presents
The Usual Suspects
Slapdash Flimflammery X
August 24 at the The Off-Center, 2211-A Hidalgo Street, near E. 7th Street and Robert Martinez (behind Joe's Bakery) , 8 p.m.
| Robert Matney |
present
Now Now Oh Now
May 17 - June 9, Thursdays - Sundays
multiple sessions each night, starting as needed at 7:30 and 8 p.m.; possibility of adding 7 p.m. and 8:30 p.m. start times
audience limited to 30 persons per session
at the Off Center, 2211-A Hidalgo, behind Joe's Bakery and near E. 7th and Robert Martinez (click for map)
Tickets are $25 for general admission on Fridays and Saturdays, and "Pay What You Wish" on Thursdays and Sundays. Advance tickets go on sale staring April 17th. Tickets will also be available at the door for cash or check only. For more information and advance ticket purchases, visit www.RudeMechs.com.
The Rude Mechs will debut the first fully-mounted production of the original work Now Now Oh Now on May 17th through June 9th at The Off Center. Previously presented in various workshop versions under the working title CL1000P, the fully-realized staging creates interactive puzzle about the importance and impermanence of selecting pleasure over survival.
Friday, March 9 through Sunday, March 11
The Off Center
2211 Hidalgo Street, Austin, TX 78702 (click for map)
Thanks to generous support from the Center for International Theatre Development and Austin's Fusebox Festival, NRDFest is free and open to the public.
Festival Schedule
Friday, March 9
Saturday, March 10
Sunday, March 11
Found on-line:
presents
Look Back in Anger
by John Osborne
directed by Tyler King
November 28-December 14, Mondays-Wednesdays at 7:30 pm
at The Off Center, 2211-A Hidalgo Street, near 7th St. and Robert Martinez (click for map)
Recommended for Mature Audiences
**October Presale - All tickets $8**
Admission: Student/Military ID - $10, General - $15, Super Patron - $25 (Tax included)
Presented in London in 1956, Look Back in Anger revolutionized the British stage with its searing portrayal of the struggling working classes. Now fifty-plus years later, the play takes on a completely new relevance as we in America struggle to fix our jobs market, bolster our economy and escape a second recession. Passionate and unforgiving, Osborne challenges us to examine our human nature during times of uncertainty and ultimately take responsibility for our own future.
Set and Costumes by Leslie Turner; Lights by Becca Plunkett
Located on Facebook via Twitter:
mount a faithful reanimation of
The B. Beaver Animation
(1974 and 1990 by the Mabou Mines of New York City)
and give Austin an extraordinary opportunity to relive history.
co-directed by Madge Darlington and Shawn Sides
October 27, 28, 29, 30; November 3, 4, 5, 6, 10, 11, 12, 13 at 8 p.m.
The Off Center, 2211-A Hidalgo, behind Joe's Bakery on E. 7th Street (click for map)
Tickets on sale October 5, 2011 at brownpapertickets.com - Sliding scale: Free-$25.
After wowing Austin two years ago with a remounting of the Performance Group's Dionysus in ‘69, the ever-daring Rudes reach back in time for another contemporary classic: Mabou Mines' The B. Beaver Animation.
B. is a devastated and stuttering beaver – a beaver who’s forgotten how to construct his dam! Debilitated by the prospect of his family being washed away because of his spontaneous deficiencies, he awaits mail order dam-building manuals and sorts through the damning messages damming his mind!
This seminal work confounded and provoked its 1974 audiences by introducing to the stage a radical style of story telling, an eclectic patchwork of words and action some called a “Performance Poem”. Writer/director Lee Breuer combined such diverse influences as Brecht, Grotowski, Bunraku puppet theater, rock and roll, and the collective input of the Mabou Mines ensemble, to create a deeply personal performance about his struggle with writer’s block. Part monologue, part manifesto, part slapdash circus, B. Beaver muddles the real and the symbolic, relating common themes in uncommon ways.
CAST & CREW:
Adriene Mishler as JoAnne Akalaitis
Elizabeth Doss as Ruth Maleczech
Ellie McBride as Dawn Gray
Aron Taylor as David Warrilow
Caroline Reck as Terry O’Reilly
and
Robert Pierson as Fred Neumann as B. Beaver
Click to read the review by Mel Gussow of the Mabou Mines 1990 re-mount of the B. Beaver Animation, May 24, 1990
Received directly:
presents
October 1, 8 p.m.
at the Off Center, 2211-A Hidalgo Street (click for map)
Tickets $15 ($13 for members of the Austin Creative Alliance) Click to buy tickets on-line
24 hours before showtime 7 writers are locked in a theater. They give a line, they take a line. They write all night.
Early the next morning groggy directors, actors, and stage managers show up to rehearse frenetically and produce a fantastic night of theater for you at 8 p.m.
So what's the special sauce this year? We can't say much. But it has a little something to do with time...
Found on-line:
Dys Theatre presents
ReDucks
based on David Mamet
and
Biophiliac Productions'
Peter and the Wolf
March 3 - 12, Thursdays - Saturdays at 8 p.m.\
Off Center, 2211-A Hidalgo Street (behind Joe's Bakery on 7th St.) (click for map)
Click to donate to DysTheatre or to buy ReDucks tickets ($15)
Click for Dys Theatre on facebook
Found on-line:
in association with the Rude Mechanicals and the Fusebox International Theatre Festival proudly presents
at The Off Center 2211 Hidalgo Street, Austin, TX 78702 (click for map)
January 28th through January 31st
Thanks to support from the Center for International Theater Development and its director, Philip Arnoult, Breaking String is proud to host two of Russia’s most important contemporary playwrights: Maksym Kurochkin and Olga Mukhina.
All Festival events, except performances Flying, are free and open to the public. Join us!
Received directly from the Rude Mechanicals:
So Much to Go Crazy (The Show Might Go On) (Sehr Langsam)
New Work by Sibyl Kempson and Mike Iveson, Jr.
with Ilan Bachrach and Ben Williams
Love and Death, Objects vs. Products: a conglomeration, in song and video.
Dec. 2-4 (Thurs-Sat) at 8 pm at the Off Center, 2211-A Hidalgo Street
Tickets are $10 (First come, first serve at the door)
Received directly from the Rude Mechanicals:
The Truck Project turns the back of a 24' Budget rental truck into its own mobile performance venue.
On its debut tour this fall, the Project will present a pair of solo performance installations.
Jean Ann Douglass's riff on American nostalgia
The Backroad Homeshow
will transform 24 square feet of empty space into the most unlikely vaudeville theater you will ever encounter.
Eric Meyer's
Not Winehouse
invites you to meet the singer we all know and love, reinvented as an American guy who happens to look a lot like Eric Meyer.
Tuesday Nov. 23rd and Wednesday Nov. 24th at 8pm
The Off Center (outside - dress for the weather!)
Tickets: $8 Click to purchase tickets on-line.
Advisory: Please be aware that guests will walk up a Budget Truck loading ramp to enter the theater, and approximately four guests will stand and four guests will sit on cushions on the floor during one of the pieces.
About The Truck Project The Truck Project creates original works of theater performed and toured in rented moving trucks. For each work, the truck interior is transformed into a dynamic playing space, based on the needs of each piece. As much an installation as it is performance, one show creates a vaudeville theater, complete with lobby and concessions, while another is performed in a barren, dark space where all audience members are led to their seats with flashlights. Each configuration of the truck can seat 20-35 people, and several short works are performed in repertory each evening. Our premiere in Brooklyn, NY held 10 performances in one evening, with an estimated audience of 250 total patrons, with many more unfortunately turned away at the door for lack of room. In Autumn 2010, we are expanding and solidifying our repertory and going on tour with two 25-minute works. Starting in Brooklyn, we will then tour to Spartanburg, SC (performing in the alley next to HUB-BUB), New Orleans, LA (performing under the auspices of the New Orleans Fringe Festival), and Austin, TX (performing in the parking lot of the Off Center).

After losing their beloved Eastside Art Center , Geppetto Dreams returns to Austin with a brand new show funded in part by the COA and The Texas Commission of the Arts, as well as the last donation from long time benefactor Steve Spencer:
This particular junkyard is host to Oberon and Titania, king and queen of the fairies. They bring with them a train of fairies and one mischievous sprite named Puck. Soon, the lovers are entangled in a battle of wills between the king and queen that will change their lives forever.
All reviews, images and ALT profiles © Michael Meigs & AustinLiveTheatre.com as of date of posting there or at austinlivetheatre.blogspot.com, except as noted otherwise.
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Compendium calendars of Austin theatre events © Michael Meigs & AustinLiveTheatre.com.