Showing posts with label Andrew Thornton. Show all posts
Showing posts with label Andrew Thornton. Show all posts

Thursday, November 14, 2013

Wittenberg by David Davalos, black box at Playhouse San Antonio, November 1 - 17, 2013


CTX theatre review
Wittenberg David Davalos Playhouse San Antonio TX




by Michael Meigs

There's some wickedly clever entertainment taking place down in the cellar of Playhouse San Antonio, where playwright-actor David Davalos is doing saucy stand-up comedy set in early 16th century Germany.

In the second scene of Hamlet, Claudius the new king informs the prince, "For your intent in going back to school in Wittenberg, It is most retrograde to our desire." That university in Saxony, nearly a century old when Shakespeare was writing, was reputed in Elizabeth's Protestant England both for learning and for the years of dramatic controversies that began there with Martin Luther's public challenge to the Pope Leo X's approval of the practice of selling forgiveness. The Holy Father's indulgence in indulgences was a funding mechanism for rebuilding St. Peter's in Rome.

Wittenberg David Davalos Playhouse San Antonio
David Davalos (photo: Siggi Ragnar)

Davalos takes that rich set of circumstances and adds another element. What if that other great symbolic figure Dr. Faustus was on the Wittenberg faculty at the same time?

Imagining Wittenberg as a late medieval version of an American-style university, Davalos puts Faustus on the philosophy faculty, devoted to independent inquiry, presents Martin Luther as a somber senior lecturer in theology, and portrays the undergraduate Hamlet as indecisive, moody, and something of a slacker. And so the fun begins.

Read more at CTXLiveTheatre.com . . . .

Thursday, April 18, 2013

Video by Trevor Chauvin: Spring Awakening at Playhouse San Antonio, May 17 - June 9, 2013


A video blog (3:44) by Trevor Chauvin introducing the cast for the production by

Playhouse San Antonio





(Playhouse San Antonio, 800 West Ashby at San Pedro Avenue, San Antonio)
of
Spring Awakening
Music by Duncan Sheik, Book & Lyrics by Steven Sater
 





The Playhouse (Russell Hill Rogers Theater)   800 W. Ashby Pl., San Pedro Park at Ashby, San Antonio, Texas, 78212
 May 17-June 9, Fridays and Saturdays at 8pm, Sundays at 2:30pm
 $25-Adult; $22-Senior (60+) and Military w/ ID; $15-Child and Student w/ ID 
 For More Information: (210) 733-7258 and boxoffice@theplayhousesa.org
 Purchase Tickets Online
 An innovative, fearless, hard rock look at teenage sexual awakening in the spring of their lives, and the disastrous consequences brought about by the ultra-conservative, repressive society in which they live. Set in 1891 Germany, Spring Awakening is as current as Roe v. Wade and as American as apple pie.
  Spring Awakening musical Playhouse San ANtonio TX
EXTRAS:
Rehearsal blog by Deborah Martin of the San Antonio Express-News, April 9
Feature by Jenni Mori, www.theatre-for-change.blogspot.com, April 17

Monday, February 18, 2013

(*) Video: Molly Cox Talks backstage with the leads of 'Red' by John Logan

Red by John Logan Playhouse San Antonio 

John Logan's Red -- a play about the painter Mark Rothko -- at The Playhouse, San Antonio, was acclaimed and played to sold-out houses during his run from January 25 to February 17, 2013. In the latest of its new series of video spots titled 'Backstage Magic,' the company shows Molly Cox interviewing Rodman Bolek and Andrew Thornton backstage.



EXTRAS:
Click to view a promotional video by Siggi Ragnar with scenes from the performance

Tuesday, January 22, 2013

(*) Video by Siggi Ragnur: Red by John Logan, Cellar Theatre at Playhouse San Antonio, January 25 - February 17, 2013

Playhouse San Antonio


presents

Red by John Logan, Playhouse San Antonio, TX






by John Logan
with Andrew Thornton and Rodman Bolek

January 25-February 17, 2013, Fridays and Saturdays at 8 p.m., Sundays at 2:30 p.m.

Tickets: $25-Adult $22-Senior (60+) and Military w/ ID $15-Children and Student w/ ID
For More Information: (210) 733-7258 boxoffice@theplayhousesa.org 



Painter Mark Rothko trains a new assistant and philosophizes about art and culture as he paints a series of murals for the soon-to-open Four Seasons Restaurant in New York's famous Seagram Building.


Tuesday, November 6, 2012

(*) Upcoming: Hell and Back by Scott McDowell, Overtime Theatre, San Antonio, December 7 - January 5



Overtime Theatre San Antonio


presents


Hell and Back Scott McDowell Overtime Theatre San Antonio TX


Hell and Back
A Noir Murder Mystery 

by Scott McDowell
directed by Andy Thornton

December 7, 2012 – January 5, 2013. 
8pm Thursdays, Fridays, and Saturdays, plus one Sunday matinee at 2:30 on December 9 and an additional Sunday evening show at 7pm on December 23.

Ticket Prices: $14 general admission, and $10 for teachers, students, seniors 65+, active military, and SATCO members. Tickets can be purchased online at www.theovertimetheater.org.

Information: www.theovertimetheater.org, info@theovertimetheater.org, and (210) 557-7562.
Location: The Overtime Theater, 1203 Camden, San Antonio, TX 78215.

The Overtime’s ‘Good Samaritan’ series returns – just in time for Christmas

It’s the latest installment in the series of noir mysteries written by Scott McDowell and directed by Andy Thornton.

In our fourth installment, "Hell and Back" a year has passed since the events of "All Good Things". Detective Winters has quit the force and is now scratching out a living as a private investigator and solving cases with his dead partner, Blake. When a mysterious woman hires them to find a strange object, they find themselves in over their heads and targets on their backs.

Beginning with The Good Samaritan in 2008 at the Overtime’s West Avenue location, Mcdowell and Thornton continued the series as the premiere offering at The Overtime’s Blue Star location in January of 2010 with The Hard Bargain and followed it up in 2011 with the third installment, All Good Things. Now the series continues in its fourth installment and third location.

The first three installments followed San Francisco detectives Blake (played by McDowell) and Winters (Michael Burger) – and this fourth installment continues to follow Winters after he has left the police force behind and become a private eye.

The story of Hell and Back doesn’t require any knowledge of the prior chapters. Audiences will be able to jump right in and enjoy the story. But there will certainly be plenty of things to entertain those who have followed the detectives for the last several years. Hell and Back premieres at the Overtime’s new location at 1203 Camden in the Gregg Barrios Theater on December 7th.

Cast and Crew:

Detective John Winters: Michael Burger
Detective Adam Blake: Scott McDowell
Officer Duncan/Clerk: Brennan Loy
The Doc – Charlotte Kendricks: Sophie Bolles
Detective William ‘The Kid’ Hamilton: Chris Kelly
Detective Desmond Porter: Torrance White
Senator Robert Hollands: Matthew Haltemann
Alison Rogers, the Secretary: Angie Hernandez
Selina Beckett, the client: Suzanne DeMarkova
JJ Matthews, Senator's Aide: Mary Goodhue

Erica Foster: Lily Canaria
Director – Andrew Thornton
Set – Chris Champlin and Scott McDowell

(Click to go to the AustinLiveTheatre front page)

Tuesday, October 16, 2012

(*) Upcoming: November by David Mamet, Playhouse San Antonio, October 26 - November 18



November
The Playhouse SA -- Cellar Theater
Playwright(s): David Mamet
Just in time for the elections, November comes to The Playhouse to distract you from all of the mayhem in the real world of politics. Mamet's over-the-top take on a Presidential candidate running for re-election is hilariously funny and poignant. Don't miss this chance to make fun of everything political!
PLEASE NOTE: This performance contains adult language and content.

 November David Mamet Playhouse San Antonio

November David Mamet Playhouse San Antonio












Cast:
Directed by Andrew Thornton
This talented cast includes:
President - Gary Hoeffler
President's Assistant - Brad Adams
Speechwriter - Molly Cox
Chief Dwight Grackle - Apollo Campos
Location: 800 W. Ashby Pl., San Pedro Park at Ashby, San Antonio, Texas, 78212
Times: Oct 26- Nov 18, 2012 Shows Fridays and Saturday at 8:00 PM & Sundays at 2:30 PM
Tickets: Adults - $25, Seniors (60 plus), Military with ID, as well as Firefighters, EMT, and Police Officers with ID - $20, Students with ID - $15, Children (12 & under) - $10. There is a $1 processing fee per ticket. Call 210-733-7258 or visit www.ThePlayhouseSA.org for tickets.
For More Information:
210-733-7258
Purchase Tickets Online
(Click to return to the AustinLiveTheatre front page)

Saturday, July 28, 2012

Auditions in San Antonio for David Mamet's November, The Playhouse, July 30


The Playhouse San AntonioAuditions at The Playhouse for November by David Mamet, directed by Andrew Thornton, July 30, 7 p.m. at the Russell Hill Rogers Theatre. 

Arrive early to register! Doors will open at 6:30 p.m. and close at 7:30 p.m. 

Performances October 26 - November 18; all roles available:

November David Mamet The Playhouse San Antonio 
Charles Smith: a man in suit (ages 40-60)
Archer Brown: a man in suit (ages 30-50)
A Representative of the National Association of Turkey and Turkey By-Products Manufacturers: a man in suit (ages 20-70)
Clarice Bernstein: a lesbian (ages 30-50)
Dwight Grackle: a Native American (ages 20-80)

Monday, April 30, 2012

Upcoming: God of Carnage by Yasmina Reza, Attic Rep at Trinity University, May 11 -


Attic Rep San Antonio






presents


God of Carnage Attic Rep





RICK FREDERICK   CHRISTY HUFFMAN   GLORIA SANCHEZ  ANDREW THORNTON

IN

GOD OF CARNAGE

by YASMINA REZA

CODIRECTED BY ROBERTO PRESTICIACOMO AND CHELSEA TAYLOR
AtticRep


MAY 10th - 27th, 2012
THURSDAYS, FRIDAYS, SATURDAYS 8 PM
SUNDAYS 2:30PM

A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tensions emerge and the gloves come off, leaving the couples with more than just their liberal principles in tatters. Winner of the 2009 Tony Award. "A study in the tension between civilized surface and savage instinct, this play is itself a satisfyingly primitive entertainment." -NY Times.


information and reservations atticrep.org or call: 210-999-8524
TICKETS  ARE SELLING FAST!

Thursday, September 8, 2011

Theatre Education, San Antonio: Overtime Theatre Establishes River City Actors Studio


Received directly:

Overtime Theatre San Antonio




establishes River City Actors Studio

Andrew Thornton, Overtime Theatreat the Overtime Theater, in the Blue Star Complex, 1414 S. Alamo, #103, San Antonio, TX 78210 (click for map)

The Overtime Theater is known for producing new and original works by local and Texas writers. As part of its educational outreach to the community, the Overtime Theater now houses River City Actors Studio run by actor and director Andrew Thornton.

River City Actors Studio is a full-service acting education workshop that provides beginning as well as seasoned actors with the tools and skills they need in order to excel. Private and group instruction is available for aspiring actors aged 14 and older.

Thornton, a respected actor and director who is a native San Antonian, has worked with a number of actors who have appeared on stages throughout the city. His one-on-one classes and coaching will be offered on a weekly basis in areas such as:

    • Public speaking
    • College audition preparation for high school students
    • Monologue development
    • Character work
    • Shakespeare

Additionally, Thornton will conduct group classes in scene study, one-act play workshops for middle school and high school groups, and free movement and improvisation.

Click for additional information at AustinLiveTheatre.com . . . .

Friday, May 20, 2011

Upcoming: Hedda Gabler, Classic Theatre, San Antonio, May 12 - 29


Hedda Gabler, Classic Theatre San Antonio, Asia Ciaravino




Mr. and Mrs. George Tesman return to Norway after six months of honeymoon in Europe. In their absence family friend Judge Brack has arranged the purchase of a city mansion at great expense and furnished it lavishly. Ibsen's Hedda Gabler opens on the morning after their arrival at the new residence and a new domestic life.

Allan S. Ross designed this set with meticulous detail. The audience has the time to study the heavy furniture, carpets, framed engravings, views into three additional rooms and a barely glimpsed horizon through the windows. As one listens to a querelous duet between piano and cello, the roseate illumination brings out the reds and purples. At stage right, rear, in his own pool of light, bearded and wearing his military decorations, the late General Gabler stares serenely out from his portrait.

This is a house, not a home. Everything is in its place, according to good taste, discreet expenditure and bourgeois standards. In the action that Ibsen unfolds for us, Hedda Gabler as the new mistress of the house is guarded in her reactions to everyone in these new circumstances. Having passed the age of coquettery, she married George Tesman for lack of anything better to do; now, having involuntarily made her nest with a passing comment about this particular manor, she finds herself obliged to live in it.

Asia Ciaravino is haunting in the title role. That quiet, watchful oval face is almost unblinking, She has the unconscious beauty of a woman who little cares whether others look at her or not.

In one sense, in Hedda Gabler Ibsen wrote a great thumping melodrama and resolved all the conflicts with a couple of pistol shots. One occurs far from the house and is described for us as the Greeks used to do at the conclusions of their tragedies. The second takes place in the final moments just behind a curtain in one of those alcoves as Hedda takes her own life. That's hardly giving anything away -- although the program states that Hedda Gabler was first presented in Dublin in 2008, that's referring to this adaptation by Brian Friel for the Gate Theatre. Hedda has been putting the pistol to her head since 1891, and many spectators echo the scandalized reaction of Judge Brack: "But people just don't do things like that!"

Click to read more at AustinLiveTheatre.com . . . .

Wednesday, November 17, 2010

Upcoming: Straight, A Conversion Comedy by David Schmader, Attic Rep at Trinity University, San Antonio, December 2 - 9

Received directly:


Attic Rep, Trinity University, San Antonio



presents


STRAIGHT A Conversion Comedy

Straight A Conversion Comedy Attic Rep San Antonio

Written and Performed by David Schmader

Directed by Andrew Thornton

December 2- 19

STRAIGHT is a hilarious and subversive comedy about the world of conversion therapy, where gays and lesbians are reputedly cured of their homosexuality and made straight. Plunging into the heart of this highly charged territory–from going undercover at ex-gay support groups to an intensive crash course in Christian heterosexuality deep in the heart of Texas–Schmader blends an essayist’s insight with the spark of stand-up comedy to confront difficult questions, reject easy answers, and get to the bottom of what it means to be straight.

San Antonio Premiere.


Wednesday, December 23, 2009

Upcoming: Hard Bargain, Overtime Theatre, San Antonio, January 8 - 30




UPDATE: Review by Ashley Lindstrom in the San Antonio Current, January 13

Received directly:

THE HARD BARGAIN

World Premiere “Stage Noir”

at the Overtime Theater, San Antonio

Now ensconced in its new home in the Blue Star Arts Complex, the arts center of San Antonio, the Overtime Theater will stage even more original works by San Antonio playwrights and directors. As our grand opening show in the Blue Star space, the Overtime presents The Hard Bargain, a “stage noir” detective story written by Scott McDowell and directed by Andrew Thornton.

Staged with the feeling of a classic film noir movie, The Hard Bargain brings back gritty detectives Blake and Winters from the hard-boiled detective play The Good Samaritan, which played at the Overtime Theater in August 2008. Andrew Thornton directed The Good Samaritan as well.

This time the detectives return to solve a seemingly impossible murder that leads them into the smoky world of jazz, nightclubs, and sensuous femmes fatales. The murder tests the limits of their own worlds and morals in a play that can only be seen at the Overtime.

Showtimes are 8 p.m. Thursdays-Saturdays. Two Sunday matinees (3 pm) also are scheduled for Jan. 10 and Jan. 17. Ticket prices are $12 general admission, and $9 for teachers, students, seniors 65+, and SATCO members.

The Overtime Theater @ the Blue Star Art Complex
1414 S. Alamo St., Suite 103
San Antonio, TX 78210


Read more at AustinLiveTheatre.com . . . .

Monday, August 24, 2009

Uncle Vanya, Classic Theatre, San Antonio, August 20 - 30







San Antonio's Classic Theatre has opened its second season with a beautifully designed, perceptive and subtly paced production of one of my favorite works, Chekhov's Uncle Vanya.

That's the shorthand version of the title. It was published as Uncle Vanya - Scenes from Country Life. Although at the heart of it there sits an eternally frustrated love triangle -- Vanya and Dr. Astrov both yearning for the unhappily married Yelena -- the play contains much, much more.

These scenes from country life contain an uneasy, boozy friendship between Vanya (John Minton) and Dr. Astrov (Anthony Ciaravino). Vanya and his niece Sonya (Laura Darnell) have spent long years managing the estate so as to finance the studies and urban living expenses of Sonya's father Serebryakov. Serebryakov (Allan S. Ross) has now retired to the estate, gout-ridden, cranky and self-important, after a mediocre academic career. We see relatively little of him, but we see a lot of his current wife Yelena (Emily Spicer) , who is scarcely older than his daughter Sonya.

As in all of Chekhov's dramas, we listen to conversations about the dissatisfactions of rural life, discussions of frustrated ideals and idle speculations about the future. His characters are as vivid as life but anything but heroic -- they are, instead, tentative, indecisive and yearning, perhaps the first in theatrical history to portray those very modern qualities.

Read more at AustinLiveTheatre.com . . . .