teatro Vivo's New Latino Play Festival, Austin Statesman, April 1


Jeanne Claire van Ryzin interviews Teatro Vivo artistic director Rupert Reyes about the April 5 - 7 staged readings of the New Latino Play Festival at the Emma S. Barrientos Mexican-American Cultural Center:


Austin Statesman Arts TX



Annabel Guevara, Rupert Reyes (photo: Teatro Vivo via Austin Statesman)

Festival puts spotlight on new Latino playwrights

by Jeanne Claire van Ryzin

It was standing room only at the first Austin Latino New Play Festival last year.

Teatro Vivo artistic director and co-founder Rupert Reyes hadn't necessarily anticipated an overflow crowd.

After all, the three plays featured were brand-new, not familiar fare, and presented as staged readings, not fully realized productions. It was the kind of free, workshop-style event that attracts a mostly theater-insider crowd fond of chewing over new scripts in post-show discussions.

And so Reyes booked the small black-box theater room at the Emma S. Barrientos Mexican American Cultural Center, which accommodates 80 people.

But when many more than that showed up, extra chairs had to be found and some folks had to stand.

"It wasn't just the number of people who showed up that was so surprising," said Reyes, a veteran theater artist. "It was the sense of people wanting to have their comments about the scripts heard. Everybody stayed for the talk-backs. Everybody was really engaged with the plays."

Read more at the Statesman's Austin360 'Seeing Things' blog . . . .

Tuesday, November 22, 2011

Arts Reporting: Seven NEA Grants to Austin Area Arts Groups


From the Statesman's Austin360 Seeing Things blog of November 22:

Austin arts groups net seven NEA grants

By Jeanne Claire van Ryzin | Tuesday, November 22, 2011, 12:32 PM

National Endowment for the Arts chairman Rocco Landesman recently announced the latest round of grants from the federal agency to organizations and individual writers across the country. Some 863 awards totaling $22.54 million and encompassing 15 artistic disciplines and fields were awarded.


Austin area arts groups received seven grants. Texas netted 29 for a total of $653,000.


The Austin grants are:

  • Austin Film Society, $20,000 for its curated film and video series.
  • Badgerdog Literary Publishing, $7,500 for the publication, promotion, and distribution of the quarterly journal American Short Fiction.
  • Blue Lapis Light, $10,000 for the creation and presentation of a site specific aerial dance, titled Swan Nebula, choreographed by Sally Jacques
  • EmilyAnn Theatre Inc., $10,000 for Shakespeare Under the Stars, a summer youth theater program for high school students.
  • Puerto Rican Folkloric Dance, $10,000 for Celebrando 2012: Bomba de Loiza with Los Hermanos Ayala.
  • Tapestry Dance Company, $10,000 for the 12th annual Soul to Sole Tap Festival.
  • Vortex Repertory Company, $15,000 for the creation and presentation of “The Elementals: Water,” an original theatrical work with music and dance, conceived and directed by Bonnie Cullum, an original score by Chad Salvata and choreography by Toni Bravo.

Sunday, July 24, 2011

Statesman Profiles Financial Difficulties of Austin's Large Arts Organizations


In the edition of Sunday, July 24, Statesman arts editor Jeanne Claire van Ryzin outlines the rapid expansion since the 1990's of Austin's large arts organizations and the financial strains for many. (The Zach Theatre, Ballet Austin and the Austin Classical Guitar Society are in good shape.)


Zach Theatre Topfer Stage construction


Austin arts groups feel strains of growth

by Jeanne Claire van Ryzin

Since 2000, the annual price tag on the arts has mushroomed, challenging arts leaders to find more money each year to keep the cultural offerings in step with Austin's growing population. Top, Zach Theatre's Topfer Theatre construction site, where $18 million of the $22 million needed for the project has been raised. Bottom, AMOA and Arthouse, which are discussing a possible merger.

Read more at the Statesman on-line . . . .



Guitar society teaches how to expand wisely


by Jeanne Claire van Ryzin


Austin Classical Guitar Society classThough it doesn't rank among the largest Austin arts organizations, the Austin Classical Guitar Society serves as a remarkable example of the growth of the city's cultural character.

A decade ago, the society was an all-volunteer organization with a budget of $38,399. Now it's set to finish its current fiscal year with a professional staff and a budget of $515,000 — a whopping 1,241 percent growth rate financially. In terms of budget, the Austin group is now the largest classical guitar society in the country. And it's a fiscally sound organization, its leaders report, running in the black.

Read more at the Statesman on-line . . . .

Monday, June 6, 2011

Arts Reporting: 2011 Critics' Table Awards for Theatre


Jeanne Claire van Ryzin of the Statesman lists the performers and performances most favored by the arts writers from the Austin Statesman and the Austin Chronicle for May, 2010 - May 2011. It's a mostly middle-brow selection. Most prominently represented are the Zach Theatre and the Rude Mechs. Special recognition goes to Jude Hickey of the DA! collective, Dustin Wills' "Heddatron" crowd from the Salvage Vanguard, Capital T's Artistic Director Mark Pickell, Texas State musicals, and St. Edward's graduating senior Jon Wayne Martin.


THEATRE

Production, Drama

(blank) [@travisbedard reports that the award went to Spirits to Enforce by Capital T Theatre, directed by Gary Jaffe]

Production, Comedy
“Becky’s New Car,” Zach Theatre

Production, Musical
“The Drowsy Chaperone,” Zach Theatre
“I’ve Never Been So Happy,” Rude Mechs

Theatrical Event
“You Wouldn’t Know Her, She Lives in London,” The Hidden Room Theatre/Look Left Look Right

Click 'Read more' to view additional theatre recognition; Click here to see the full list given at the Statesman's Austin 360 Seeing Things blog

Tuesday, January 18, 2011

Arts Reporting from the Statesman: Paramount Theatre Director Stein Will Depart


Posted by Jeanne Claire van Ryzin on the Statesman's Austin360 "Seeing Things" blog, January 18:


Paramount Theatre director to depart

Ken Stein, executive director Austin Theatre Alliance, the organization that manages the Paramount and State theaters, has announced that he will depart the organization in June of this year.


Stein said he would be relocating to Dallas with his family for personal reasons. He said he will stay on through the end of the current subscription season and help ease the transition for a new director.

(photo: Ken Stein interviews Lily Tomlin, 2008 (Planned Parenthood of Texas))

Read full text at the "Seeing Things" blog . . . .

Friday, November 19, 2010

Arts Reporting: Austin Playhouse Announces Move to Mueller Development

Reported by Jeanne Claire van Ryzin on the Statesman's Ausin360 'Seeing Things' blog, November 19


Austin Playhouse announces move to Mueller


After nearly ten years at its South Congress Avenue location, Austin Playhouse plans to build a $4 million new theater in the Mueller redevelopment in East Austin, theater officials announced Friday.


Catellus Development Group, the master developer of Mueller, confirmed that it had signed a letter of intent with Austin Playhouse.


The theater would be located in the Mueller town center, roughly north of Mueller’s Lake Park. The town center is planned to be a mix of retail, restaurant and entertainment venues. However, no date has been set to start that phase of the Mueller project.


“We’re excited about the opportunities the Austin Playhouse would bring to Mueller,” said Greg Weaver, managing director for Catellus Development Group, the master developer of Mueller. “The Austin Playhouse will help activate a new area of the Mueller community, draw new visitors to experience other elements of the development and provide another primarily nighttime venue to move Mueller toward a 24/7 community.”

The community theater group [SIC] plans to build a 17,000-square-foot two-theater complex with classrooms, a gallery, offices and ground-floor space to sublet to a bar or restaurant.

Don Toner, executive director of Austin Playhouse, said he expects construction to begin in 2011. He said the $4 million price tag includes about $2 million for the property and 100 parking spaces and $2 million for construction, fundraising and other project costs.

Toner said that $265,000 in pledges and cash has been raised so far.

Monday, November 8, 2010

Oscar Brockett, 1923-2010, by Michael Barnes

Published by the Austin Statesman, November 8:

Oscar Brockett 1923 - 2010








Oscar Brockett, 1923-2010

Oscar Brockett, the world’s foremost theater historian and a former University of Texas professor, died early Sunday morning after suffering a massive stroke late Saturday.

Brockett, 87, leaves behind hundreds of former students and colleagues around the world, as well as a daughter, Francesca Brockett, and her husband, Dr. James Pedicano of Austin.


“(He) was an absolute giant in the field of theater history,” said Doug Dempster, dean of the UT College of Fine Arts. “He defined it in many ways. His name is synonymous with the field across several continents. He was a prolific, meticulous scholar into the very last year of his long career. He leaves a legacy that will last as long again as his long life.”

In 1968, Brockett wrote “History of the Theatre.” It has since been translated into dozens of languages, including a suppressed version in Farsi. It is now in its 10th edition and has passed through the hands of almost every American theater student for four decades.


Read full text at Statesman.com . . . .

Monday, February 1, 2010

Arts Reporting: Andrew Cannata Profiled by Michael Barnes


The Statesman's Michael Barnes profiles Andrew Cannata, who opens this week in John and Jen by Penfold Theatre, in Barnes' "Out and About" social blog:

That Voice: the Arrival of Andrew Cannata
by Michael Barnes, January 31, 2010

Within the relatively cozy world of Austin musical theater, a male voice like Andrew Cannata’s comes along once in a generation or so. Joe York’s warm, booming baritone made its first mark in the 1980s. Stephen Michael Miller’s delicate tenor glided onto the scene in the 1990s.

Cannata, 23, a recent graduate of St. Edward’s University, impressed Zilker Summer Musical audiences as a junior TV writer in “My Favorite Year,” amused Zach crowds playing a Boy Scout perfectionist in “The 25th Annual Putnam County Spelling Bee.” He also scored major roles in “Parade,” “Little Shop of Horrors” and “On the Town.”

Yet it was his performance last season as the romantic lead in the classic musical, “The Pajama Game,” that elicited unprecedented raves and an Austin Critics Table nomination for Outstanding Singer. Under the tutelage of music and stage director Michael McKelvey, Cannata has smoothed out the breaks in his blooming tenor and has relaxed into a natural acting style.”

announcement: John and Jen by Penfold Theatre at the Hideout Theatre, February 4 - 21

Read full text at Barnes' "Out and About" blog for the Statesman . . . .


Monday, June 1, 2009

Statesman & Chronicle Art Critics' Theatre Awards


Arts writers from the Chronicle and the Statesman announced tonight their choices from the Critics Table list published May 14, including the following picks for theatre. Links to ALT reviews are provided when available.

The Chronicle and Statesman writers covered the period May 2008 through April 2009. Austin Live Theatre's APPLAUSE recognition announced on May 15 covered the period of June 1, 2008 to that date. Because theatre works and artists are so varied, ALT did not single out any nominees as best in category.

Statesman & Chronicle Arts Writers'
Critics Table Awards in Theatre, 2009

Production, Drama
‘Cyrano de Bergerac,’ Mary Moody Northen Theatre

Production, Comedy
‘Age of Arousal,’ Austin Playhouse

Production, Musical
‘The Last Five Years,’ Penfold Theatre Company/Austin Playhouse

Direction
Michelle Polgar, ‘Cyrano de Bergerac’
Dustin Wills, ‘Ophelia’

Acting in a Leading Role
Annika Johansson, ‘The Last Five Years’
David Long, ‘Cyrano de Bergerac’
Tom Truss, ‘The Idiot’
Jennifer Underwood, ‘The Casket of Passing Fancy’ / ‘The Beauty Queen of Leenane’

Acting in a Supporting Role
Verity Branco, ‘A Midsummer Night’s Dream’ / ‘An Ideal Husband’
Shavanna Calder, ‘Caroline, or Change’
Jenny Gravenstein, ‘Age of Arousal’
Marc Pouhe, ‘The Three Sisters’ / ‘Cyrano de Bergerac’/ ‘The Grapes of Wrath’

Ensemble Performance
‘The Red Balloon,’ Tongue and Groove Theatre

David Mark Cohen New Play Award
‘Dug Up’, Cyndi Williams

John Bustin Award for Conspicuous Versatility
Michael McKelvey

Music Direction
Jeff Hellmer, ‘Queenie Pie’

Movement
Jennifer Sherburn/David Yeakle, ‘The Red Balloon’

Touring Show, Theatre
Elaine Strich at Liberty, Austin Cabaret Theatre
‘Spectacular,’ Forced Entertainment, Fusebox Festival

None of the Above
‘The Casket of Passing Fancy,’ Rubber Repertory

W.H. “Deacon” Crain Award for Outstanding Student Work
Mark Scheibmeir, UT Department of Theatre & Dance

DESIGN
Scenic Design
Kevin Beltz, ‘Still Life With Iris’

Costume Design
Michaele Hite, ‘Queenie Pie’
Ariana Schwartz, ‘Still Life With Iris’

Lighting Design
Lih-Hwa Yu, ‘The Shape of White’

Sound Design
Buzz Moran, ‘Hamilton Township’

Video Design
Duncan Alexander, ‘The Color of Dissonance’